to the door and unlocked it, pulled it open. And fell back with a startled gasp.
'Hello, Lilly,' said Roy Dillon.
24
The basic details of her story were just about what Roy expected them to be…
First there had been the warning call from Baltimore; then, responding to it, her frantic, unreasoning flight. She drove as hard as she could and as long as she could. When she could go no further, she turned in at the Tucson tourist court.
The place had a garage, rather than individual car ports, and she hadn't liked that. But she was too tired to go farther; and since a garage attendant was on duty at all times, she could not reasonably object to the arrangement.
She put the loaded gun under her pillow. She undressed and went to bed. Yes, naturally she had locked her door, but that probably didn't mean much. Those places, motels and tourist courts, lost so many keys that they often had them made interchangeable, the same keys unlocking different doors. And that was doubtless the case here.
Anyway, she awakened hours later, with two hands clutching her throat. Hands that silenced any outcry she might make as they strangled her to death. She couldn't see who it was; she didn't care. She had been warned that she would be killed, and now she was being killed and that was enough to know.
She got the gun from under her pillow. Blindly, she had shoved it upward, into the face of her assailant. And pulled the trigger. And- and-
Moira was in her nightclothes, an old trick of nocturnal prowlers. Caught in another's room, they lay it to accident, claiming that they left their own room on some innocent errand and somehow strayed into the wrong one.
There was a tagged key in Moira's pocket-the key to a nearby room. Also, it was the key to Lilly's 'predicament. It pointed to a plan, ready-made, and without thinking she knew what she must do.
She put Moira in her bed. She wiped her own fingerprints from the gun, and pressed Moira's prints upon it. She spent the night in Moira's room, and in the morning she checked out under Moira's name and with the dead woman's clothes.
Naturally, she couldn't take her own car. The car and the money hidden in it now belonged to Moira also. For Moira was now Lillian Dillon, and Lilly was Moira Langtry. And so it must always be.
'
'
'
'
For a long moment, a silent second-long eternity, Lilly sat staring at her son. Looking into eyes that were her eyes, meeting a look as level as her own. So much alike, she thought, and the thought was also his.
Shakily, a cold deadness growing in her heart, she arose and went into the bathroom. She bathed her face in the sink, patted it dry with a towel, and took a drink of water. Then, thoughtfully, she refilled the glass and carried it out to her son. Why, thank you, Lilly, he said, touched by the small courtesy, disarmed by it. And Lilly told herself,
'I have to have that dough, Roy,' she said. 'She had a bankbook in her purse, but that doesn't do me any good. I can't risk tapping it. All she had on her was a few hundred bucks, and what the hell am I going to do with that?'
Roy said she could do quite a bit with it. A few hundred would get her to San Francisco or some other not-too-distant city. It would give her a month to live quietly while she looked for a job.
'A job!' Lilly gasped. 'I'm almost forty years old, and I've never held a legit job in my life!'
'You can do it,' Roy said. 'You're smart and attractive. There are any number of jobs you can hold. Just dump the Cad somewhere. Bury it. A Cad won't fit in with the way you'll be living, and-'
'Save it!' Lilly cut him off with an angry, knifing gesture. 'You sit there telling me what to do-a guy socrooked that he has to eat soup with a corkscrew-!'
'I shouldn't have to tell you. You should be able to see it for yourself.' Roy leaned forward, pleadingly. 'A legit job and a quiet life are the only way for you, Lil. You start showing up at the tracks or the hot spots and Bobo's boys will be on you.'
'I know that, damnit! I know I've got to lay low, and I will. But the other-'
'It's good advice, Lilly. I'm following it myself.'
'Yeah, sure you are! I see you giving up the grift!'
'What's so strange about it? It's what you wanted. You kept pushing it at me.'
'Okay,' Lilly said. 'So you're on the level. So you don't need the money, do you? You don't need it or want it. So why the hell won't you give it to me?'
Roy sighed; tried to explain why: to explain acceptably the most difficult of propositions; i.e., that the painful thing you are doing for a person is really for his or her own good. And yet, talking to her, watching her distress, there was in his mind, unadmitted, an almost sadistic exulting.
'Now, look, Lilly,' he said reasonably. 'That money wouldn't last you forever; maybe seven or eight years. What would you do then?'
'Well… I'd think of something. Don't worry about that part.'
Roy nodded evenly. 'Yes,' he said, 'you'd think of something. Another racket. Another Bobo Justus to slap you around and burn holes in your hand. That's the way it would turn out, Lilly; that way or worse. If you can't change now, while you're still relatively young, how could you do it when you were crowding fifty?'
'So that's how it is, Lil,' Roy said. 'Why I can't let you have the money. I mean, uh-'
His voice faltered weakily, his eyes straying away from hers.
After a moment, Lilly nodded. 'I know what you mean,' she said. 'I think I know.'