emergencies to adjust some detail of the domestic machinery. He blinked at Waythorn through a pair of gold- rimmed spectacles and said mildly: “Mr. Waythorn, I presume? I am Lily’s father.”

Waythorn flushed. “Oh—” he stammered uncomfortably. He broke off, disliking to appear rude. Inwardly he was trying to adjust the actual Haskett to the image of him projected by his wife’s reminiscences. Waythorn had been allowed to infer that Alice’s first husband was a brute.

“I am sorry to intrude,” said Haskett, with his over-the-counter politeness.

“Don’t mention it,” returned Waythorn, collecting himself. “I suppose the nurse has been told?”

“I presume so. I can wait,” said Haskett. He had a resigned way of speaking, as though life had worn down his natural powers of resistance.

Waythorn stood on the threshold, nervously pulling off his gloves.

“I’m sorry you’ve been detained. I will send for the nurse,” he said; and as he opened the door he added with an effort: “I’m glad we can give you a good report of Lily.” He winced as the we slipped out, but Haskett seemed not to notice it.

“Thank you, Mr. Waythorn. It’s been an anxious time for me.”

“Ah, well, that’s past. Soon she’ll be able to go to you.” Waythorn nodded and passed out.

In his own room, he flung himself down with a groan. He hated the womanish sensibility which made him suffer so acutely from the grotesque chances of life. He had known when he married that his wife’s former husbands were both living, and that amid the multiplied contacts of modern existence there were a thousand chances to one that he would run against one or the other, yet he found himself as much disturbed by his brief encounter with Haskett as though the law had not obligingly removed all difficulties in the way of their meeting.

Waythorn sprang up and began to pace the room nervously. He had not suffered half so much from his two meetings with Varick. It was Haskett’s presence in his own house that made the situation so intolerable. He stood still, hearing steps in the passage.

“This way, please,” he heard the nurse say. Haskett was being taken upstairs, then: not a corner of the house but was open to him. Waythorn dropped into another chair, staring vaguely ahead of him. On his dressing-table stood a photograph of Alice, taken when he had first known her. She was Alice Varick then—how fine and exquisite he had thought her! Those were Varick’s pearls about her neck. At Waythorn’s instance they had been returned before her marriage. Had Haskett ever given her any trinkets—and what had become of them, Waythorn wondered? He realized suddenly that he knew very little of Haskett’s past or present situation; but from the man’s appearance and manner of speech he could reconstruct with curious precision the surroundings of Alice’s first marriage. And it startled him to think that she had, in the background of her life, a phase of existence so different from anything with which he had connected her. Varick, whatever his faults, was a gentleman, in the conventional, traditional sense of the term: the sense which at that moment seemed, oddly enough, to have most meaning to Waythorn. He and Varick had the same social habits, spoke the same language, understood the same allusions. But this other man…it was grotesquely uppermost in Waythorn’s mind that Haskett had worn a made-up tie attached with an elastic. Why should that ridiculous detail symbolize the whole man? Waythorn was exasperated by his own paltriness, but the fact of the tie expanded, forced itself on him, became as it were the key to Alice’s past. He could see her, as Mrs. Haskett, sitting in a “front parlor” furnished in plush, with a pianola, and a copy of “Ben Hur” on the centre-table. He could see her going to the theatre with Haskett—or perhaps even to a “Church Sociable”—she in a “picture hat” and Haskett in a black frock-coat, a little creased, with the made-up tie on an elastic. On the way home they would stop and look at the illuminated shop-windows, lingering over the photographs of New York actresses. On Sunday afternoons Haskett would take her for a walk, pushing Lily ahead of them in a white enameled perambulator, and Waythorn had a vision of the people they would stop and talk to. He could fancy how pretty Alice must have looked, in a dress adroitly constructed from the hints of a New York fashion-paper; how she must have looked down on the other women, chafing at her life, and secretly feeling that she belonged in a bigger place.

For the moment his foremost thought was one of wonder at the way in which she had shed the phase of existence which her marriage with Haskett implied. It was as if her whole aspect, every gesture, every inflection, every allusion, were a studied negation of that period of her life. If she had denied being married to Haskett she could hardly have stood more convicted of duplicity than in this obliteration of the self which had been his wife.

Waythorn started up, checking himself in the analysis of her motives. What right had he to create a fantastic effigy of her and then pass judgment on it? She had spoken vaguely of her first marriage as unhappy, had hinted, with becoming reticence, that Haskett had wrought havoc among her young illusions….It was a pity for Waythorn’s peace of mind that Haskett’s very inoffensiveness shed a new light on the nature of those illusions. A man would rather think that his wife has been brutalized by her first husband than that the process has been reversed.

“Why, how do you do?” she said with a distinct note of pleasure

IV

“MR. WAYTHORN, I don’t like that French governess of Lily’s.”

Haskett, subdued and apologetic, stood before Waythorn in the library, revolving his shabby hat in his hand.

Waythorn, surprised in his armchair over the evening paper, stared back perplexedly at his visitor.

“You’ll excuse my asking to see you,” Haskett continued. “But this is my last visit, and I thought if I could have a word with you it would be a better way than writing to Mrs. Waythorn’s lawyer.”

Waythorn rose uneasily. He did not like the French governess either; but that was irrelevant.

“I am not so sure of that,” he returned stiffly; “but since you wish it I will give your message to—my wife.” He always hesitated over the possessive pronoun in addressing Haskett.

The latter sighed. “I don’t know as that will help much. She didn’t like it when I spoke to her.”

Waythorn turned red. “When did you see her?” he asked.

“Not since the first day I came to see Lily—right after she was taken sick. I remarked to her then that I didn’t like the governess.”

Waythorn made no answer. He remembered distinctly that, after that first visit, he had asked his wife if she had seen Haskett. She had lied to him then, but she had respected his wishes since; and the incident cast a curious light on her character. He was sure she would not have seen Haskett that first day if she had divined that Waythorn would object, and the fact that she did not divine it was almost as disagreeable to the latter as the discovery that she had lied to him.

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