Mary Poppins in the Park

'I don't want to see them!' Michael screamed. He seized the end of the parrot umbrella as though it were an anchor.

'Apparitions, indeed!' shrieked the smallest bush. 'Well, I've heard myself called many things — Charlemagne said I looked like a fairy and Boadicea called me a goblin — but nobody ever said to my face that I was an apparition. Though I dare say' — the bush gave a witchlike cackle—'that I often look like one!'

A skinny little pair of legs came capering towards them and a wizened face, like an old apple, peered out through wisps of hair.

Michael drew a long breath.

'It's only Mrs. Corry!' he said, loosing his hold on the parrot umbrella.

'And Miss Fannie and Miss Annie!' Jane waved in relief to the two large bushes.

'How de do?' said their mournful voices, as Mrs. Corry's enormous daughters caught up with their tiny mother.

'Well, here we are again, my dears — as I heard St. George remark to the Dragon. Just the kind of night for —' Mrs. Corry looked at Mary Poppins and gave her a knowing grin. 'For all sorts of things,' she concluded. 'You got a message, I hope!'

'Thank you kindly, Mrs. Corry. I have had a communication.'

'What message?' asked Michael inquisitively. 'Was it one on a leaf?'

Mrs. Corry cocked her head. And her coat — which was covered with threepenny-bits — twinkled in the moonlight.

'Ah,' she murmured mysteriously. 'There are so many kinds of communication! You look at me, I look at you, and something passes between us. John o' Groats could send me a message, simply by dropping an eyelid. And once — five hundred years ago — Mother Goose handed me a feather. I knew exactly what it meant—'Come to dinner. Roast Duck'!'

'And a tasty dish it must have been! But, excuse me, Mrs. Corry, please — we must be getting home. This is no night for dawdling — as you will understand.' Mary Poppins gave her a meaning look.

'Quite right, Miss Poppins! Early to bed, early to rise, makes a man healthy, wealthy and — Now, who was it first told me that — Robert the Bruce? No, I've forgotten!'

'See you later,' said Fannie and Annie, waving to Jane and Michael.

'Later?' said Jane. 'But we're going to bed.'

'There you go — you galumphing giraffes! Can't you ever open your mouths without putting your feet into them? They mean, my dears,' said Mrs. Corry, 'they'll be seeing you later in the year! November, perhaps, or after Christmas. Unless, of course' — her smile widened—'unless you are very clever! Well, good night and sleep well!'

She held out her little wrinkled hands and Jane and Michael both sprang forward.

'Look out! Look out!' she shrieked at them. 'You're stepping on my shadow!'

'Oh — I'm sorry!' They both jumped back in alarm.

'Deary goodness — you gave me a turn!' Mrs. Corry clapped her hand to her heart. 'Two of you standing right on its head — the poor thing will be distressed!'

They looked at her in astonishment and then at the little patch of black that lay on the windy grass.

'But I didn't think shadows could feel,' said Jane.

'Not feel! What nonsense!' cried Mrs. Corry. 'They feel twice as much as you do. I warn you, children, take care of your shadows or your shadows won't take care of you. How would you like to wake one morning and find they had run away? And what's a man without a shadow? Practically nothing, you might say!'

'I wouldn't like it at all,' said Michael, glancing at his own shadow rippling in the wind. He realised, for the first time, how fond he was of it.

'Exactly!' Mrs. Corry snorted. 'Ah, my love,' she crooned to her shadow. 'We've been through a lot together — haven't we? — you and I. And never a hair of your head hurt till these two went and stepped on it. All right, all right, don't look so glum!' She twinkled at Jane and Michael. 'But remember what I say — take care! Fannie and Annie, stir your stumps. Look lively — if you possibly can!'

And off she trotted between her daughters, bending sideways now and again to blow a kiss to her shadow.

'Now, come along. No loitering,' said Mary Poppins briskly.

'We're keeping an eye on our shadows!' said Jane. 'We don't want anything to hurt them.'

'You and your shadows,' said Mary Poppins, 'can go to bed — spit-spot!'

And sure enough that was what they did. In next to no time they had eaten their supper, undressed before the crackling fire and bounced under the blankets.

The nursery curtains blew in and out and the night-light flickered on the ceiling.

'I see my shadow and my shadow sees me!' Jane looked at the neatly brushed head reflected on the wall. She nodded in a friendly way and her shadow nodded back.

'My shadow and I are two swans!' Michael held his arm in the air and snapped his fingers together. And upon the wall a long-necked bird opened and closed its beak.

'Swans!' said Mary Poppins, sniffing, as she laid her coat and tulip hat at the end of her camp-bed. 'Geese more like it, I should say!'

The canvas creaked as she sprang in.

Michael craned his neck and called: 'Why don't you hang up your coat, Mary Poppins, the way you always do?'

'My feet are cold, that's why! Now, not another word!'

He looked at Jane. Jane looked at him. They knew it was only half an answer. What was she up to tonight, they wondered. But Mary Poppins never explained. You might as well ask the Sphinx.

'Tick!' said the clock on the mantelpiece.

They were warm as toast inside their beds. And their beds were warm inside the nursery. And the nursery was warm inside the house. And the howling of the wind outside made it seem warmer still.

They leaned their cheeks upon their palms and let their eyelids fall.

'Tock!' said the clock on the mantelpiece.

But neither of them heard….

'What is it?' Jane murmured sleepily. 'Who's scratching my nose?'

'It's me!' said Michael in a whisper. He was standing at the side of her bed with a wrinkled leaf in his hand.

'I've been scratching it for ages, Jane! The front door banged and woke me up and I found this on my pillow. Look! There's one on yours, too. And Mary Poppins' bed is empty and her coat and hat have gone!'

Jane took the leaves and ran to the window.

'Michael,' she cried, 'there was a message. One leaf says 'Come' and the other 'Tonight.''

'But where has she gone? I can't see her!' He craned his neck and looked out.

All was quiet. The wind had dropped. Every house was fast asleep. And the full moon filled the world with light.

'Jane! There are shadows in the garden — and not a single person!'

He pointed to two little dark shapes — one in pyjamas, one in a nightgown — that were floating down the front path and through the garden railings.

Jane glanced at the nursery walls and ceiling. The night-light glowed like a bright eye. But in spite of that steady, watchful gleam there was not a single shadow!

'They're ours, Michael! Put something on. Quick — we must go and catch them!'

He seized a sweater and followed her, tip-toeing down the creaking stairs and out into the moonlight.

Cherry Tree Lane was calm and still, but from the Park came strains of music and trills of high-pitched laughter.