irises. Their hair is pure Adrien: helmets of kinky frizz, pleasingly springy to touch. I can’t stop petting their heads. Where else can I touch an African coiffure? It was something my life hadn’t promised me. I wonder what barber, in this nearly all-white town, knows how to give them a haircut. They are seven and five. They like, amazingly, being read to, which I would have thought was too tame an entertainment for children raised among VCRs and PCs and CD players; Adrien teaches computer science at a local prep school and the baseboards of his house crawl with wires, plugs, adaptors, and winking power-surge preventers. So, lying between my grandsons on the bottom bunk of their bunk beds, I drone through one battered, shiny tale after another of fire engines and milk trucks, of elephants wearing trousers and party gowns, of bewildered kings and gentle giants and witches in shingled huts in forests where medieval Germany merges, in terms of housing, with the round huts of Togoland. After a while the springy soft heads nestling against my cheeks become less restive, and I make my first attempt at abandoning them to their dreams, an attempt which usually collapses in a flurry of scampering footsteps and brotherly blows and cries of recrimination. With a weary imitation of indignation and surprise I mount the stairs again and resettle them in their beds, only to find, on my next return up the creaking stairs, them together in the lower bunk, Olympe asleep but a glitter of wakeful black still caught in etienne’s long curved eyelashes. He fidgets against sleep’s tightening grip. His bottom lightly touches that of his older brother, through their flannel pajamas; their round heads are side by side on one pillow. I never had a brother. Any moment, Adrien and Irene will be coming back, with a loud crack of the front door that often wakes the boys into a scamper of gleeful welcome. I notice, as Etienne in the dusk of the lower bunk settles into self-forgetfulness, that his bare foot, dilutedly brown, bears a cashew-shaped little toe as vestigially uplifted as Perdita’s.

This is set down, I suppose, in the search for meaning. As one supernatural connection after another fails, the chain of ancestors and descendants-the transcendent entity of family-offers to solace us. But the dissolution of ego, which family demands, is just what we fight. Immortal DNA offers as cold a comfort as the transmigration of souls. If we can’t take our memories with us, why go?

Spring for me has always been the season to fear death. I wake heavily, with something undigestible gnawing my stomach, in the intensifying white light. My idiot subconscious, meanwhile, responds to the time of year with dreams of sex. Last night, as Deirdre’s lean body rested light on the mattress beside me-her long tanned bony back is heart-breakingly boyish-I dreamed I was making love to, of all people, Grace Wren. My woken self could not believe the passion with which I lay my body on top of hers (trumping it) and I ground my pelvis against the auburn-haired ace of hearts at the juncture of her legs. Her breathless face, her ample (but more youthfully, jauntily so; this was the Grace of twenty years ago) breasts, and that hairy crotch holding its responsive buds and folds were all under me with such passionate reality that my poor hard-on ached like a bursting bladder. In my dream the focus of my pain had recourse to her warm mouth, she was blowing me, she was giving me pure head, for she had no body, there was just her severed head with its closed eyes sucking. Horrors! I awoke with the monstrousness of it, the Dahmeresque atrociousness. It was as bad as something in Greek mythology or Aztec religion. The sexual parts are fiends, sacrificing everything to that aching point of contact. Society and simple decency keep trying to remind us of everything else-the rest of the body, the whole person, with its soul and intellect and estimable socioeconomic constituents-but in the truth of the night our dismembering needs arise and chop up the figments of our acquaintance like a Mogul swordsman gone berserk, and revolt us with our revealed nature.

During this same March night, while I was sleeping, a warm rain turned to freezing rain and then snow, depositing a candied crust on the reviving greenery, a white carameliza-don that sparkled on the skin of the driveway and in the buckgrass and wild blueberry that grow along the edge. The winter still had a kick of cold in it. Halfway down, I regretted not bothering to put on gloves and my little rubber hunting shoes, with their soles patterned in chains, for my morning walk to retrieve the newspaper. I slipped and slid. In the headlines, President Smith, that anonymous, derided man, was offering free farmland to citizens willing to go and work an assigned acreage of the depopulated Midwest. The Homestead Act anew. Little fragmentary sheaths of ice showered upon me as a chill breeze stirred the beech twigs overhead. This should be the terminal mood of my life, I thought: everything mundane candy-coated.

Deirdre got me to go to the Peabody mall yesterday; she had a whole list of depleted household necessities, including bathroom washcloths. With her cervine sense of smell she claimed that all of our washcloths inexpungeably stank. “What have you been wiping with them?” she asked me.

