Other Burned Out Futures. He had two stories in our Eighteenth Annual Collection, and one in our Nineteenth Annual Collection. He lives in Edinburgh, Scotland.

Here he takes us back to the wired-up, dazzlingly fast-paced Information Age future of his acclaimed and popular “Manfred Macx” stories (debuted last year in “Lobsters,” a Hugo Finalist), and cranks things up a notch even from his former frenetic concept-dense pace-introducing us to what might be called “Manfred Macx: The Next Generation,” as the daughter of Manfred Macx leaves a frazzled Earth tottering on the edge of a Vingian Singularity to travel to Jupiter space, in company with a cast of characters that even Manfred Macx himself might have found a bit peculiar…

The asteroid is running Barney: it sings of love on the high frontier, of the passion of matter for replicators, and its friendship for the needy billions of the Pacific Rim. “I love you,” it croons in Amber’s ears as she seeks a precise fix on it: “Let me give you a big hug…”

A fraction of a light-second away, Amber locks a cluster of cursors together on the signal, trains them to track its Doppler shift, and reads off the orbital elements. “Locked and loaded,” she mutters. The animated purple dinosaur pirouettes and prances in the middle of her viewport, throwing a diamond-tipped swizzle-stick overhead. Sarcastically: “big hug time! I got asteroid!” Cold gas thrusters bang somewhere behind her in the interstage docking ring, prodding the cumbersome farm ship round to orient on the Barney rock. She damps her enthusiasm self-consciously, her implants hungrily sequestrating surplus neurotransmitter molecules floating around her synapses before reuptake sets in: it doesn’t do to get too excited in free flight. But the impulse to spin handstands, jump and sing, is still there: it’s her rock, and it loves her, and she’s going to bring it to life.

The workspace of Amber’s room is a mass of stuff that probably doesn’t belong on a spaceship. Posters of the latest Lebanese boy-band bump-and-grind through their glam routines; tentacular restraining straps wave from the corners of her sleeping bag, somehow accumulating a crust of dirty clothing from the air like a giant inanimate hydra. (Cleaning robots seldom dare to venture inside the teenager’s bedroom.) One wall is repeatedly cycling through a simulation of the projected construction cycle of Habitat One, a big fuzzy sphere with a glowing core (that Amber is doing her bit to help create): three or four small pastel-colored plastic kawai dolls stalk each other across its circumference with million-kilometer strides. And her father’s cat is curled up between the aircon duct and her costume locker, snoring in a high-pitched tone.

Amber yanks open the faded velour curtain that shuts her room off from the rest of the hive: “I’ve got it!” she shouts. “It’s all mine! I rule!” It’s the sixteenth rock tagged by the orphanage so far, but it’s her first, and that makes it special. She bounces off the other side of the commons, surprising one of Oscar’s cane toads-which should be locked down in the farm, it’s not clear how it got here-and the audio repeaters copy the incoming signal, noise- fuzzed echoes of a thousand fossilized infant’s video shows.

“You’re so prompt, Amber,” Pierre whines when she corners him in the canteen.

“Well, yeah!” She tosses her head, barely concealing a smirk of delight at her own brilliance. She knows it isn’t nice, but Mom is a long way away, and Dad and Step-Mom don’t care about that kind of thing. “I’m brilliant, me!” she announces. “Now what about our bet?”

“Aww.” Pierre thrusts his hands deep into his pockets. “But I don’t have two million on me in change right now. Next cycle?”

“Huh?” She’s outraged. “But we had a bet!”

“Uh, Doctor Bayes said you weren’t going to make it this time, either, so I stuck my smart money in an options trade. If I take it out now, I’ll take a big hit. Can you give me until cycle’s end?”

“You should know better than to trust a sim, Pee.” Her avatar blazes at him with early teen contempt: Pierre hunches his shoulders under her gaze. He’s only thirteen, freckled, hasn’t yet learned that you don’t welsh on a deal. “I’ll let you do it this time,” she announces, “but you’ll have to pay for it. I want interest.”

He sighs. “What base rate are you-”

“No, your interest! Slave for a cycle!” She grins malevolently.

And his face shifts abruptly into apprehension: “As long as you don’t make me clean the litter tray again. You aren’t planning on doing that, are you?”

