the trunk and pulled out Glendenning Upshaw’s heavy legs. One of his trousers had ridden up on his leg, and a long expanse of white flesh glared from the top of his sock. One of his feet swung from side to side over the black road. They leaned back in and pulled his waist and hips farther out of the trunk, and the stiff foot thumped the asphalt. The front of the suit was wet with urine, and Tom’s hand instantly felt slimy. He wiped his hand on the hem of the soft black jacket. A bubble of gas farted out of the body. Tom and Natchez got their hands on his shoulders and pulled him upright. His head lolled back, and his mouth fell open.
“Get his right arm over your shoulders,” Natchez said, “and put your left arm around his back. I’ll get on his other side, and we’ll try to walk him in.”
Tom propped one thick, heavy arm around the back of his neck and positioned himself. When Natchez was ready, they lifted up with their legs. Glendenning Upshaw hung between them like a fat scarecrow filled with wet cement. Something in his stomach sloshed and gurgled. His head fell forward, and Tom smelled cigars, blood, aftershave, and gunpowder. It felt like his grandfather was trying to push him down through the asphalt. Natchez stepped forward, and Tom moved with him. They moved up on the sidewalk and began dragging the body toward the steps.
“He must weigh three hundred pounds,” Natchez said.
Tom had to stoop so that the dead arm would not slip off his shoulders, and his back ached by the time they got up the steps. Blood from the back of the black suit soaked through to his arm.
Natchez said, “Do you want to put him down for a second?”
“If I put him down, I’ll never want to pick him up again,” Tom said.
They carried him beneath the white arch and through the open door. Upshaw’s feet hooked the rug and dragged it along until it caught in the study door and fell back as his feet slipped over the top of the fabric. Through the ringing in his ears Tom could hear Mrs. Kingsley ranting in a room somewhere far back in the house. Her husband gave tired monosyllabic answers.
“I suppose you want to put him in the desk chair.”
“Right,” Tom said.
“Don’t let him fall until I brace the chair, or we’ll have to clean a lot of blood up off the floor.”
They dragged the body toward the desk. A dozen envelopes of various sizes and colors had been neatly stacked on the shiny surface. Natchez leaned forward to twirl the chair around, and Tom hastily dipped under the body when it began to slide away from him. “Okay,” Natchez said. “We have to turn around and try to get his ass over the seat of the chair.”
They revolved, and Natchez went up on his toes to try to get Upshaw’s legs in the right position. “Let’s go down slow,” Natchez said. As they bent their knees, both Natchez and Tom reached back for the seat to hold it steady. They pulled it forward and bent another six inches. Glendenning Upshaw landed in the chair with a soft wet sound. Tom straightened up, and Natchez bent over to get the body to sit more naturally. Then he grunted and pushed the chair toward the desk. He wiped the back of the chair with his handkerchief.
Tom fanned the letters out on the desk and picked up the four with hand-printed addresses. He ripped open the envelopes and took out the four pieces of yellow paper and put them down before the body. The other letters he gathered into an untidy pile beside the ripped envelopes and the notes. Finally he took the heavy black pistol from his pocket and put it on the desk. He looked over his grandfather’s body at Natchez.
“You think he dropped off all his records at Wendell Hasek’s place,” Natchez said.
“I’m sure he did.” Tom stepped back from the desk.
“I hope to hell you’re right.”
“He wouldn’t give them to Carmen Bishop. She’d burn them as soon as he left the island. He’d trust Hasek with them, because Hasek’s a crook. When my grandfather had his own company robbed, Hasek stored the stolen money for him. He distributed payoff money for him for years. My grandfather was used to trusting him.”
Natchez nodded slowly. He slid the gun toward him on the desk, moving it around the notes with their stark block letters. “Poetic justice, hell,” he said.
“That’s part of it,” Tom said. “My mother’s another part of it. She’ll have to learn a lot of things about her father, but I don’t want her to know that he was shot while he was trying to kill me face to face.”
“But what you really want to do is make him look even worse than he was.” Natchez picked up the gun and began wiping it down with his handkerchief. “You want to make it look like he broke—like he crumbled.”
“He can’t look any worse than he was,” Tom said. “But you’re wrong. I want poetic justice.”
“You think life is like a book,” Natchez said. Holding the barrel of the gun in the handkerchief, he came around behind the back of the chair to Upshaw’s right side and bent down to fit the grip in his open palm. He closed the thick fingers around the grip and wedged the index finger into the trigger guard. Then he straightened up and pushed Upshaw’s body back against the chair while he held the hand with the gun upright. Glendenning Upshaw sat upright at his desk in a bloodstained suit, his head tilted forward and his eyes and mouth open. His tongue protruded a little bit between his teeth. Natchez took a handful of white hair in his left hand and yanked the staring head upright. He bent the hand with the gun around so that the barrel faced toward Upshaw and lined it up with the wound. Natchez laid his own index finger on top of Upshaw’s, and grimaced while he brought the barrel right up to the black hole above the bridge of his nose.
“Well, here goes nothing,” he said. “Literally.”
Natchez pressed the dead man’s finger into the trigger. The gun went off with a roar, and the head jerked in his hand. Blood-soaked brains, hair, and bone splattered on the wall behind Upshaw’s corpse. Natchez dropped the head, and bent down to let the hand fall open and release the pistol.
“Sometimes life is like a book,” Tom said.
On the Saturday of the second week in September, two months after the second death of Glendenning Upshaw, Tom Pasmore sat on an iron bench fifty feet inside the entrance of the Goethe Park zoo. Men and women, most of them herding tribes of small children, streamed through the open gates and past him, going toward the balloon vendor and the ice cream cart stationed at the point where the cobbled entrance widened out to meet the concrete that led to the first row of cages and the paths into the zoo. The people pushing baby carriages or strollers, Tom noticed, always relaxed when they got off the cobbles and hit the smooth concrete. They stood up straighter, and you could see the tension leave their spines and back muscles. Some of the people who passed Tom’s bench took a second to look at him: he wore a chalk-striped grey suit with a vest with lapels, a dark blue shirt and a tie of a deep red, and on his feet were a pair of scuffed brown loafers. It was three o’clock in the afternoon, and in the dusty gaps between the cobbles lay crushed cigarette packets, the tan specks of shattered potato chips, and one rightangled bread crust fought over by a cluster of chirping sparrows.
Other benches were closer to the zoo’s gates, and some of them were empty, but Tom had chosen this one so that he would be able to watch Sarah Spence come in without her seeing him. He wanted one objective, unmuddled look at her before they had to reckon with each other again: he wanted the reckoning, but he also wanted the moment of pure
Sarah came in through the gates with a knot of people, distinct from them as a cardinal is distinct in a throng of pigeons, and began floating across the cobbles toward the cages. She wore tight faded jeans—jeans that looked nothing like a boy’s—tucked into high cowboy boots, an oversized white shirt that reminded Tom of Kip Carson and was fastened to her hips by a wide belt, and her thick hair had grown long enough to be gathered at the back of her head into a great loose braid, from which honey-colored wisps and streaks escaped about her face. Fifteen minutes