Mr. X

caught?' I asked.

    May shook her head. 'Neddie, I'm too good to get caught. Now hush up, because talking brings bad luck.'

    I got her up onto the opposite sidewalk, and we moved into the light of the street lamp. Our shadows blotted the cement. 'Hush up about that other thing, too, if you know what's good for you.'

    “I don't get it,' I said. 'We're talking about a man who disappeared thirty-five years ago.'

    “I'll have to hush up for both of us, then.' She did not say another word until she thanked me for accompanying her home.

    Next door, a bent, osteoporotic Joy accepted her bag of goodies and, in a voice age or unhappiness had ground to semi-transparency, sohesitantly asked me in that my refusal came as a relief to us both. The most infirm of the three surviving sisters seemed to exude the same musty, faintly corrupt atmosphere as the barrenness dimly visible behind her. I promised to visit the following afternoon. Inside Nettie's house, I carried my bags upstairs.

    A lamp burned on a table beside a metal-spring bed opposite a sink with an overhanging mirror and medicine chest. Through the open window at the front of the room, I saw Joy's house go dark. I put my bags on the linoleum, unzipped the duffel, and took out my blazer, the CD equipment, and my Dopp Kit. The next day's clothing went on the seat of a rush chair, the blazer over its back.

    The bedsprings yelped when I stretched out. I pulled up the sheet and the thin blanket. A disc of Emma Kirkby singing Monteverdi went into the player, the headphones over my ears. Before I pressed theplay button, I noticed my blazer splayed askew over the back of the chair and got up to hang it in the closet. When I lifted it from the chair, the blazer drooped to one side, weighted by something in its right pocket.

    I reached into the pocket and pulled out a thick wad of bills. I fanned the money over the blanket. Three fifties, lots of tens and twenties, a lot more fives and ones—it added up to five hundred and seventy-six dollars. I separated two fives glued together with beer and counted it again. Five hundred and eighty-one dollars. I stared at the money, feeling as though I ought to lock the door. Then I thought I should tear the bills into confetti and flush them down the toilet. Inthe end, I pushed the money into a front pocket of my knapsack. I went to the mirror and looked at my face without seeing anything all that familiar or all that new. I pushed the knapsack under the bed, switched off the light, and buried my head in the pillow.

 • 25

 • For the first time in years, unconsciousness pulled me into my recurring nightmare. Despite its long absence, each of its details remained as fresh as the images on a reel of film.

    In my earlier years, the dream began with the shadow ripping the seams that connected us and ended with the shadow's gesture toward the forest. Later, I pursued my shadow through the trees. Monstrous beings launched themselves from overhanging rocks, dug claws into my shoulders, and fastened their jaws around my neck. Years after I ran away from Vermont, a hitherto unexpected dream-capacity kept me from jolting out of sleep. Until that point, my fear, above all the sense that Irecognized the monsters, blasted the dream apart. The unexpected capacity I mentioned was the ability to defeat the monsters. When the dream-self had finally come to trust its capacity for survival, the dream went away.

    But, hundreds of times before I seemed free of my nightmare, the shadow appeared before me, leaning against a tree trunk or perching on a low-hanging branch. Sometimes it sprawled in midair, head propped on one hand.

    'You keep on coming, don't you?' it said. 'Haven't you ever wondered where this is going to end?'

    “I'm going to catch you,' I said.

    'What did I ask: where this will end, or how?'

    “It'll end here.' Even as I indicated the forest, I doubted what I had said.

    “Is that the best you can do?'

    “I don't give a damn where it happens.'

    'Ding-dong,' the shadow said. 'Would you give a damn if our conclusion were to take place in Jones's Woods, just outside the town of Middlemount, in Vermont?'

    'No.' A chill radiated upward from the pit of my stomach.

    'Ding-dong. We'd think twice about going back to Jones's Woods, wouldn't we?'

     'This isn't Jones's Woods.'

    'Ding. A half-lie. Remember what is going on. You aredreaming. F or all you know, we could be smack-dab in the middle of that forest where you nearly shuffled off the old mortal coil.' The invisible smile lengthened on the invisible face, another impossibility, but there you are.

    'Jones's Woods didn't look anything like this.' The cold threading up from my stomach brushed my lungs.

    'Ding.' He sighed. “Isn't it your impression that dreams turn one thing into another and exaggerate like crazy? That they display a tendency toward the surreal?'

    'What's your point?'

    'We are getting closer to something you used to be able to see.'

    “I don't know what—'

    'Ding-dong. You do too.'

    I remembered peaks and gables rising above the trees.

    'Not very fond of old houses in the woods, are we?'

    'You're not scaring me.'

    'Ding-dong,ding-dong! The last time, you were looking in the wrong place. If ever you come upon the right one, you'll be in danger of finding out who you are.'

    I fell back on an old conviction. 'There is no right place.'

    'The right place is where you least want to go. When you get there, it's where you least want to be. If you answer a question of mine, I'll answer one of yours.'

     'Go ahead.'

    'All your life, you have felt the loss of something extraordinarily important. If you found it, could you live with the consequences?'

    No one with half a brain would answer a question like that. Cracker-barrel mottoes about wooden nickels and pigs in pokes suggested themselves. Yet what came out was 'Yes,' and it was too late to say,Ask me another.

    'Now it's my turn,' I said.

    “I changed my mind,' the shadow said. 'You don't get a turn, sorry.' It flew on ahead.

 • As if I were twenty again, I followed the shadow through a deep wood. The insolent shadow floated above the ground, and we had theding-dongs, the hit about surrealism, the allusions to houses in wooded areas, the paradoxes about real right places, the question, the shadow's flight. Like a dope, I wondered: So isthat all? There isn't any more?

    I took two or three steps deeper into the forest and froze in my tracks, stunned by vivid sensory reality.

    Sunlight filtered through the canopy swishing in a mild breeze and printed glowing coins on the spongy floor. Spicy, process-laden fragrances sifted in the warm air. I could not be asleep, because I was not dreaming. The air darkened to silver-gray. I glimpsed muddy clouds sliding across the open spaces between treetops.

    A sparse rain patted onto the leaves overhead, and I took shelter beneath a big maple. Twenty or thirty yards away, the woods ended in a wall of thick oaks marking the boundary of a meadow. A thunderclap boomed, then another, and the air filled with the sound of wing-beats. Half the distance to the edge of the forest stood an enormous oak. Vertical sheets of water hurtled out of the sky. I took off and scrambled into the shelter of the oak. A drift of wind precise as an atomizer coated me with a film of mist.

    A jagged branch of lightning tore through the sky and illuminated the landscape. In the few seconds of brightness, I saw that I had come nearer the border of the woods than I had imagined. Twenty feet of woodland and half as many trees stood between me and a broad field ending at a road. Something tucked into a bend in the