He did not speak; but abruptly, and as startlingly to her as if she had just dropped from a sphere whose inhabitants had other methods of expressing their sympathy, he slipped his arm around her and bent his keen ugly melting face to hers….
It was the lightest touch—in an instant she was free again. But something within her gasped and resisted long after his arm and his lips were gone, and he was proceeding, with a too-studied ease, to light a cigarette and sweeten his coffee.
He had kissed her…. Well, naturally: why not? It was not the first time she had been kissed. It was true that one didn’t habitually associate Streff with such demonstrations; but she had not that excuse for surprise, for even in Venice she had begun to notice that he looked at her differently, and avoided her hand when he used to seek it.
No—she ought not to have been surprised; nor ought a kiss to have been so disturbing. Such incidents had punctuated the career of Susy Branch: there had been, in particular, in far-off discarded times, Fred Gillow’s large but artless embraces. Well—nothing of that kind had seemed of any more account than the click of a leaf in a woodland walk. It had all been merely epidermal, ephemeral, part of the trivial accepted “business” of the social comedy. But this kiss of Strefford’s was what Nick’s had been, under the New Hampshire pines, on the day that had decided their fate. It was a kiss with a future in it: like a ring slipped upon her soul. And now, in the dreadful pause that followed—while Strefford fidgeted with his cigarette-case and rattled the spoon in his cup, Susy remembered what she had seen through the circle of Nick’s kiss: that blue illimitable distance which was at once the landscape at their feet and the future in their souls….
Perhaps that was what Strefford’s sharply narrowed eyes were seeing now, that same illimitable distance that she had lost forever—perhaps he was saying to himself, as she had said to herself when her lips left Nick’s: “Each time we kiss we shall see it all again….” Whereas all she herself had felt was the gasping recoil from Strefford’s touch, and an intenser vision of the sordid room in which he and she sat, and of their two selves, more distant from each other than if their embrace had been a sudden thrusting apart….
The moment prolonged itself, and they sat numb. How long had it lasted? How long ago was it that she had thought: “It’s going to be easier than I imagined”? Suddenly she felt Strefford’s queer smile upon her, and saw in his eyes a look, not of reproach or disappointment, but of deep and anxious comprehension. Instead of being angry or hurt, he had seen, he had understood, he was sorry for her!
Impulsively she slipped her hand into his, and they sat silent for another moment. Then he stood up and took her cloak from the divan. “Shall we go now! I’ve got cards for the private view of the Reynolds exhibition at the Petit Palais. There are some portraits from Altringham. It might amuse you.”
In the taxi she had time, through their light rattle of talk, to readjust herself and drop back into her usual feeling of friendly ease with him. He had been extraordinarily considerate, for anyone who always so undisguisedly sought his own satisfaction above all things; and if his considerateness were just an indirect way of seeking that satisfaction now, well, that proved how much he cared for her, how necessary to his happiness she had become. The sense of power was undeniably pleasant; pleasanter still was the feeling that someone really needed her, that the happiness of the man at her side depended on her yes or no. She abandoned herself to the feeling, forgetting the abysmal interval of his caress, or at least saying to herself that in time she would forget it, that really there was nothing to make a fuss about in being kissed by anyone she liked as much as Streff….
She had guessed at once why he was taking her to see the Reynoldses. Fashionable and artistic Paris had recently discovered English eighteenth century art. The principal collections of England had yielded up their best examples of the great portrait painter’s work, and the private view at the Petit Palais was to be the social event of the afternoon. Everybody—Strefford’s everybody and Susy’s—was sure to be there; and these, as she knew, were the occasions that revived Strefford’s intermittent interest in art. He really liked picture shows as much as the races, if one could be sure of seeing as many people there. With Nick how different it would have been! Nick hated openings and varnishing days, and worldly aesthetics in general; he would have waited till the tide of fashion had ebbed, and slipped off with Susy to see the pictures some morning when they were sure to have the place to themselves.
But Susy divined that there was another reason for Strefford’s suggestion. She had never yet shown herself with him publicly, among their own group of people: now he had determined that she should do so, and she knew why. She had humbled his pride; he had understood, and forgiven her. But she still continued to treat him as she had always treated the Strefford of old, Charlie Strefford, dear old negligible impecunious Streff; and he wanted to show her, ever so casually and adroitly, that the man who had asked her to marry him was no longer Strefford, but Lord Altringham.
At the very threshold, his Ambassador’s greeting marked the difference: it was followed, wherever they turned, by ejaculations of welcome from the rulers of the world they moved in. Everybody rich enough or titled enough, or clever enough or stupid enough, to have forced a way into the social citadel, was there, waving and flag-flying from the battlements; and to all of them Lord Altringham had become a marked figure. During their slow progress through the dense mass of important people who made the approach to the pictures so well worth fighting for, he never left Susy’s side, or failed to make her feel herself a part of his triumphal advance. She heard her name mentioned: “Lansing—a Mrs. Lansing—an American… Susy Lansing? Yes, of course…. You remember her? At Newport, At St. Moritz? Exactly…. Divorced already? They say so… Susy darling! I’d no idea you were here… and Lord Altringham! You’ve forgotten me, I know, Lord Altringham…. Yes, last year, in Cairo… or at Newport… or in Scotland … Susy, dearest, when will you bring Lord Altringham to dine? Any night that you and he are free I’ll arrange to be….”
“You and he”: they were “you and he” already!
“Ah, there’s one of them—of my great-grandmothers,” Strefford explained, giving a last push that drew him and Susy to the front rank, before a tall isolated portrait which, by sheer majesty of presentment, sat in its great carved golden frame as on a throne above the other pictures.
Susy read on the scroll beneath it: “The Hon’ble Diana Lefanu, fifteenth Countess of Altringham”—and heard Strefford say: “Do you remember? It hangs where you noticed the empty space above the mantel-piece, in the Vandyke room. They say Reynolds stipulated that it should be put with the Vandykes.”
She had never before heard him speak of his possessions, whether ancestral or merely material, in just that full and satisfied tone of voice: the rich man’s voice. She saw that he was already feeling the influence of his surroundings, that he was glad the portrait of a Countess of Altringham should occupy the central place in the principal room of the exhibition, that the crowd about it should be denser there than before any of the other pictures, and that he should be standing there with Susy, letting her feel, and letting all the people about them guess, that the day she chose she could wear the same name as his pictured ancestress.
On the way back to her hotel, Strefford made no farther allusion to their future; they chatted like old comrades in their respective corners of the taxi. But as the carriage stopped at her door he said: “I must go back to England the day after tomorrow, worse luck! Why not dine with me to-night at the Nouveau Luxe? I’ve got to have the Ambassador and Lady Ascot, with their youngest girl and my old Dunes aunt, the Dowager Duchess, who’s over here hiding from her creditors; but I’ll try to get two or three amusing men to leaven the lump. We might go on to a
