Shibumi

the forking. Then you'll miss it all right! You'll miss it because you'll be in Licq, don't you see.'

The old mousse players had forsaken their game and were gathered behind the cafe owner, intrigued by all the confusion this foreign tourist was causing. They held a brief discussion in Basque, agreeing at last that if the girl took the left forking she would indeed end up in Licq. But then, Licq was not such a bad village. Was there not the famous story of the bridge at Licq built with the help of the Little People from the mountains who then...

'Listen!' Hannah pled. 'Is there someone who could drive me to the Chateau of Etchebar?'

A quick conference was held between the cafe owner and the mousse players. There was some argument and a considerable amount of clarification and restatement of positions. Then the proprietor delivered the consensus opinion.

'No.'

It had been decided that this foreign girl wearing walking shorts and who had a rucksack was one of the young athletic tourists who were notorious for being friendly, but for tipping very little. Therefore, there was no one who would drive her to Etchebar, except for the oldest of the mousse players, who was willing to gamble on her generosity, but sadly he had no car. And anyway, he did not know how to drive.

With a sigh, Hannah took up her rucksack. But when the cafe owner reminded her of the cup of coffee, she remembered she had no French money. She explained this with expressions of lighthearted contrition, trying to laugh off the ludicrousness of the situation. But he steadfastly stared at the cup of unpaid-for coffee, and remained dolefully silent. The mousse players discussed this new turn of events with animation. What? The tourist took coffee without the money to pay for it? It was not impossible that this was a matter for the law.

Finally, the proprietor sighed a rippling sigh and looked up at her, tragedy in his moist eyes. Was she really telling him that she didn't have two francs for the coffee—forget the tip—just two francs for the coffee? There was a matter of principle involved here. After all, he paid for his coffee; he paid for the gas to heat the water; and every couple of years he paid the tinker to mend the pot. He was a man who paid his debts. Unlike some others he could mention.

Hannah was between anger and laughter. She could not believe that all these heavy theatrics were being produced for two francs. (She did not know that the price of a cup of coffee was, in fact, one franc.) She had never before met that especially French version of avarice in which money—the coin itself—is the center of all consideration, more important than goods, comfort, dignity. Indeed, more important than real wealth. She had no way to know that, although they bore Basque names, these village people had become thoroughly French under the corrosive cultural pressures of radio, television, and state- controlled education, in which modern history is creatively interpreted to confect that national analgesic, la verite a la Cinquieme Republique.

Dominated by the mentality of the petit commercant, these village Basques shared the Gallic view of gain in which the pleasure of earning a hundred francs is nothing beside the intense suffering caused by the loss of a centime.

Finally realizing that his dumb show of pain and disappointment was not going to extract the two francs from this young girl, the proprietor excused himself with sardonic politeness, telling her be would be right back.

When he returned twenty minutes later, after a tense conference with his wife in the back room, he asked, 'You are a friend of M. Hel?'

'Yes,' Hannah lied, not wanting to go into all that.

'I see. Well then, I shall assume that Mr. Hel will pay, should you fail to.' He tore a sheet from the note pad provided by the Byrrh distributors and wrote something on it before folding it two times, sharpening the creases with his thumbnail. 'Please give this to M. Hell,' he said coldly.

His eyes no longer flicked to her breast and legs. Some things are more important than romance.

* * *

Hannah had been walking for more than an hour, over the Pont d'Abense and the glittering Gave de Saison, then slowly up into the Basque hills along a narrow tar road softened by the sun and confined by ancient stone walls over which lizards scurried at her approach. In the fields sheep grazed, lambs teetering beside the ewes, and russet vaches de pyrenees loitered in the shade of unkempt apple trees, watching her pass, their eyes infinitely gentle, infinitely stupid. Round hills lush with fern contained and comforted the narrow valley, and beyond the saddles of the hills rose the snow-tipped mountains, their jagged aretes sharply traced on the taut blue sky. High above, a hawk balanced on the rim of an updraft, its wing feathers splayed like fingers constantly feeling the wind as it scanned the ground for prey.

The heat stewed a heady medley of aroma: the soprano of wild-flower, the mezzotones of cut grass and fresh sheep droppings, the insistent basso profundo of softened tar.

Insulated by fatigue from the sights and smells around her, Hannah plodded along, her head down and her concentration absorbed in watching the toes of her hiking boots. Her mind, recoiling from the sensory overload of the last ten hours, was finding haven in a tunnel-vision of the consciousness. She did not dare to think, to imagine, to remember; because looming out there, just beyond the edges of here-and-now, were visions that would damage her, if she let them in. Don't think. Just walk, and watch the toes of your boots. It is all about getting to the Chateau d'Etchebar. It is all about contacting Nicholai Hel. There is nothing before or beyond that.

She came to a forking in the road and stopped. To the right, the way rose steeply toward the hilltop village of Etchebar, and beyond the huddle of stone and crepi houses she could see the wide mansard facade of what must be the chateau peeking between tall pine trees and surrounded by a high stone wall.

She sighed deeply and trudged on, her fatigue blending with protective emotional neurasthenia. If she could just make the chateau... just get to Nicholai Hel...

Two peasant women in black dresses paused in their gossip over a low stone wall and watched the outlander girl with open curiosity and mistrust. Where was she going, this hussy showing her legs? Toward the chateau? Ah well, that explained it. All sorts of strange people go to the chateau ever since that foreigner bought it! Not that M. Hel was a bad man. Indeed, their husbands had told them he was much admired by the Basque freedom movement. But still... he was a newcomer. No use denying it. He had lived in the chateau only fourteen years, while everyone else in the village (ninety-three souls) could find his name on dozens of gravestones around the church, sometimes newly cut into pyrenean granite, sometimes barely legible on ancient stone scrubbed smooth by five centuries of rain and wind. Look! The hussy has not even bound her breasts! She wants men to look at her, that's what it is! She will have a nameless child if she is not careful! Who would marry her then? She will end up cutting vegetables and scrubbing floors in the household of her sister. And her sister's husband will pester her when he is drunk! And one day, when the sister is too far along with child to be able to do it, this one will succumb to the husband! Probably in the barn. It always happens so. And the sister will find out, and she will drive this one from the house! Where will she go then? She will become a whore in Bayonne, that's what!

A third woman joined the two. Who is that girl showing her legs? We know nothing about her—except that she is a whore from Bayonne. And not even Basque! Do you think she might be a Protestant? Oh no, I wouldn't go that far. Just a poor putain who has slept with the husband of her sister. It is what always happens, if you go about with your breasts unbound.

True, true.

As she passed, Hannah looked up and noticed the three women. 'Bonjour, mesdames,' she said.

'Bonjour, mademoiselle,' they chanted together, smiling in the open Basque way. 'You are giving yourself a walk?' one asked.

'Yes, Madame.'

'That's nice. You are lucky to have the leisure.'

An elbow nudged, and was nudged back. It was daring and clever to come so close to saying it.

'You are looking for the chateau, Mademoiselle?'

'Yes, I am.'

'Just keep going as you are, and you will find what you're looking for.'