I blushed, answering, “Only myself. That’s the smell of old age.”

She alertly saw, out of those globular shining eyes of hers, that she had hurt my feelings, to a degree that might cause a rift. Hastily she told me, “You don’t smell like that. You smell sweet, like a freshly powdered baby. The back of your neck, especially.”

I wondered what she knew of babies. She was not as young, perhaps, as she seemed to me-old enough, certainly, to be a mother, of some child crawling or toddling down there in the murky valleys beneath my little hill.

The mysterious people who dwell in these valleys were out in force at the mall, in their windbreakers and blue jeans, their high-domed, billed bubba hats and their barbarically ornate running shoes. Retirees-who all seemed ancient to me, but some were perhaps younger than I-lounged in a daze of early Alzheimer’s on the benches the mall provides, waiting for their shapeless wives to come claim them and lead them to the car. If they had a thought as we passed, it must have been that Deirdre was my daughter, or a hard-faced young escort from the nursing home. We entered the mall through Filene’s; to swim in such an abundance of scarves and underwear and pointed vinyl shoes, in so pungent and deep a lake of artificial perfumes, dizzied and dazed me. Spring, though not quite yet in the air, was in the fashions, and in the stir of consumers, propelled by the lengthening light out of their warrens into the wide clearing of consumerism. Young couples, tattooed and punctured visibly and invisibly, with studiously brutal haircuts, strolled hand in hand as if in a garish park of the purely unnatural, so deeply at home here it would not have surprised me if, with a clash of nostril studs and a spattering of hair dye, boy and girl had turned and begun to copulate. Malls have become a public habitat soaked in slovenly intimacy; its customers step naturally from huddling around television in their living rooms to cruising these boulevards of superfluity, where fluorescent-lit shops press forward temptations ranging from yogurt-coated peanuts to electric-powered treadmills. Elderly women had dressed themselves like kewpie dolls, in pastel running suits that suggested an infant’s pajamas. I was the only person in sight wearing leather shoes and a necktie. Deirdre parked me outside Banana Republic and at the end of my ordeal took me into Brooks Brothers and bought me a striped shirt that answered some gangsterish beau ideal of her own. She has, it almost made me weep to think, a splinter of feeling for me somewhere in her polished brown machine of a body. Easy weeping is another sign of dotage, along with stinking washcloths.

My grandchildren, spread along Route 128 in the residential gristle between its ossified centers of commerce, tend to have-Etienne and Olympe aside-tony, English-tinted names: Kevin, Rodney, Torrance, Tyler, Duncan, Quentin, and Keith. The girl, perhaps inevitably, is called Jennifer. Where do my kids and their spouses get these monickers? Off of birthday-card racks, it must be, or the Winnie-the-Pooh page on the Internet. They all have their problems. Torrance was born a month premature and is delicate, querulous, and elfin; Tyler, his younger brother, was born two weeks late and has club feet and a prematurely sealed fontanel. Quentin suffers from chronic constipation, and Duncan is hyperactive: he will grab and shake a ficus tree or a floor lamp until the leaves drop or the bulb shatters. Rodney has reading problems, Kevin broke his wrist on the school jungle gym, and Keith is having a hard time adjusting to the arrival of his little sister, about whom so much sexist fuss is being made. And yet they all are dear, and half have learned to spell GRANDPA and send me, at their parents’ prompting, birthday and Christmas cards. It quickens my senile tears to think of them all marching-toddling, creeping-into the future, lugging my genes into the maelstrom of a future world I will never know. Such brave soldiers, in what kind of battle, for what noble cause? The doughboys who swarmed out of the trenches into clouds of mustard gas had geniuses for generals by comparison.

If love between my children and me has achieved, thanks to African wisdom, a certain settled, ironical, negotiable shape, that between my grandchildren and the apparitior that I form at the back of their tadpole eyeballs is pun chaos. I often try to imagine what they will feel when I die A faint apprehensive pang, tinged with the comic, as with those boys who sneak off to the baseball game on the excuse of a grandparent’s funeral. In their up-to-date eyes, I have lived in hopelessly old-fashioned, deprived times, so what can it matter, even to me, that I die?

Building the dollhouse for my daughter in the cellar-at the memory, my pen becomes impossibly heavy in my hand.

Вы читаете Toward the End of Time
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