… to darkness.
Is gone.
The Hotel at Harlan’s Landing - KAGE BAKER
One of the most prolific new writers to appear in the late ’90s, Kage Baker made her first sale in 1997, to Asimov’s, and has since become one of that magazines most frequent and popular contributors with her sly and compelling stories of the adventures and misadventures of the time-travelling agents of the Company; of late, she’s started two other linked sequences of stories there as well, one of them set in as lush and eccentric a High Fantasy milieu as any we’ve ever seen. Her stories have also appeared in Realms of Fantasy, Sci Fiction, Amazing, and elsewhere. Her first novel, In the Garden of Iden, was also published in 1 997 and immediately became one of the most acclaimed and widely reviewed first novels of the year. Her second novel, Sky Coyote, was published in 1999, followed by a third and a fourth, Mendoza in Hollywood and The Graveyard Game, both published in 2001. Her most recent book is her first collection, Black Projects, White Knights, where the story that follows was originally published. In addition to her writing, Baker has been an artist, actor, and director at the Living History Center, and has taught Elizabethan English as a second language. She lives in Pismo Beach, California.
Here she shows us that sometimes no matter how isolated and remote a location you find in which to hide yourself away, it isn’t nearly isolated enough…
There was just the five of us in the bar that night.
The lumber mills were all shut down for good and there hadn’t been a ship come up to the wharf in years. No more big schooners down there in the cove, with their white sails flying in at eye level to the bluff top like clouds. Dirty little steamers stayed well out on the horizon and never came in, going busily to San Francisco or Portland. Nothing to come in for, at Harlan’s Landing.
All this stuff the weekenders find so cute now, the gingerbread cottages and the big emporium with its grand false front and the old hotel here-you wouldn’t have thought they were much then, when they were gray wood beaten into leaning by the winter storms, paint from the boom days all peeled off. No Heritage Society to save us, no tourists with cash to spend. Nobody had cash to spend. It was 1934.
I couldn’t keep the hotel open, but after the Volstead Act was repealed I opened the bar downstairs and things brightened up considerably. Our own had some place to go, had sort of a social life now, see? We come that close to being a ghost town that everybody needed to know there was still a place with the yellow lights shining out through the windows, fighting to stay alive.
And it wasn’t like there was anyplace else to go anyhow, not with the logging road washed out in winter, which was the only other way to get here from the city back then. I felt I sort of owed the rest of them.
Especially I owed Uncle Jacques and Aunty Irina. I had that awful year in 1929 when Mama got the cancer and I lost Bill, that was my husband, he was one of the crew on the San Juan, see. They were real kind to me then. Stayed by me when I wanted to just die. Aunty Irina baked bread, and Uncle Jacques fixed the typewriter and told me what I ought to write to the damn insurance people when they weren’t going to pay. People who’ll help you clean your house for a funeral twice in one year are good friends, believe you me.
Then, if Uncle Jacques hadn’t kept the Sheep Canyon trail cleared we’d have had nothing to eat but venison, because there’d have been no way I could have got the buckboard through to Notley for provisions most of the time. It must have been hard work, even for him, just one man with an axe busting up those redwood snags; because of course Lanark was no use. But Uncle Jacques looked after all of us, he and Aunty Irina. They said it was a good thing to have a human community.
And, see, once I opened the bar, there was some place to go. Lanark didn’t have to stay alone in his shack watching the calendar pages turn brown, and Miss Harlan didn’t have to stay alone in her cottage hearing the surf boom and wondering if Billy was going to come walking up out of the water to haunt her. I didn’t have to sit alone in my room over the lobby, thinking how my folks would scold me because I hadn’t kept the brass and mahogany polished like I ought to have. And Uncle Jacques and Aunty Irina had a nice little human community they could come down and be part of for a while, so they didn’t have to sit staring at each other in their place up on Gamboa Ridge.
I had it real cozy here. That potbellied stove in the corner worked then; fire inspector won’t let us use it now, but I used to keep it going all night with a big basket of redwood chunks, and I lit the room up bright with kerosene lamps and moved some of the good tables and chairs down from the hotel rooms. Uncle Jacques brought me a radio he’d tinkered with, he called it a wireless, and I don’t know if it ran on a battery or what it had in it, but we set it behind the bar and we could get it to pull in music and shows. We had Jack Benny for Canada Dry and Chandu the Magician, and Little Orphan Annie, and even Byrd at the South Pole sometimes.
So Uncle Jacques and Aunty Irina would dance if there was music, and Miss Harlan would sit watching them, and I’d pour out applejack for everybody or maybe some wine. I used to get the wine, good stuff, from a man named Andy Lopez back in Sheep Canyon. Lanark would drink too much of it, but at least he wasn’t a mean drunk. We’d all be happy in the bar, warm and bright like it was, though the rest of the hotel was echoing and dark, and outside the night was black and empty too.
And that night it was black with a Pacific gale, but not empty. The wind was driving the sleet sideways at the windows, the wild air blustered and fought in the street like the sailors used to on Saturday nights. Every so often the sky would light up horizon to horizon, purple and white lightning miles long, and for a split second there’d be the town outside the windows like it was day but awful, with the black empty buildings and the black gaps in the sidewalk where the boards had rotted out, and the sea beyond breaking so high there was spume flying up the street, blown on the storm.
You wouldn’t think we’d be getting any radio reception at all, but whatever Uncle Jacques had done to that thing, it was picking up a broadcast from some ballroom in Chicago. And damned if the band-leader didn’t play Stormy Weather! Aunty Irina pulled Uncle Jacques to his feet. He slipped his arm around her and they two-step shuffled up and down in front of the bar, smiling at each other. Miss Harlan watched them, getting a little misty- eyed like she always did at anything romantic, and she sang along with the music. Lanark was pretty sober yet and making eyes at me from his table, and I smiled back at him because he did still use to be handsome then, in a wrecked kind of way.
He had just said, “Damn, Luisa, you throw a nice party,” and I was just about to say something sassy back when the music was drowned out by a crack-crack-crack and screeching static, so awful Miss Harlan and me put our hands over our ears, and Uncle Jacques and Aunty Irina stopped short and stood apart, looking like a couple of greyhounds on the alert.
Then we heard the call numbers and the voice out of the storm, telling us that some vessel called the Argive was in trouble, two aboard, and could the Coast Guard help? And I wondered how the radio had switched itself over to the marine band, but it was Uncle Jacques’s radio so I guess it might have done anything. They gave their location as right off Gamboa Rock, and I felt sick then.
See it out there? That’s Gamboa Rock. See the way the water kind of boils around it, even on a nice summer day like this, and that little black line of shelf trailing out from it? It used to be a ship-killer, and a mankiller too, and we all knew the Argive wasn’t ever going to see any Coast Guard rescue, if that was where she was. Not in weather like that.
And in the next big flash of lightning we could see the poor damned thing through the windows, looked like somebody’s yacht, rearing on the black water and fighting for sea room. I only saw her for a split second, but I could paint her to this hour the way she looked, almost on her beam-end with her sail flapping. Then the dark swallowed up everything again. There was just a tiny little pinprick light we could still see for a while.
The voice on the radio was high and scared and there wasn’t any Coast Guard answering, and pretty soon they began begging anybody to help them. They must have been able to see our light, I guess. It would have broken your heart to have to sit there and listen, the way they were asking for lifeboats and lines, which we didn’t have. We
