At about three o’clock on New Year’s Eve, Joakim took the subway to Bromma to wish his dead sister a happy New Year, and to try to talk to her murderer.
He stopped to buy a small bunch of roses in a flower store by the station. Then he set off along the street, following the route past the wooden houses above the water. They looked like forts, he thought. The sun had just gone down and the lights were glowing in many windows.
After a few hundred yards he reached the street where the Apple House sat, and went up to the closed gate. He gazed at his former home. It looked empty but there was a light on in the hallway, possibly to deter burglars.
Joakim bent down and propped the bunch of flowers against the electrical service box by the fence. He stood there for a few moments thinking of Ethel and Katrine, then turned away.
The neighboring house further along the street had the
lights on in most of the rooms. It was the Hesslins’ huge house-the pride of the neighborhood.
Joakim remembered Michael Hesslin had mentioned on the telephone that the family would be home for New Year’s. He went up to the gate, along the garden path, and rang the doorbell.
Lisa Hesslin opened the door. She looked pleased when she saw who it was.
“Come in, Joakim,” she said. “And happy New Year!”
“Same to you.”
He walked in, onto the thick carpet in the hallway.
“Would you like some coffee? Or a glass of champagne, perhaps?”
“That won’t be necessary,” he said. “Is Michael home?”
“Not at the moment… but he’s only gone over to the gas station with the boys to buy some more fireworks.” Lisa smiled. “They let off all the ones we had between Christmas and New Year’s. I’m sure he’ll be back soon, if you can wait.”
“Sure.”
Joakim moved into the main room, which had a view of the bare trees and the ice on the bay down below the house.
“Would you like to read something?” he asked Lisa.
“What?”
“This note.”
Joakim reached into the inside pocket of his jacket and took out a copy of the note he had found in Ethel’s denim jacket in the hayloft.
He handed it over to Lisa. She took it and read:
“‘Make sure the junkie-’”
She stopped abruptly and looked inquiringly at Joakim.
“Carry on,” he said. “Wasn’t it you who wrote it and gave it to Katrine?”
She shook her head.
“Then it must have been Michael.”
“I… I can’t imagine that.”
Lisa handed back the note. Joakim took it and stood up.
“Can I put your stereo on?” he said. “I’ve got something I’d like you to listen to.”
“Of course… is it music?”
Joakim went over and inserted the cassette. “No,” he said, “it’s just talking, actually.”
When the cassette started, he took a couple of steps backwards and sat down on the sofa directly opposite Lisa. There was a rattling noise from the speakers, then Gerlof Davidsson’s tinny, slightly grumpy voice came through:
“Right, let’s see… I’ve borrowed a tape recorder from Tilda, and I think it’s running now. I’ve been thinking a great deal about the death of your wife, Joakim. If you don’t want to be reminded of it, you should stop listening now… but as I said, I couldn’t stop thinking about it.”
Lisa looked dubiously at Joakim, but Gerlof’s voice went on:
“I think someone killed Katrine: a person who left no traces of themselves on the sandy shore, and therefore must have come from the sea. I can’t tell you the name of Katrine’s murderer, but I believe he’s a powerfully built, middle-aged man. He lives or has a house in southern Gotland, and there he keeps a big boat with an inboard motor. The boat must have been big and fast to be able to cover a day trip between the islands, but at the same time light enough to be able to come into the jetty at Eel Point, where the water is no more than three feet deep. He must have-”
“Joakim, who’s actually talking here?” said Lisa.
“Just listen,” said Joakim.
“… and aiming for the twin lighthouses as you approach Oland isn’t particularly difficult,” Gerlof went on. “But how did the murderer know your wife was going to be home alone that day? I think Katrine knew him. When she heard the sound of the engine approaching across the water, she went down to the shore. The murderer was standing in the prow holding the murder weapon in his hand when she came out onto the jetty. But your wife wasn’t suspicious, because he
was holding something almost everyone uses when they moor a boat.”
Gerlof coughed quietly and continued:
“The murder weapon was a wooden boat hook… long and heavy and with a big iron hook on one end. I’ve seen them used in fights at sea. It’s easy to grab the opponent’s clothing with the hook. Then you pull, and the victim loses balance and falls into the water. If you want to drown someone, then of course all you have to do is hold the hook beneath the surface of the water. There are no fingerprints, no major injuries. All that is visible afterward is the odd small tear in the clothing. There are holes like that in your wife’s clothes.”
Gerlof stopped again, before finishing off his recording:
“Well, that’s what I think happened, Joakim. This won’t make things any easier for you in your grief, I know that… but we all feel better when questions have been answered. You’re welcome to come over for coffee again sometime. Now I’m going to switch this off…”
The crackling voice on the tape fell silent, and all that could be heard from the speakers was a faint hissing sound.
Joakim went over and took out the tape.
“That’s it,” he said.
Lisa had risen to her feet. “Who was that?” she asked again. “Who was talking?”
“A friend. An old man,” said Joakim, slipping the tape into his pocket. “Nobody you know…But is it true?”
Lisa opened her mouth, but seemed unable to find any words. Finally she managed to say, “No. Surely you don’t believe all that?”
“Was Michael at your cottage on Gotland when Katrine died?”
“How should I know? It was back in the fall…I don’t remember.”
“But when was he there?” said Joakim. “I mean, he must have gone down there sometime to take the boat out of the water. Mustn’t he?”
Lisa looked at him without replying.
“I was here in Stockholm the evening Katrine drowned,” said Joakim, “and I remember I rang your doorbell. But nobody was home.”
He got no reply.
“Does Michael have a calendar we could look at?” asked Joakim. “Or a diary?”
Lisa turned her back on him. “That’s enough now, Joakim…I need to make a start on dinner.”
She went over to the front door, opened it, and looked at him.
Joakim said nothing. Before he left the house, he stopped next to the photographs on the wall and looked closely at one of them: a picture of Michael Hesslin on board his white motor cruiser. He was standing behind the shining gunwale in the prow, waving at the camera. There was no sign of any boat hook.
“Nice boat,” said Joakim quietly.
He left, and she quickly closed the door behind him. Joakim heard the lock click into place.
He sighed and went out into the street, but stopped when he heard a faint noise carried on the air. It was the
