and he knew which way the step was directed, what pieces of furniture it had to skirt, where it would probably pause, and what was likely to arrest it. He heard another sound, and recognized it as that of a wet umbrella placed in the black marble jamb of the chimney-piece, against the hearth. He caught the creak of a hinge, and instantly differentiated it as that of the wardrobe against the opposite wall. Then he heard the mouse-like squeal of a reluctant drawer, and knew it was the upper one in the chest of drawers beside the bed: the clatter which followed was caused by the mahogany toilet-glass jumping on its loosened pivots…

The step crossed the floor again. It was strange how much better he knew it than the person to whom it belonged! Now it was drawing near the door of communication between the two rooms. He opened his eyes and looked. The step had ceased and for a moment there was silence. Then he heard a low knock. He made no response, and after an interval he saw that the door handle was being tentatively turned. He closed his eyes once more…

The door opened, and the step was in the room, coming cautiously toward him. He kept his eyes shut, relaxing his body to feign sleep. There was another pause, then a wavering soft advance, the rustle of a dress behind his chair, the warmth of two hands pressed for a moment on his lids. The palms of the hands had the lingering scent of some stuff that he had bought on the Boulevard…He looked up and saw a letter falling over his shoulder to his knee…

“Did I disturb you? I’m so sorry! They gave me this just now when I came in.”

The letter, before he could catch it, had slipped between his knees to the floor. It lay there, address upward, at his feet, and while he sat staring down at the strong slender characters on the blue-gray envelope an arm reached out from behind to pick it up.

“Oh, don’t—DON’T” broke from him, and he bent over and caught the arm. The face above it was close to his.

“Don’t what?”

–-“take the trouble,” he stammered.

He dropped the arm and stooped down. His grasp closed over the letter, he fingered its thickness and weight and calculated the number of sheets it must contain.

Suddenly he felt the pressure of the hand on his shoulder, and became aware that the face was still leaning over him, and that in a moment he would have to look up and kiss it…

He bent forward first and threw the unopened letter into the middle of the fire.

BOOK II

IX

The light of the October afternoon lay on an old high-roofed house which enclosed in its long expanse of brick and yellowish stone the breadth of a grassy court filled with the shadow and sound of limes.

From the escutcheoned piers at the entrance of the court a level drive, also shaded by limes, extended to a white-barred gate beyond which an equally level avenue of grass, cut through a wood, dwindled to a blue-green blur against a sky banked with still white slopes of cloud.

In the court, halfway between house and drive, a lady stood. She held a parasol above her head, and looked now at the house-front, with its double flight of steps meeting before a glazed door under sculptured trophies, now down the drive toward the grassy cutting through the wood. Her air was less of expectancy than of contemplation: she seemed not so much to be watching for any one, or listening for an approaching sound, as letting the whole aspect of the place sink into her while she held herself open to its influence. Yet it was no less apparent that the scene was not new to her. There was no eagerness of investigation in her survey: she seemed rather to be looking about her with eyes to which, for some intimate inward reason, details long since familiar had suddenly acquired an unwonted freshness.

This was in fact the exact sensation of which Mrs. Leath was conscious as she came forth from the house and descended into the sunlit court. She had come to meet her stepson, who was likely to be returning at that hour from an afternoon’s shooting in one of the more distant plantations, and she carried in her hand the letter which had sent her in search of him; but with her first step out of the house all thought of him had been effaced by another series of impressions.

The scene about her was known to satiety. She had seen Givre at all seasons of the year, and for the greater part of every year, since the far-off day of her marriage; the day when, ostensibly driving through its gates at her husband’s side, she had actually been carried there on a cloud of iris-winged visions.

The possibilities which the place had then represented were still vividly present to her. The mere phrase “a French chateau” had called up to her youthful fancy a throng of romantic associations, poetic, pictorial and emotional; and the serene face of the old house seated in its park among the poplar-bordered meadows of middle France, had seemed, on her first sight of it, to hold out to her a fate as noble and dignified as its own mien.

Though she could still call up that phase of feeling it had long since passed, and the house had for a time become to her the very symbol of narrowness and monotony. Then, with the passing of years, it had gradually acquired a less inimical character, had become, not again a castle of dreams, evoker of fair images and romantic legend, but the shell of a life slowly adjusted to its dwelling: the place one came back to, the place where one had one’s duties, one’s habits and one’s books, the place one would naturally live in till one died: a dull house, an inconvenient house, of which one knew all the defects, the shabbinesses, the discomforts, but to which one was so used that one could hardly, after so long a time, think one’s self away from it without suffering a certain loss of identity.

Now, as it lay before her in the autumn mildness, its mistress was surprised at her own insensibility. She had been trying to see the house through the eyes of an old friend who, the next morning, would be driving up to it for the first time; and in so doing she seemed to be opening her own eyes upon it after a long interval of blindness.

The court was very still, yet full of a latent life: the wheeling and rustling of pigeons about the rectangular yews and across the sunny gravel; the sweep of rooks above the lustrous greyish-purple slates of the roof, and the stir of the tree-tops as they met the breeze which every day, at that hour, came punctually up from the river.

Just such a latent animation glowed in Anna Leath. In every nerve and vein she was conscious of that equipoise of bliss which the fearful human heart scarce dares acknowledge. She was not used to strong or full emotions; but she had always known that she should not be afraid of them. She was not afraid now; but she felt a deep inward stillness.

The immediate effect of the feeling had been to send her forth in quest of her stepson. She wanted to stroll

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