—J. Kingston Pierce,
“I may have to go take back yet another online article, the one for Salon about how crime novels were bad. I give [Swierczynski] high props for avoiding the sentimental hero stuff that bugs me in so many books. The writing and the dialogue were great, the Philly details and bank-robber lore tasty.”
—Ben Yagoda,
author of
“If you like the distracted, short scenes of Ken Bruen, the bizarre characters of Elmore Leonard, and can tolerate the body count of Lee Child, you’ll devour Duane Swierczynski’s book in an instant … . It’s super-duper fast noir pulp.”
—
“Oh, what style!”
—
“Duane Swierczynski is one of the best new things to happen to crime fiction in a long time. A kick-ass writer with wicked cool skills and the instincts of a seasoned veteran. Keep your eyes on him. He’s going places.”
—Victor Gischler, Edgar-nominated author of
“Fast-paced.”
—
“
“I just plowed through
—Charles Pappas, author of
Sunshine, for debuting it.
The Pope, for inspiring it.
Tenacious DHS, for pimping it.
Marc, for buying it, editing it, vastly improving it.
Marsha, for believing in it.
Father Luke, for blessing it.
Meredith, Parker, and Sarah, without whom there would be no “it.”
And to My Heist Crew: Robert Berkel, John Cunningham, Becki Heller, Jessie Hutcheson, and the rest of Team Minotaur. J.T., K-Buster, Kafka, and the PointBlankers. Mark “the Man” Stanton. Simon Hynd and Micky MacPherson. Gary the Hat. Loren Feldman. Jason Schwartz. Rich Rys. Paul, Hickey, B.H., Lori and my co-workers at the
READ ON FOR AN EXCERPT OF
THE
BY DUANE SWIERCZYNSKI
COMING FROM ST. MARTIN’S MINOTAUR
NOVEMBER 2006
9:13 p.m.
“
“Excuse me?”
“You heard me.”
“Um, I don’t think I did.”
The blonde lifted her cosmopolitan. “Cheers.”
But Jack didn’t return the gesture. He kept a hand on his pint glass, which held the last two inches of the boilermaker he’d been nursing for the past fifteen minutes.
“Did you say you
“Are you from Philadelphia?”
“What did you poison me with?”
“Can’t you be gracious and answer a girl’s question?”
Jack looked around the airport bar, which was done up like a Colonial-era public house, only with neon Coors Light signs. Instead of two more airline gates in the terminal, they’d put in a square bar, surrounded by small tables jammed up against one another. Sit at the bar and you were treated to the view of the backs of the neon signs—all black metal and tubing and dust—a dented metal ice bin, red plastic speed pourers stuck in the tops of Herradura, Absolut Citron, Dewar’s, and a plastic cocktail napkin dispenser with the logo JACK & COKE: AMERICA’S COCKTAIL.
For commuters with a long layover, this was the only place to be. What, were you going to shop for plastic Liberty Bells and Rocky T-shirts all evening? The bar was packed.
But amazingly, no one else seemed to have heard her. Not the guy in the shark-colored suit standing next to the girl. Not the bartender, with a black vest and white sleeves rolled up to the elbow.
“You’re kidding.”
“About you being from Philadelphia?”
“About you poisoning me.”