I couldn’t paint when I took the medicine.
If I laid off for a few days the images would come and I could finish a canvas, but there was always the danger that I would forget who was doing the painting, or maybe even right and wrong. So I started this diary. I’ll read it every day and write in it every day and that way I won’t get in trouble like that other time. Yesterday I prepared a canvas. Today I put my medicine aside. Tomorrow I’ll start my sketches.
Day 2. My name is Tyrone Watson. I am thirty-eight. I live in Austin, Texas. There that seems pretty sane. I don’t think it’s a good idea to kill one’s critics. Violence has no special beauty. If I want to get people, I’ll just caricature them. I work for Roberta Sais.
I started today on
Day 3. Ideas are getting really slippery today. It feels great. My sketchbook is filling up and
My name is Tyrone Watson, MFA. I have had two one-man exhibitions. The last was five years ago.
There that’s in control. In fact the only control problem I have is wanting to spend all my time up here painting instead of down in the shop, but that’s normal. Artists want to do art. It’s a pity that business hours coincide with the light being good.
Day 4. Depressed today.
Day 5. Depressed today. Did nothing. Got mad.
Day 6. My name is Tyrone Watson. I am thirty-eight. I live in Austin. I had a great day. A Mr. Simon Pound had a lot to ask me about my art. Maybe I’m in for a comeback. I started to take him upstairs and show him my work in progress, but a little voice told me not to. I don’t mean a little voice like before, I just mean a hunch, that feeling of not letting people in on it until you’re ready. I got a lot done today.
Day 7. Finished
Day 8. Busy.
Day 9. Spent several hours with my model.
Day 10. Mr. Pound came by today. I was disappointed to learn he wasn’t an art critic. He is a retired cop. His life story seemed pretty interesting. Maybe I’ll do him after
Day 11. My name is Tyrone Watson. Today Mr. Pound came by and we discussed our life stories, which were amazingly similar. I want to get to know him because I’m going to do a picture of him called
He became a cop in the ’70s. His big ambition from the first was to make detective. He studied every text on criminology, took every possible course and dedicated his ife to that particular transformation, but various political forces downtown saw to it that he didn’t make the grade.
I told him how critics had ruined my two shows, particularly the second show when Bessie Vollman’s competing exhibition won such lavish praise. She had been the more “politically correct” artist. So her career took off and I managed a used bookstore for minimum wage and free studio space.
He asked if he could see my work in progress, and I told him no. I hate anyone to see something before I’m done with it. But I told him that I was interested in painting him. At first he seemed surprised, then readily agreed.
He asked me if I knew anything about the death of two art critics five years ago.
I asked him if he was still a cop.
He said that he quit the force a couple of years ago. He’d arrested too many criminals who got off on technicalities. So he quit. He was near enough retirement anyway and he had a few investments that had paid off well. He liked to keep his hand in. The police, he assured me, at least the good cops—the real force—still called him for advice.
I asked him how long he’d been interested in art. He said that every good cop is interested in art. The artistic mind and the criminal mind are very, very similar. Most criminals, he reasoned, were failed artists.
But criminals don’t have critics, I told him.
“Of course they do,” he said. “Cops, they catch inept criminals. The great criminals go free.”
I had never thought of a cop as a critic for a criminal’s art.
Day 12. Terrible dreams last night. I was too depressed to open the store.
Day 13. It’s been almost two weeks and I’m doing fine. Maybe I’m over my trouble. My name is Tyrone Watson. Elementary, my dear Watson. Someone broke into the shop last night, they didn’t take anything but I think they may have been through my studio. Both the outside door and the studio door were open. Despite this I can’t tell you how GREAT I feel. I started two different paintings this morning. I started to call the owner and tell her the shop had been broken into, but realized that would screw up my process. I painted like Picasso. I’ll stay here at night. Maybe I’ll catch my burglar and paint him. I’m ready. I’m ready for anything. I feel GREAT!
Day 14. I painted well into the night and finished my first painting; a riotous and much spangled study in purple and green called
Day 15. Mr. Pound came by with the news about Bessie Vollman. I felt really, really bad for a moment as though it had something to do with me. I suppose that shows I have a great soul that I can feel sorry for a rival. I asked to see the obituary notice since he was carrying the paper. Sure enough although I was Bessie’s greatest rival I wasn’t mentioned. Maybe I should send a wreath or something, after all I would be remembered a hundred years hence and she will be forgotten. Maybe I should go to the funeral to do a second painting of her.
Mr. Pound told me that he was unable to find any references to my one-man show five years ago. He said he was hoping to see some photos of my previous work. He seemed genuinely sad when I told him that it had all been purchased by Japanese investors.
Did I have unsold pieces that I might consider parting with?
Of course I had to tell him that I sold everything a few years ago when devastating poverty took hold of my life.
We all have our ups and downs, he said. He is truly a wise man for a cop.
I asked him when he would come sit for me and he became agitated. I guess the thought of sitting for eternity is frightening to some. It brings out that fear that their flaws, that one tiny flaw that everybody has, might bemagnified through the ages. After awhile all they would be would be the flaw.
My name is Vincent van Gogh and I’m one hundred and thirty-eight years old. Just kidding.
Day 16. I dreamt I was a child again. It must’ve been when I was in the sixth grade. We had an art teacher who we went to see twice a week. She gave us the assignment of drawing something on the school yard, so I drew the blue portable toilets that had been placed on the football field. I could see them from my desk if I craned my neck over. The bell rings and class is over and I was supposed to have the picture finished by the end of the period. Mrs. Elgood came over and told me to give it to her. That I could work on it Thursday. I said just a minute I could finish it and then it was done and I handed it to her, and she said, “Tyrone, there is nothing like this outside.” I told her to look and she wouldn’t look and I told her to look and she wouldn’t look so I took hold of her head and tried to make her look and I pushed her face through the glass and she bled.
Then I woke up and all I can say is you should have looked.
I re-read my entry for yesterday. I am really mad that the newspaper files have been tampered with. Maybe I’ll go paint all of them. I’ll paint every fucking critic into a corner. I was too mad to open the shop today. I heard some people knocking and the damn phone kept ringing. Ring a ding a ding until I took it off the hook. Probably the damn owner. I’ll take care of her too. You shouldn’t disturb a genius at work. There should be a law. I painted a bright red and orange painting today
Day 17. Depressed and mad.