before the assault. Stick a class two glamour on top of the basics — a wig, the right clothes, some latex paint — and her own.
daughter wouldn't make her. We used Pale Grace(TM) for the finishing touch; it might be bugged, but we made sure I wouldn't see anything until I was aboard the ship. So I just headed for the control room using the maps we had on file from Angleton's — '
I raise a hand. 'Hold it.'
'What?' Mo stares at me.
'Have you got your violin?' I whisper, hunkering down.
'No, why — ' Shit. 'Our drinks are well overdue.'
'And?'
'And this plot was set up by a document that's classified CASE BROCCOLI GOLDENEYE, Angleton said, and Predictive Branch said I needed to be here, and...'
'And?' — I kneel on the floor and pull my mobile phone out, flick the switch to silence it, then put it in camcorder mode. I sneak it out from behind the sofa, then pull it back and inspect the bar. There's nobody there. I swear quietly, and call up my thaumic scratchpad application. Then I tip my glass upside down over the table, and draw my fingers through the resulting beer suds frantically, wishing I hadn't downed the pint and left myself mere drops to work with.
'Have you got that stupid piece of paper on you'
'What, the license to kill? It's just a prop, it doesn't mean anything — '
'So pass it here, then. We haven't had plot closure yet, and you're not the only one who can use cosmetics and a class two glamour.'
'Shit,' Mo whispers back at me, and rolls forwards onto the floor. 'Are you thinking what I think you're thinking'
'What, that we've been followed home by a manifestly evil mistress of disguise who is hankering for revenge because we got her husband stomped into pink slime by a chthonian war machine'
There's a disturbingly solid click-chunk from the front door, like a Yale lock engaging.
'Do you know the ending of Diamonds Are Forever? The movie version with Sean Connery?' I meet Mo's eyes for a moment, and in a disturbing flash of clarity I realize that she means a whole lot more to me than the question of who she has or hasn't been having sex with. Then she nods and rolls away from the floor in front of the sofa, and I hit the button on my phone just as there's a flat percussive bang: not the ear-slamming concussion I expect from a pistol, but muffled, much quieter.
I look round.
The middle-aged barwoman is waving a pistol inexpertly around the room, the long tube of a silencer protruding from its muzzle: she looks subtly familiar this time. 'Over here!'
I call.
She makes the classic mistake: she glances my way and blinks, gun muzzle wavering. 'Come out where I can see you!' Eileen snaps querulously.
'Why? So you can kill us more easily?' I'm ready to jump up and dive through the window if necessary, but she can't see me — the concealment spell is still working, at least until the remaining beer evaporates. I go back to folding a paper airplane out of Mo's license, my fingers shaking with tension.
'That would be the idea,' she says. 'A lovers' quarrel, male agent kills partner then shoots self. It doesn't have to hurt.'
'No shit?' Mo asks. I squint and try to spot her, but one thing we've both got going for us is that pubs tend to be gloomy and poorly lit, and this one's no exception.
Eileen spins round through ninety degrees and unloads a bullet into the wall of optics behind the bar.
I glance at the drying suds then roll to my hands and knees and creep around the sofa, trying to stay low. I think the paper plane's balanced right — it had better be, I'm only going to get the one chance to use it. There are forms, and this i s ... well, it might work. If it doesn't we're trapped in a locked pub with a madwoman with a gun, and our invisibility spell has a half-life measured in seconds rather than minutes. There are two martini glasses on the bar, one of them half full: Maybe Eileen wanted to steady her nerves first? There's probably an unconscious or dead bartender out ,back. What a mess: I don't think an intruder's ever penetrated the Village before. I doubt it would be possible without the blowback from the Hero trap to help.
There's a creak from a floorboard and another shot goes flying, to no apparent effect. Eileen looks spooked. She takes a step backwards towards the bar, gun muzzle questing about, and then another step. My heart's pounding and I'm feeling lightheaded with anger — no, with rage — You think anyone would ever believe I'd hurt Mo? And then she's at the bar.
There's a glassy chink.
Eileen spins round, and pulls the trigger just as the halffull martini glass levitates and flies at her face. She manages to shoot the ceiling, then recoils. 'Ow! Bitch!' I raise the paper dart and take aim. She wipes her eyes as she brings her gun down to bear on a faint distortion in the air, a snarl of satisfaction on her face: 'I see you now!'
I flick the Zippo's wheel and then throw the flaming dart at her martini-irrigated head.
Afterwards, as the paramedics load her onto a stretcher and zip the body bag closed, and Internal Security removes the CCTV hard drives for evidence, I hold Mo in my arms. Or she holds me: my knees feel like jelly and it would be downer right embarrassing if Mo wasn't shuddering, too. 'You're all right,' I tell her, 'you're all right.'
She laughs shakily. 'No, you're all right!' And she hugs me hard.
'Come on. Let's take a walk.'
There's a mess on the floor, fire extinguisher foam halfconcealing the scorch marks, and we skirt it carefully on our way to the door. Security has placed us under a ward of compulsion and we'll be seen by the Auditors tomorrow: but for the time being, we've got the run of the Village. Mo seems to want to head back to our quarters, but I pull back. 'No, let's go walk on the beach.' And she nods.
'You knew that was coming,' she says as we jump down off the concrete wall and onto the rough pebbles.
'I had an idea something bad was in the air.' The onshore breeze is blowing, and the sun is shining. 'I didn't know for sure, or I'd have been better prepared.'
'Bullshit.' She punches me lightly on the arm, then puts an arm around my waist.
'No, would I lie to you?' I protest. I stare out to sea.
Somewhere out there Ramona is lying in a watery hostel, learning what she really is. A new life lies ahead of her: she won't be able to come ashore after the change is complete.
Hey, if I really was James Bond, I could have a girl in every port — even the drowned ones.
'Bob. Would you have left me for her'
I shiver. 'I don't think so.' Actually, no. Which is not to say Ramona didn't have glamour of the non-magical kind as well, but there's something about what I have with Mo — 'Well, then. And you're cut up about the idea that I might have been cheating on you.'
I consider this for a few seconds. 'Surprised'
'Well.' She's silent, too. 'I was worried. And I'm still worried about the other thing.'
'The other thing'
'The possibility that we're going to be haunted by the ghost of James Bond.'
'Oh, I dunno.' I kick a pebble towards the waterline, watch it skitter, alone. 'We could always do something totally un-Bond-like, to break any remaining echoes of the geas.'
'You think?' She smiles. 'Got any ideas'
My mouth is dry. 'Yeah — yes, as a matter-of-fact I do.' I take her in my arms and she puts her arms around me, and rests her face against the side of my neck. 'If this was really the end of a Bond story, we'd go find a luxury hotel to hole up in, order a magnum of champagne, and fuck each other senseless.'
She tenses. 'Ah, I hadn't thought of that.' A moment later, and faintly: 'Damn.'
'Well. I'm not saying it's impossible. But — ' My heart is pounding again, and my knees are even weaker than they were when I realized Eileen hadn't shot her. 'We've got to do it in such a way that it's completely incompatible with the geas.'
