adventurous imitated the grand old King Squid sinking ships with a single lash of tentacle, puddle-bound toy boats smashed against drainpipes. Still oth ers watched the erection of scaffolding on tributary streets leading intoAlbumuth Boulevard. Stilt men with purpling painted faces hung candy and papiermache heads in equal quantities from their stilts.
At last, Dradin came to his room, flung open the door, and shut it abruptly behind him. As the citizens of Ambergris prepared for the festival, so now he must prepare for his love, putting aside the distractions of joblessness and decreasing coin. He stripped and took a shower, turning the water on so hot that needles of heat tattooed his skin red, but he felt clean, and more than clean, cleansed and calm, when he came out after thirty minutes and wiped himself dry with a large green towel. Standing in front of the bathroom mirror in the nude, Dradin noted that although he had filled out since the cessation of his fever, he had not filled out into fat. Not even the shadow of a belly, and his legs thick with muscle. Hardly a family characteristic, that, for his randy father had, since the onset of Mom’s river adventures, grown as pudgy as raw bread dough. Nothing for Dad to do but continue to teach ethics at the university and hope that the lithe young things populating his classes would pity him. But for his son a different fate, Dradin was sure.
Dradin shaved, running the blade across his chin and down his neck, so that he thrilled to the self-control it took to keep the blade steady; and yet, when he was done, his hand shook. There. Now various oils worked into the scalp so that his hair became a uniform black, untainted by white except at the outer provinces, where it grazed his ears. Then a spot of rouge to bring out the muddy green of his eyes — a scandalous habit, perhaps, learned from his mother of course, but Dradin knew many pale priests who used it.
For clothing, Dradin started with clean underwear and followed with fancy socks done up in muted purple and gold serpent designs. Then the trousers of gray — gray as the slits of his father’s eyes in the grip of spirits, gray as his mother’s listless moods after performances at the music halls. Yes, a smart gray, a deep gray, not truly conservative, followed by the shirt: large on him but not voluminous, white with purple and gold buttons, to match the socks, and a jacket over top that mixed gray and purple thread so that, from heel to head, he looked as distinguished as a debutante at some political gala. It pleased him — as much a uniform as his missionary clothes, but the goal a conversion of a more personal nature. Yes, he would do well.
Thus equipped, his pockets jingly with his last coins, his stomach wrapped in coils of nerves (an at-sea sensation of
The haze of twilight had smothered Ambergris, muffling sounds and limiting vision, but everywhere also: lights. Lights from balconies and bedrooms, signposts and horse carriages, candles held by hand and lanterns swinging on the arms of grizzled caretakers who sang out, from deep in their throats, “The dying of the light! The dying of the light! Let the Festival begin.”
Wraiths riding metal bars, men on bicycles swished past, bells all a-tinkle, and children in formal attire, entow to the vast and long-suffering barges of nannies, who tottered forward on unsteady if stocky legs.
Child mimes in white face approached Dradin, prancing and pirouetting, and Dradin clapped in approval and patted their heads. They reminded him of the naked boys and girls of the Nimblytod Tribe, who swung through trees and ate birds that became lost in the forest and could not find their way again into the light.
Women in the red and black of hunters’ uniforms crossed his path. They rode hollow wooden horses that fit around their waists, fake wooden legs clacking to either side as their own legs cantered or galloped or pranced, but so controlled, so tight and rigid, that they never broke formation despite the random nature of their movements. The horses had each been individually painted in grotesque shades of green, red, and white: eyes wept blood, teeth snarled into black fangs. The women’s lips were drawn back against the red leer of lipstick to neigh and nicker. Around them, the gathering crowd shrieked in laughter, the riders so entranced that only the whites of their eyes showed, shockingly pale against the gloom.
Dradin passed giant spits on which spun and roasted whole cows, whole pigs, and a host of smaller beasts, the spits rotated by grunting, muscular, ruddy-faced men. Everywhere, the mushroom dwellers uncurled from slumber with a yawn, picked up their red flags, and trundled off to their secret and arcane rites. Armed men mock- fought with saber and with knife while youths wrestled half-naked in the gutters — their bodies burnished with sweat, their eyes focused not on each other but on the young women who watched their battles. Impromptu dances devoid of form or unified steps spread amongst the spectators until Dradin had to struggle through their spider’s webs of gyrations, inured to the laughter and chatter of conversations, the tap and stomp of feet on the rough stones. For this was the most magical night of the year in Ambergris, the Festival of the Freshwater Squid, and the city lay in trance, spellbound and difficult, and everywhere, into the apparent lull, glance met glance, eyes sliding from eyes, as if to say, “What next? What will happen next?”
At last, after passing through an archway strung with nooses, Dradin came out onto a main boulevard, The
A crowd had lined up in front of the tavern, waiting to gain entrance, but Dradin fought through the press, bribed the doorman with a gold coin, and ducked inside, climbing stairs to the second level, high enough to see far down the boulevard, although not so high that the sights would be uninvolving and distant. A tip to the waiter secured Dradin a prime table next to the railing of the deck. The table, complete with lace and embroidered tablecloth, engraved cutlery, and a quavery candle encircled by glass, lay equidistant from the parade and the musical meanderings of The Ravens, four scruffy-looking musicians who played, respectively, the mandolin, twelve- string guitar, the flute, and the drums:
Their music reminded Dradin of high tide crashing against cliffs and, then, on the down-tempo, of the back- and-forth swell of giant waves rip pling across a smooth surface of water. It soothed him and made him seasick both, and when he sat down at the table, the wood beneath him lurched, though he knew it was only the surging of his own pulse, echoed in the floorboards.
Dradin surveyed the parade route, which was lined with glittery lights rimmed with crepe paper that made a crinkly sound as the breeze hit it. A thousand lights done up in blue and green, and the crowd gathered to both sides behind them, so that the street became an iridescent replica of the Moth, not nearly as wide, but surely as deep and magical.
Around him came the sounds of laughter and polite conversation, each table its own island of charm and anticipation: ladies in white and red dresses that sparkled with sequins when the light caught them, gentlemen in dark blue suits or tuxedos, looking just as ridiculous as Dad had once looked, caught out in the rain.
Dradin ordered a mildly alcoholic drink called a Red Orchid and sipped it as he snuck glances at the couple to his immediate right: a tall, thin man with aquiline features, eyes narrow as paper cuts, and rich, gray sideburns, and his consort, a blonde woman in an emerald dress that covered her completely and yet also revealed her completely in the tightness of its fabric. Flushed in the candlelight, she laughed too loudly, smiled too quickly, and it made Dradin cringe to watch her make a fool of herself, the man a bigger fool for not putting her at ease. The man only watched her with a thin smile splayed across his face. Surely when the woman in the window, his love, came to his table, there would be only traces of this awkwardness, this ugliness in the guise of grace?
