He was halfway through a sentence when, quite without warning, his mind went blank. His pen was clawing spasmodically at the page, but the urgency had gone; the nightmare had left him. He lay in the anonymous bed in the dark, hoping he was wrong.

In the morning he went down to the lobby as late as he could bear. The face of the girl he’d seen in Oxford Street stared up at him from a newspaper. In the photograph her eyes looked dull and reproachful, though perhaps they seemed so only to him. He fled upstairs without reading the report. He already knew more than the newspaper would have been able to tell.

Eventually he went home to Neston. It didn’t matter where he went; the nightmares would find him. He was an outcast from surrounding reality. He was focused inward on his raw wound of a mind, waiting for the next outbreak of horrors to infest him.

Next day he sat at his desk. The sunlit houses opposite glared back like empty pages. Even to think of writing made his skin prickle. He went walking, but it was no good: beyond the marshes, factories coughed into the sky; grass blades whipped the air like razors; birds swooped, shrieking knives with wings. The sunlight seemed violent and pitiless, vampirizing the landscape.

There seemed no reason why the nightmares should ever stop. Either he would be forced to write them out, to involve himself more and more deeply in them, or they would be acted out in reality. In any case he was at their mercy; there was nothing he could do.

But wasn’t he avoiding the truth? It hadn’t been coincidence that had given him the chance he’d missed in Oxford Street. Perhaps he had been capable of intervention all along, if he had only known. However dismaying the responsibility was, surely it was preferable to helplessness. His glimpse in Oxford Street had made all the victims unbearably human.

He sat waiting. Pale waves snaked across the surface of the grass; in the heat-haze they looked as though water was welling up from the marshes. His scalp felt shrunken, but that was only nervousness and the storm that was clotting overhead. When eventually the clouds moved on, unbroken, they left a sediment of twilight that clung to him as he trudged home.

No, it was more than that. His skin felt grimy, unclean. The nightmares were close. He hurried to let his car out of the garage, then he sat like a private detective in the driver’s seat outside his house. His hands clenched on the steering wheel. His head began to crawl, to swarm.

He mustn’t be trapped into self-disgust. He reminded himself that the nightmares weren’t coming from him, and forced his mind to grasp them, to be guided by them. Shame made him feel coated in hot grease. When at last the car coasted forward, was it acting out his urge to flee? Should he follow that street sign, or that one?

Just as the signs grew meaningless because he’d stared too long, he knew which way to go. His instincts had been waiting to take hold, and they were urgent now. He drove through the lampless streets, where lit curtains cut rectangles from the night, and out into the larger dark.

He found he was heading for Chester. Trees beside the road were giant scarecrows, brandishing tattered foliage. Gray clouds crawled grublike across the sky; he could hardly distinguish them from the crawling in his skull. He was desperate to purge his mind.

Roman walls loomed between the timber buildings of Chester, which were black and white as the moon. A few couples were window-shopping along the enclosed rows above the streets. On the bridge that crossed the main street, a clock perched like a moon-faced bird. Miles remembered a day when he’d walked by the river, boats passing slowly as clouds, a brass band on a small bandstand playing “Blow the Wind Southerly.” How could the nightmare take place here?

It could, for it was urging him deeper into the city. He was driving so fast through the spotless streets that he almost missed the police station. Its blue sign drew him aside. That was where he must go. Somehow he had to persuade them that he knew where a crime was taking place.

He was still yards away from the police station when his foot faltered on the accelerator. The car shuddered and tried to jerk forward, but that was no use. The nearer he came to the police station, the weaker his instinct became. Was it being suppressed by his nervousness? Whatever the reason, he could guide nobody except himself.

As soon as he turned the car the urgency seized him. It was agonizing now. It rushed him out of the center of Chester, into streets of small houses and shops that looked dusty as furniture shoved out of sight in an attic. They were deserted except for a man in an ankle-length overcoat, who limped by like a sack with a head.

Miles stamped on the brake as the car passed the mouth of an alley. Snatching the keys, he slammed the door and ran into the alley, between two shops whose posters looked ancient and faded like Victorian photographs. The walls of the alley were chunks of spiky darkness above which cramped windows peered, but he didn’t need to see to know where he was going.

He was shocked to find how slowly he had to run, how out of condition he was. His lungs seemed to be filling with lumps of rust, his throat was scraped raw. He was less running than staggering forward. Amid the uproar of his senses, it took him a while to feel that he was too late.

He halted as best he could. His feet slithered on the uneven flagstones, his hands clawed at the walls. As soon as he began to listen he wished he had not. Ahead in the dark, there was a faint incessant shriek that seemed to be trying to emerge from more than one mouth. He knew there was only one victim.

Before long he made out a dark object farther down the alley. In fact it was two objects, one of which lay on the flagstones while the other rose to its feet, a dull gleam in its hand. A moment later the figure with the gleam was fleeing, its footsteps flapping like wings between the close walls.

The shrieking had stopped. The dark object lay still. Miles forced himself forward, to see what he’d failed to prevent. As soon as he’d glimpsed it he staggered away, choking back a scream.

He’d achieved nothing except to delay writing out the rest of the horrors. They were breeding faster in his skull, which felt as though it were cracking. He drove home blindly. The hedgerows and the night had merged into a dark mass that spilled toward the road, smudging its edges. Perhaps he might crash—but he wasn’t allowed that relief, for the nightmares were herding him back to his desk.

The scratching of his pen, and a low half-articulate moaning which he recognized sometimes as his voice, kept him company. Next day the snap of the letter box made him drop his pen; otherwise he might not have been able to force himself away from the desk.

The package contained the first issue of Ghastly. “Hope you like it,” the editor gushed. “It’s already been banned in some areas, which has helped sales no end. You’ll see we announce your stories as coming attractions, and we look forward to publishing them.” On the cover the girl was still writhing, but the contents were far worse. Miles had read only a paragraph when he tore the glossy pages into shreds.

How could anyone enjoy reading that? The pebbledashed houses of Neston gleamed innocently back at him. Who knew what his neighbors read behind their locked doors? Perhaps in time some of them would gloat over his pornographic horrors, reassuring themselves that this was only horror fiction, not pornography at all: just as he’d reassured himself that they were only stories now, nothing to do with reality—certainly nothing to do with him, the pseudonym said so—

The Neston houses gazed back at him, self-confident and bland: they looked as convinced of their innocence as he was trying to feel—and all at once he knew where the nightmares were coming from.

He couldn’t see how that would help him. Before he’d begun to suffer from his writer’s block, there had been occasions when a story had surged up from his unconscious and demanded to be written. Those stories had been products of his own mind, yet he couldn’t shake them off except by writing—but now he was suffering nightmares on behalf of the world.

No wonder they were so terrible, and that they were growing worse. If material repressed into the unconscious was bound to erupt in some less manageable form, how much more powerful that must be when the unconscious was collective! Precisely because people were unable to come to terms with the crimes, repudiated them as utterly inhuman or simply unimaginable, the horrors would reappear in a worse form and possess whoever they pleased. He remembered thinking that the patterns of life in the tower blocks had something to do with the West Derby murder. They had, of course. Everything had.

And now the repressions were focused on him. There was no reason why they should ever leave him; on the contrary, they seemed likely to grow more numerous and more peremptory. Was he releasing them by writing them

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