Coelacanths - ROBERT REED
Robert Reed sold his first story in 1986, and quickly established himself as a frequent contributor to The Magazine of Fantasy and Science Fiction and Asimov’s Science Fiction, as well as selling many stories to Science Fiction Age, Universe, New Destinies, Tomorrow, Synergy, Starlight, and elsewhere. Reed may be one of the most prolific of today’s young writers, particularly at short fiction lengths, seriously rivaled for that position only by authors such as Stephen Baxter and Brian Stableford. And-also like Baxter and Stableford-he manages to keep up a very high standard of quality while being prolific, something that is not at all easy to do. Reed stories such as “Sister Alice,” “Brother Perfect,” “Decency,” “Savior,” “The Remoras,” “Chrysalis,” “Whiptail,” “The Utility Man,” “Marrow,” “Birth Day,” “Blind,” “The Toad of Heaven,” “Stride,” “The Shape of Everything,” “Guest of Honor,” “Waging Good,” and “Killing the Morrow,” among at least a half-dozen others equally as strong, count as among some of the best short work produced by anyone in the ’80s and ’90s. Nor is he non-prolific as a novelist, having turned out eight novels since the end of the ’80s, including The Lee Shore, The Hormone Jungle, Black Milk, The Remarkables, Down the Bright Way, Beyond the Veil of Stars, An Exaltation of Larks, and Beneath the Gated Sky. His reputation can only grow as the years go by, and I suspect that he will become one of the Big Names of the first decade of the new century that lies ahead. His stories have appeared in our Ninth through Seventeenth, and our Nineteenth Annual Collections. Some of the best of his short work was collected in The Dragons of Springplace. His most recent book is Marrow, a novel-length version of his 1 997 novella of the same name. Reed lives in Lincoln, Nebraska.
Here’s as strange and distant a far-future as you’re ever likely to see, even in today’s science fiction, a world that has become so alien to the few remaining humans who scuttle like cockroaches through its interstices that they have given up all hope of understanding it, and concentrate all their energies and ingenuity just on the daily battle to survive…
He stalks the wide stage, a brilliant beam of hot blue light fixed squarely upon him. “We are great! We are glorious!” the man calls out. His voice is pleasantly, effortlessly loud. With a face handsome to the brink of lovely and a collage of smooth, passionate mannerisms, he performs for an audience that sits in the surrounding darkness. Flinging long arms overhead, hands reaching for the distant light, his booming voice proclaims, “We have never been as numerous as we are today. We have never been this happy. And we have never known the prosperity that is ours at this golden moment. This golden now!” Athletic legs carry him across the stage, bare feet slapping against planks of waxed maple. “Our species is thriving,” he can declare with a seamless ease. “By every conceivable measure, we are a magnificent, irresistible tide sweeping across the universe!”
Transfixed by the blue beam, his naked body is shamelessly young, rippling with hard muscles over hard bone. A long fat penis dangles and dances, accenting every sweeping gesture, every bold word. The living image of a small but potent god, he surely is a creature worthy of admiration, a soul deserving every esteem and emulation. With a laugh, he promises the darkness, “We have never been so powerful, we humans.” Yet in the next breath, with a faintly apologetic smile, he must add, “Yet still, as surely as tomorrow comes, our glories today will seem small and quaint in the future, and what looks golden now will turn to the yellow dust upon which our magnificent children will tread!”
Study your history. It tells you that travel always brings its share of hazards; that’s a basic, impatient law of the universe. Leaving the security and familiarity of home is never easy. But every person needs to make the occasional journey, embracing the risks to improve his station, his worth and self-esteem. Procyon explains why this day is a good day to wander. She refers to intelligence reports as well as the astrological tables. Then by a dozen means, she maps out their intricate course, describing what she hopes to find and everything that she wants to avoid.
She has twin sons. They were born four months ago, and they are mostly grown now. “Keep alert,” she tells the man-children, leading them out through a series of reinforced and powerfully camouflaged doorways. “No naps, no distractions,” she warns them. Then with a backward glance, she asks again, “What do we want?”
“Whatever we can use,” the boys reply in a sloppy chorus.
“Quiet,” she warns. Then she nods and shows a caring smile, reminding them, “A lot of things can be used. But their trash is sweetest.”
Mother and sons look alike: They are short, strong people with closely cropped hair and white-gray eyes. They wear simple clothes and three fashions of camou flage, plus a stew of mental add-ons and microchine helpers as well as an array of sensors that never blink, watching what human eyes cannot see. Standing motionless, they vanish into the convoluted, ever-shifting background. But walking makes them into three transient blurs-dancing wisps that are noticeably simpler than the enormous world around them. They can creep ahead only so far before their camouflage falls apart, and then they have to stop, waiting patiently or otherwise, allowing the machinery to find new ways to help make them invisible.
“I’m confused,” one son admits. “That thing up ahead-”
“Did you update your perception menu?”
“I thought I did.”
Procyon makes no sound. Her diamond-bright glare is enough. She remains rigidly, effortlessly still, allowing her lazy son to finish his preparations. Dense, heavily encoded signals have to be whispered, the local net downloading the most recent topological cues, teaching a three-dimensional creature how to navigate through this shifting, highly intricate environment.
The universe is fat with dimensions.
Procyon knows as much theory as anyone. Yet despite a long life rich with experience, she has to fight to decipher what her eyes and sensors tell her. She doesn’t even bother learning the tricks that coax these extra dimensions out of hiding. Let her add-ons guide her. That’s all a person can do, slipping in close to one of them. In this place, up is three things and sideways is five others. Why bother counting? What matters is that when they walk again, the three of them move through the best combination of dimensions, passing into a little bubble of old- fashioned up and down. She knows this place. Rising up beside them is a trusted landmark-a red granite bowl that cradles what looks like a forest of tall sticks, the sticks leaking a warm light that Procyon ignores, stepping again, moving along on her tiptoes.
One son leads the way. He lacks the experience to be first, but in another few weeks, his flesh and sprint- grown brain will force him into the world alone. He needs his practice, and more important, he needs confidence, learning to trust his add-ons and his careful preparations, and his breeding, and his own good luck.
Procyon’s other son lingers near the granite bowl. He’s the son who didn’t update his menu. This is her dreamy child, whom she loves dearly. Of course she adores him. But there’s no escaping the fact that he is easily distracted, and that his adult life will be, at its very best, difficult. Study your biology. Since life began, mothers have made hard decisions about their children, and they have made the deadliest decisions with the tiniest of gestures.
Procyon lets her lazy son fall behind.
Her other son takes two careful steps and stops abruptly, standing before what looks like a great black cylinder set on its side. The shape is a fiction: The cylinder is round in one fashion but incomprehensible in many others. Her add-ons and sensors have built this very simple geometry to represent something far more elaborate. This is a standard disposal unit. Various openings appear as a single slot near the rim of the cylinder, just enough room snowing for a hand and forearm to reach through, touching whatever garbage waits inside.
Her son’s thick body has more grace than any dancer of old, more strength than a platoon of ancient athletes. His IQ is enormous. His reaction times have been enhanced by every available means. His father was a great old soul who survived into his tenth year, which is almost forever. But when the boy drifts sideways, he betrays his inexperience. His sensors attack the cylinder by every means, telling him that it’s a low-grade trash receptacle
