The Hellfire Club

being a working-class boy from Springfield, the son of a barkeep, and so on. Monk had attended Harvard and wore expensive clothes, and my father, who was almost completely self-taught, thought he was being laughed at. Almost everything about Shorelands made him uncomfortable. He would not have accepted Georgina's invitation at all if he had not seen it as a way through his difficulties with his second book. He knew he'd made a mistake almost as soon as he got there, but he thought he had no choice but to stick it out. He was not a person at ease with the notion of giving up.'

'I understand,' Nora said.

'He was depending on the book to earn enough so that he would never have to drive a cab again. And within a day, he knew that Lincoln Chancel was coming, presumably to scout out writers for his new publishing house.'

Nora wanted to steer the conversation toward whatever had aroused the enormous quantity of feeling beating away within this disciplined man, a matter presumably related to Katherine Mannheim, but one question about the admirable Bill Tidy troubled her. 'Didn't he more or less abandon your mother and you when he went to Shorelands?'

Tidy shook his head vehemently. 'There was no question of abandonment. We had a standing invitation to Key West, where an old friend of my father's named Boogie Ammons owned a small hotel. When the invitation to Shorelands came, my father arranged for my mother and me to stay there. That entire month, we lived better than we would have at home. We missed him, of course, but he wrote two or three times a week, so we had some idea of what he was doing.'

'Did you keep the letters?'

'I have most of them. They tend to be noncommittal about his stay there. It wasn't until years after his death that I could face reading his journals, and then I learned how much he had hated Shorelands.'

Tidy opened the file box and took out a dark green, clothbound volume. 'I also saw how uncomfortable he was with himself. Do you understand? He was on a kind of high wire, gambling that he wouldn't fall.'

'I don't think I do understand,' Nora said.

Tidy nodded. 'Think of his situation. My father was really struggling with a new book. If everything worked, he would finally be set free to do nothing but write. Lincoln Chancel was a crude, grasping monster, but he represented a way out. My father was so desperate that he could not keep himself from playing up to the man. Against his own moral sense. Unfortunately for him, another guest was even more desperate. Hugo Driver capitalized on the accident of being in the same house as Chancel by turning himself into a human barnacle.'

'So he must have envied Driver,' Nora said.

'Which made him feel even worse about himself. He couldn't trust his own instinctive dislike of the man. Therefore, my father never joined the group on the terrace, where Chancel appeared almost every afternoon, because Hugo Driver would be there. And, because he questioned his antipathy toward Driver, he forced himself to suspend judgment when he heard gossip, all the more so since he distrusted the source.'

'He already thought Creeley Monk was a liar,' Nora said.

'Monk struck him as exactly the sort of person who made up stories about other people. Especially if it might help his own cause. In this instance, with Merrick Favor.'

Here at last was a chance to move into the center of his concerns. 'What did your father think of Katherine Mannheim?'

Everett Tidy puzzled her by looking across the table at Jeffrey, who shrugged. He ran his fingers across the top of the book in front of him, clearly considering his words.

'Mostly for the reasons I've explained, my father actually had little contact with the other guests. The other part of his isolation was physical. Georgina put him in Clover House, off in the woods behind Monty's Glen, so far away from Main House that poachers sometimes wandered through in the middle of the night. He heard poachers even on the night Miss Mannheim vanished.'

Tidy fell silent, and Nora waited for him to work out a way to speak of whatever had ignited him.

'There's nothing in my father's journals to suggest that Driver stole a manuscript from Miss Mannheim.'

'I see,' Nora said, feeling that she did not at all see.

'But you ask me what my father made of Miss Mannheim, and this information might still be useful to you - and through you, to me. My entire life, I can say, has been haunted by whatever happened at Shorelands that summer.' His mysterious excitement seemed to intensify. 'There is still one great matter to discuss, and it may be as critical to you as it is to me. If it's at all possible, will you let me know whatever you manage to discover?'

'Of course.'

'Thank you. Now to Katherine Mannheim.' He said this with the air of deliberately postponing his 'great matter.' 'Clearly she was an attractive, interesting presence, utterly self-reliant. She could be intentionally rude, I gather, but what really struck my father, apart from her independence, was what he called her serenity.'

'Serenity?'

'That surprises you, doesn't it? He meant a combination of self-confidence, instinctive goodness, courage, and compassion. Initially her prickliness, her willingness to be indifferent to conventional manners, misled him, but after the first week, he began to see these other qualities.'

Tidy opened the journal. 'Listen to this.

'I have been thinking about this curious person, Katherine Mannheim. She has never had any money and lives simply and without complaint. Where she seems bohemian and reckless, she is utterly focused. She writes slowly, with great care, publishing little, but what is published shines. To her, recognition, acclaim, every sort of public reward, mean nothing. I wonder if I would be as foolish as Merrick and Austryn if I were not so gladly married to my darling Min.'

'Min and Bill?' asked Nora. 'Wasn't there a movie-' 'Family joke,' said Tidy. 'My mother's real name was Leonie..

'Even the monstrous Lincoln Chancel, thirty years older than Katherine, and who wears his gluttony on his face, desires her. Merrick and Austryn are attracted to her inner being but imagine they want her body, so do not see that Katherine is chaste. It is not warm, this chastity; it is icy and determined.

'Katherine Mannheim never expected to live to old age. All her life she was aware of her weak heart, but she refused to live like an invalid except in this one regard. What I've always imagined is that where she considered activities; like bicycle riding, drinking wine, and taking long walks potentially dangerous, she was certain that sex could kill her. And in any case, her instincts led heir to a modest way of life.'

'Did your father know what she was working on?' asked Nora.

'Not at all. What Georgina called the Ultimate, a kind of end-of-term tradition, should have explained it, but she didn't play along.'

'What was the Ultimate?'

'At the end of the third week of their stay, all the writers met at dusk for a kind of round-robin in Monty's Glen, inside the ring of standing stones known as the Song Pillars. The gardener who had created the clearing, Monty Chandler, had noticed that a number of boulders dug out of a nearby field were all roughly twelve feet high, flat on both ends, and he had gone to a lot of trouble to upend them in the clearing. The guests sat in a circle inside the pillars. Georgina delivered some set pieces about Shorelands' history. When she finished, the guests described what they were working on, how it was developing, and so on. Of course, they were expected to pay tribute to Georgina's hospitality and describe the ways in which Shorelands had inspired them. They were also supposed to be amusing. Georgina Weatherall expected to be entertained as well as praised. As you might expect, Katherine Mannheim refused to play the game.' He turned over a few more pages. 'Here it is.'

'After Merrick's song of praise to Miss Weatherall's hospitality, the wonders of Shorelands, and his own talents, it was Katherine Mannheim's turn to speak. She smiled. She was sure, she said, that we would understand her decision to obey her usual practice of choosing not to speak of work in progress. Those who had preceded her were braver and less superstitious than she, qualities for which she admired them greatly. As for Shorelands, its magnificence was so great as to defy description, but she was pleased to mention the services of Agnes Brotherhood, the maid who every morning cleaned her kitchen and made her bed. Upon leaving Shorelands, she would sorely miss the domestic assistance of Miss Brotherhood.'

'She refused to talk about her work and thanked the maid,' Nora said. 'Sounds like she knew she was going to be asked to leave.'