CHAPTER V. TECHNIQUE OF SLOW FIRE
A. GENERAL
1. A technique is the method of performing the procedures of an operation.
2. A technique of slow fire that will permit a pistol shooter to compete successfully will include:
a. Painstaking preparation.
b. Thorough planning.
c. Systematic relaxation of muscular system.
d. Intense concentration.
e. Coordination of all the fundamental factors in delivery of an accurate shot.
f. Analysis of shot delivery.
g. Correction of errors.
h. Strict uniformity of execution of the above is required to insure duplication of a good performance time after time.
3. The factors regarding the technique of slow fire shooting should not be regarded as hard and fast which demand strict execution of each point. In competitive shooting, as in any other sport, there are no established rules on technique that apply to all persons.
4. The shooter should accept the material in this chapter in a critical manner, using it as a guide in finding his own style of shooting — a style that fits his temperament, individual ability and physical construction.
B. TECHNIQUES IN SLOW FIRE CONTROL
The best technique of control is slow fire, for each individual shooter, is the proper employment of a combination of the fundamental factors that contribute toward attaining satisfactory performance.
1. Dry Firing Before Shooting: A shooter should rarely shoot the first time he settles to aim. Form the habit of firing a “dry” shot or two before the first shot. This will aid in attaining the sharp, clear focus necessary for a smooth, coordinated performance. Avoid dragging out a shot which results in increasing the arc of movement and dulling of the vision. A shooter, after trying unsuccessfully for five or six seconds, should stop dry-firing, take his finger from the trigger and rest, and then make another attempt to dry fire a satisfactory shot. Do not do this too many times, however. A long day’s shooting will make heavy demands on the muscles and eyes.
2. Carefulness: Great care is one of the mainstays of the control of slow fire shooting. Every shooter will get a certain percentage of good shots, the rest will be mediocre to poor. The poor shots result from carelessness. Accepting conditions as almost good enough is a form of carelessness. There are few top shooters who are absolutely without some compromise. The shooter who is not willing to devote himself fully and fails to pick up the tie breaking point is the one that loses the match. The principal damage that carelessness inflicts on controlled performance, strikes at the point where it can be least afforded; uniformity. For example, the failure to properly re- grip the pistol for each new attempt to shoot, violates the stipulation that if a good performance is to be repeated, you must uniformly duplicate the employment of all the fundamentals.
3. Patience: Patience is of great importance to the conduct of slow fire, in that without it, the shooter may disrupt an otherwise good performance an instant from successful completion. When the conditions for a controlled, accurate shot are met, the problem facing the shooter is reduced to one of patiently allowing proposed events to follow their normal course. The synchronization of the factors in delivering an accurate shot require a certain time for completion. Any impatience that would cause one control factor to be disrupted will reduce the whole to a shambles. Improvised, desperate measures to reconstitute a lapse cannot possibly succeed. As an example, a shooter is on the firing line, making a concerted effort to maintain conditions that have been set up to control an accurate shot. His sights are aligned, the arc of movement is settling and he is positively pressing straight to the rear on the trigger, and then must momentarily wait. At this point in his technique of employing the fundamentals he will succeed or fail, depending upon his ability to allow the necessary time to pass for the smooth, undisturbed release of the hammer.
4. Over Sighting: A shooter must remember that his scores cannot be improved by sighting for a long time. On the contrary, “over-sighting” sharply reduces accuracy. After about ten or twelve seconds of sighting, vision becomes gradually blunted and the shooter’s eye ceases to observe some minute errors. The result is a deceptive aim, and the shooter without noticing his error in sighting makes an inaccurate shot. In order to achieve the highest accuracy, sighting should be accomplished within six or eight seconds. This system of sighting is good because a shooter who does not over-sight and strain his eyes, permits them to recover rapidly and to keep their sharpness for the duration of the whole match.
5. Establishing a System: A system of operation must be devised by each shooter individually without which he is not capable of attaining a sustained high performance standard. Consult Chapter IV, “Establishing A System”. The shooter’s guide to comprehensive organization of control of a slow fire shot, “The Slow Fire Worksheet” is included in Chapter IV.
Completing the day’s schedule of shooting successfully requires the shooter to go through all the stages of shooting for every shot in exactly the same way. This is possible only if the shooter can conserve sufficient physical energy, sharpness of vision, quickness of reaction, etc. while he is shooting. The ability to repeat everything the same way requires an intelligent and economic use of ones energies.
6. The Tempo of Shooting: Experience has shown that the best way to shoot is to shoot each shot rapidly, within six seconds after settling. The time spent between each shot, preparing and planning, is limited only by the total time allowed for the stage of fire. All shooting should be done at a definite tempo and with a definite rhythm.
a. In order that the shooter not only expend his energies with care, but actually build them up during the course of shooting, adequate breaks should be taken both between shots and between series of shots. It is beat to shoot at regular intervals, using all the time allotted for a particular match. In slow fire, circumstances rarely permit unbroken rhythmical shooting. Therefore, the shooter must take a particular situation and his own daily capabilities into account and shoot, sometimes at an accelerated or reduced rate, thereby operating at a tempo that will permit maximum performance.
b. Before beginning to shoot for record, it is recommended the shooter fire “dry shots”. If he feels that after the first shots that his shooting is going easily, he should proceed to shoot live ammo, making no attempt to slow down, so that the established coordination of his movements will not be upset.
c. When a shooter finds it difficult to shoot, he should not speed up his shooting. He must re-plan, relax, wait a short time until he has the “feel” of his pistol, shoot some “dry shots”, patiently reestablish control of the trigger, aim with care before each shot, and then begin shooting with assurance at a quickened tempo in order to make up for lost time.
d. No matter how well the shooter is doing, a shooter should always be careful to control his movements at all times so as not to cause a performance failure because of negligence. There is no such thing as shooting for a long period of time without some lose of control. However, one must be constantly on guard against becoming nervous and rushing because of a bad shot, as if it is necessary to compensate in a short a time with good shooting for the poor shot. It usually happens that rushing leads to repetition of the same mistakes. Under such circumstances, analyze, correct errors, shoot without haste, and develop the next shot with more care.
e. The regular tempo of shooting applies when a shooter is shooting under favorable conditions in good shooting weather. If, on the other hand, the weather is not favorable, the shooter should use a different tempo and approach, depending on the conditions prevailing.
7. Resting During the Breaks Between Shots: During the rest period between shots, a shooter should see