Welcome to the third decade. The thinking mass of the solar system now exceeds one MIP per gram; it’s still pretty dumb, but it’s not dumb all over. The human population is near maximum overshoot, pushing nine billion, but its growth rate is tipping toward negative numbers, and bits of what used to be the first world are now facing a middle-aged average. Human cogitation provides about 10 28 MIPS of the solar system’s brainpower. The real thinking is mostly done by the halo of a thousand trillion processors that surround the meat machines with a haze of computation-individually, a tenth as powerful as a human brain, collectively, they’re ten thousand times more powerful, and their numbers are doubling every twenty million seconds. They’re up to 10 33 MIPS and rising, although there’s a long way to go before the solar system is fully awake.

Technologies come, technologies go, but even five years ago nobody predicted that there’d be tinned primates in orbit around Jupiter by now: a synergy of emergent industries and strange business models have kick-started the space age again, aided and abetted by the discovery of (so far undecrypted) signals from ET’s. Unexpected fringe- riders are developing new ecological niches on the edge of the human information space, light-minutes and light- hours from the core, as an expansion that has hung fire since the 1970s gets under way.

Amber, like most of the post-industrialists aboard the orphanage ship Ernst Sanger, is in her early teens: her natural abilities are enhanced by germ-line genetic recombination. Like most of the others, half her wetware is running outside her skull on an array of processor nodes hooked in by quantum-entangled communication channels-her own personal metacortex. These kids are mutant youth, burning bright: not quite incomprehensible to their parents, but profoundly alien-the generation gap is as wide as the 1960s and as deep as the solar system. Their parents, born in the gutter-years of the twentieth century, grew up with white elephant shuttles and a space station that just went round and round, and computers that went beep when you pushed their buttons: the idea that Jupiter was somewhere you could go was as profoundly counter-intuitive as the Internet to a baby boomer.

Most of the passengers on the can have run away from parents who thought that teenagers belong in school, unable to come to terms with a generation so heavily augmented that they are fundamentally brighter than the adults around them. Amber was fluent in nine languages by the age of six, only two of them human, and six of them serializable; her birthmother-who had denied her most of the prenatal mods then available, insisting that a random genotype was innately healthier-had taken her to the school psychiatrist for speaking in synthetic tongues. That was the final straw for Amber: using an illicit anonymous phone, she called her father. Her mother had him under a restraining order, but it hadn’t occurred to her to apply for an order against his partner…

***

Vast whorls of cloud ripple beneath the ship’s drive stinger: orange and brown and muddy grey streaks slowly ripple across the bloated horizon of Jupiter. Sanger is nearing perijove, deep within the gas giant’s lethal magnetic field; static discharges flicker along the tube, arcing over near the deep violet exhaust cloud emerging from the magnetic mirrors of the ship’s VASIMR motor. The plasma rocket is cranked up to maximum mass flow, its specific impulse almost as low as a fission rocket but thrusting at maximum as the assembly creaks and groans through the gravitational assist maneuver. In another hour, the drive will flicker off, and the orphanage will fall up and out toward Ganymede, before dropping back in toward orbit around Amalthea, Jupiter’s fourth moon (and source of much of the material in the Gossamer ring). They’re not the first canned primates to make it to Jupiter subsystem, but they’re one of the first wholly private ventures. The bandwidth out here sucks dead slugs through a straw, with millions of kilometers of vacuum separating them from scant hundreds of mouse-brained microprobes and a few mechanical dinosaurs left behind by NASA or ESA. They’re so far from the inner system that a good chunk of the ship’s communications array is given over to caching: the news is whole kiloseconds old by the time it gets out here.

Amber, along with about half the waking passengers, watches in fascination from the common room. The commons are a long axial cylinder, a double-hulled inflatable at the center of the ship with a large part of their liquid water supply stored in its wall-tubes. The far end is video-enabled, showing them a realtime 3D view of the planet as it rolls beneath them: in reality, there’s as much mass as possible between them and the trapped particles in the Jovian magnetic envelope. “I could go swimming in that,” sighs Lilly. “Just imagine, diving into that sea…” Her avatar appears in the window, riding a silver surfboard down the kilometers of vacuum.

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