As soon as possible, the mother and daughter left Modena for Milan. There they lived in seclusion till Candida’s marriage. During her girlhood she had had to accept her mother’s view of life: to shut herself up in the tomb in which the poor woman brooded over her martyrs. But that was not the girl’s way of honoring the dead. At the moment when the first shot was fired on Menotti’s house she had been reading Petrarch’s Ode to the Lords of Italy, and the lines
When I first knew Donna Candida, her mother was still living: a tragic woman, prematurely bowed, like an image of death in the background of the daughter’s brilliant life. The Countess, since her son’s death, had become a patriot again, though in a narrower sense than Candida. The mother’s first thought was that her dead must be avenged, the daughter’s that Italy must be saved; but from different motives they worked for the same end. Candida felt for the Countess that protecting tenderness with which Italian children so often regard their parents, a feeling heightened by the reverence which the mother’s sufferings inspired. Countess Verna, as the wife and mother of martyrs, had done what Candida longed to do: she had given her utmost to Italy. There must have been moments when the self-absorption of her grief chilled her daughter’s ardent spirit; but Candida revered in her mother the image of their afflicted country.
“It was too terrible,” she said, speaking of what the Countess had suffered after Emilio’s death. “All the circumstances were too unmerciful. It seemed as if God had turned His face from my mother; as if she had been singled out to suffer more than any of the others. All the other families received some message or token of farewell from the prisoners. One of them bribed the gaoler to carry a letter—another sent a lock of hair by the chaplain. But Emilio made no sign, sent no word. My mother felt as though he had turned his back on us. She used to sit for hours, saying again and again, ‘Why was he the only one to forget his mother?’ I tried to comfort her, but it was useless: she had suffered too much. Now I never reason with her; I listen, and let her ease her poor heart. Do you know, she still asks me sometimes if I think he may have left a letter—if there is no way of finding out if he left one? She forgets that I have tried again and again: that I have sent bribes and messages to the gaoler, the chaplain, to every one who came near him. The answer is always the same—no one has ever heard of a letter. I suppose the poor boy was stunned, and did not think of writing. Who knows what was passing through his poor bewildered brain? But it would have been a great help to my mother to have a word from him. If I had known how to imitate his writing I should have forged a letter.”
I knew enough of the Italians to understand how her boy’s silence must have aggravated the Countess’s grief. Precious as a message from a dying son would be to any mother, such signs of tenderness have to the Italians a peculiar significance. The Latin race is rhetorical: it possesses the gift of death-bed eloquence, the knack of saying the effective thing on momentous occasions. The letters which the Italian patriots sent home from their prisons or from the scaffold are not the halting farewells that anguish would have wrung from a less expressive race: they are veritable “compositions,” saved from affectation only by the fact that fluency and sonority are a part of the Latin inheritance. Such letters, passed from hand to hand among the bereaved families, were not only a comfort to the survivors but an incentive to fresh sacrifices. They were the “seed of the martyrs” with which Italy was being sown; and I knew what it meant to the Countess Verna to have no such treasure in her bosom, to sit silent while other mothers quoted their sons’ last words.
I said just now that it was an unlucky day for me when I fell in love with Donna Candida; and no doubt you have guessed the reason. She was in love with some one else. It was the old situation of Heine’s song. That other loved another—loved Italy, and with an undivided passion. His name was Fernando Briga, and at that time he was one of the foremost liberals in Italy. He came of a middle-class Modenese family. His father was a doctor, a prudent man, engrossed in his profession and unwilling to compromise it by meddling in politics. His irreproachable attitude won the confidence of the government, and the Duke conferred on him the sinister office of physician to the prisons of Modena. It was this Briga who attended Emilio Falco, and several of the other prisoners who were executed at the same time.
Under shelter of his father’s loyalty young Fernando conspired in safety. He was studying medicine, and every one supposed him to be absorbed in his work; but as a matter of fact he was fast ripening into one of Mazzini’s ablest lieutenants. His career belongs to history, so I need not enlarge on it here. In 1847 he was in Milan, and had become one of the leading figures in the liberal group which was working for a coalition with Piedmont. Like all the ablest men of his day, he had cast off Mazziniism and pinned his faith to the house of Savoy. The Austrian government had an eye on him, but he had inherited his father’s prudence, though he used it for nobler ends, and his discretion enabled him to do far more for the cause than a dozen enthusiasts could have accomplished. No one understood this better than Donna Candida. She had a share of his caution, and he trusted her with secrets which he would not have confided to many men. Her drawing-room was the centre of the Piedmontese party, yet so clever was she in averting suspicion that more than one hunted conspirator hid in her house, and was helped across the Alps by her agents.
Briga relied on her as he did on no one else; but he did not love her, and she knew it. Still, she was young, she was handsome, and he loved no one else: how could she give up hoping? From her intimate friends she made no secret of her feelings: Italian women are not reticent in such matters, and Donna Candida was proud of loving a hero. You will see at once that I had no chance; but if she could not give up hope, neither could I. Perhaps in her desire to secure my services for the cause she may have shown herself overkind; or perhaps I was still young enough to set down to my own charms a success due to quite different causes. At any rate, I persuaded myself that if I could manage to do something conspicuous for Italy I might yet make her care for me. With such an incentive you will not wonder that I worked hard; but though Donna Candida was full of gratitude she continued to adore my rival.
One day we had a hot scene. I began, I believe, by reproaching her with having led me on; and when she defended herself, I retaliated by taunting her with Briga’s indifference. She grew pale at that, and said it was enough to love a hero, even without hope of return; and as she said it she herself looked so heroic, so radiant, so unattainably the woman I wanted, that a sneer may have escaped me:—was she so sure then that Briga was a hero? I remember her proud silence and our wretched parting. I went away feeling that at last I had really lost her; and the thought made me savage and vindictive.
Soon after, as it happened, came the
Well—in the course of my search, I came across a file of old papers marked: “Taken from political prisoners.
