terrible listener and never hesitated to rudely interrupt when bored by what I said to him.

His face had a severe quality to it, offset by a firm chin, a perfect set of lips, and eyes that seemed to change color but which were, at base, a fierce, arresting green. In either anger or humor, his face was a weapon — for the narrowness became even more narrow in his anger and the eyes lanced you, while in laughter his face widened and the eyes admitted you to their compelling company. Mostly, though, he remained in a mode between laughter and anger, a mood which aped that of the “tortured artist” while at the same time keeping a distance between him self and any such passion. He was shy and clever, sly and arrogant — in other words, no different from many of the other artists I handled at my gallery. — From Janice Shriek’s A Short Overview of The Art of Martin Lake and His Invitation to a Beheading, for the Hoegbotton Guide to Ambergris, 5th edition.

One blustery spring day in the legendary metropolis of Ambergris, the artistMartinLake received an invitation to a beheading.

It was not an auspicious day to receive such an invitation andLake was nursing several grudges as he made his way to the post office. First and foremost, the Reds and Greens were at war; already, a number of nasty skirmishes had spread disease-like up and down the streets, even infecting portions ofAlbumuth Boulevard itself.

The Reds and Greens as a phenomenon simultaneously fascinated and repulsedLake. In short, the Greens saw the recent death of the (great) composer Voss Bender as a tragedy while the Reds thought the recent death of the (despotic) composer Voss Bender a blessing. They had taken their names from Bender’s favorite and least favorite colors: the green of a youth spent in the forests of Morrow; the red flags of the indigenous mushroom dwellers who he believed had abducted his cousin.

No doubt these two political factions would vanish as quickly as they had appeared, but in the meantimeLake kept a Green flag in his right pocket and a Red flag in his left pocket, the better to express the correct patriotic fervor. (On a purely aural level,Lake sympathized with the Reds, if only because the Greens polluted the air with a thousand Bender tunes morning, noon, and night.Lake had hardly listened to Bender while the man was alive; he resented having to change his habits now the man was dead.) Confronted by such dogma,Lake suspected his commitment to his weekly walk to the post office indicated a fatal character flaw, a fatal artistic curiosity. For he knew he would pull the wrong flag from the right pocket before the day was done. And yet, he thought, as he limped down Truff Avenue — even the blood-clot clusters of dog lilies, in their neat sidewalk rows, reminding him of the conflict— how else was he to exercise his crippled left leg? Besides, no vehicle for hire would deliver him through the disputed areas to his objective.

Lakescowled as a youth bejeweled in red buttons and waving a huge red flag ran into the street. In the wake of the flag,Lake could see the distant edges of the post office, suffused with the extraordinary morning light, which came down in sheets of gold.

The secondary tier of Reasons Why I Should Have Stayed At Home concerned, much toLake ’s irritation, the post office itself. He had no sympathy for its archaic architecture and only moderate respect for its function; the quality of a monopolistic private postal service being poor, most of his commissions arrived via courier. He also found distasteful the morbid nature of the building’s history, its stacks of

“corpse cases” as he called the postal boxes. These boxes, piled atop each other down the length and breadth of the great hall, climbed all the way to the ceiling. Surely any of the children previously shelved there had, on their ascent to heaven, found themselves trapped by that ugly yellow ceiling and to this day were banging their tiny ectoplasmic heads against it.

But, as the post offi ce rounded into view — looming and guttering like some monstrous, senile great aunt — none of these objections registered as strongly as the recent change of name to the “Voss Bender Memorial Post Office.” A shockingly rushed development, as the (great, despotic) composer and politician had died only three days before — rumors as to cause ranging from heart attack to poison — his body sequestered secretly, yet to be cremated and the ashes cast into the River Moth per Bender’s request. (Not to mention that a splinter faction of the Greens, in a flurry of pamphlets and broadsheets, had advertised the resurrection of their beloved Bender: he would reappear in the form of the first child born after midnight in one year’s time. Would the child be born with arias bursting forth from his mouth like nightingales,Lake wondered.)

The renaming alone madeLake ’s teeth grind together. It seemed, to his absurdly envious eye — he knew how absurd he was, but could not control his feelings — that every third building of any importance had had the composer’s name rudely slapped over old assignations, with no sense of decorum or perspective. Was it not enough that while alive Bender had been a virtual tyrant of the arts, squashing all opera, all theater, that did not fit his outdated melodramatic sensibilities? Was it not enough that he had come to be the de facto ruler of a city that simultaneously abhorred and embraced the cult of personality?

Did he now have to usurp the entire city — every last stone of it — forever and always as his mausoleum?

Apparently so. Apparently everyone soon would be permanently lost, for every avenue, alley, boulevard, dead end, and cul de sac would be renamed “Bender.” “Bender” would be the name given to all new-borns; or, for variety’s sake, “Voss.” And a whole generation of Benders or Vosses would trip and tangle their way through a city which from every street corner threw back their name at them like an im personal insult.

Why — Lakewarmed to his own vitriol — if another Manzikert flattened him as he crossed this very street, he would be lucky to have his own name adorn his own gravestone! No doubt, he mused sourly — but with satisfaction — as he tested the post office’s front steps with his cane, his final resting place would display the legend, “Voss Bender Memorial Gravestone” with the words “(occupied by Martin Lake)”

etched in tiny letters below.

Inside the post offi ce, at the threshold of the great hall, Lake walked through the gloomy light cast by the far windows and presented himself to the attendant, a man with a face like a knife;Lake had never bothered to learn his name.

Lakeheld out his key. “Number 7768, please.”

The attendant, legs propped against his desk, looked up from the broadsheet he was reading, scowled, and said, “I’m busy.”

Lake, startled, paused for a moment. Then, showing his cane, he tossed his key onto the desk.

The attendant looked at it as if it were a dead cockroach. “That, sir, is your key, sir. Yes it is. Go to it, sir. And all good luck to you.” He ruffled the broadsheet as he held it up to block outLake.

Lake stared at the fingers holding the broadsheet and wondered if there would be a place for the man’s sour features in his latest commission — if he could immortalize the unhelpfulness that was as blunt as the man’s knuckles. After the long, grueling walk through hostile territory, this was really too much.

Lakepeered over the broadsheet, using his cane to pull it down a lit tle. “You are the attendant, aren’t you? I haven’t been giving you my key all these months only to now discover that you are merely a conscientious volunteer?”

The man blinked and put down his broadsheet to reveal a crooked smile.

“I am the attendant. That is your key. You are crippled. Sir.”

“Then what is the problem?”

The man lookedLake up and down. “Your attire, sir. You are dressed somewhat… ambiguously.”

Lakewasn’t sure if the answer or the comfortable use of the word “ambiguously” surprised him more.

Nonetheless, he examined his clothes. He had thrown on a blue vest over a white shirt, blue trousers with black shoes and socks.

The attendant wore clothes the color of overripe tomatoes.

Lakeburst out laughing. The attendant smirked.

“True, true,”Lake managed. “I’ve not declared myself, have I? I must have a coming out party. What am I? Vegetable or mineral?”

In clipped tones, his eyes cold and empty, the attendant asked, “Red or Green: which is it, sir.”

Lakestopped laughing. The buffoon was serious. This same pleasant if distant man he had seen every week for over two years had succumbed to the dark allure of Voss Bender’s death.Lake stared at the attendant and saw a stranger.

Slowly, carefully,Lake said, “I am green on the outside, being as yet youthful in my chosen profession, and red on the inside, being, as is everyone, a mere mortal.” He produced both flags. “I have your flag — and the flag of

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