opposite the Head of the River pub. Rogers met him as he stepped out of the car.
'Just look at this frigging place,' Rogers muttered. 'I couldn't get close to this on an inspector's salary, and some snotty-nosed eighteen-year-old kid brings his girlfriends back here in his sodding Morgan.'
Monroe grinned. 'Never had you down as the bitter type, Josh.'
'Yeah, well,' Rogers replied, shaking his head. 'I think we might bring the little bastard down a peg or two.'
Monroe stared at him, his eyes narrowing. 'Lead the way,' he said and followed his junior officer to the doors of the apartment block.
Two uniformed officers were waiting for them in the hall outside Cunningham's apartment. Monroe and Rogers crossed the polished concrete floor, and entered a vast living room where they could hear an Oscar Peterson track spilling from a pair of oversized Bang and Olufsen speakers. The wall opposite the entrance was an expanse of glass with views over the Cherwell and the sandstone spires of Oxford. In the foreground, the two detectives could see the sun-splashed tower of Christchurch Cathedral. For some reason, at that moment Monroe recalled a tale about Oxford that he had heard when he had himself been an undergraduate here. Apparently, glider pilots and balloonists loved flying over the city, not just for the views but because there were always good thermals. The jokey explanation for this was that the thermals were produced from the hot air of the dons, but the real reason was the ubiquitous sandstone which reflected the heat of the sun.
Russell Cunningham was reclining in a black leather George Nelson chair close to the window. A police officer was standing close by. Cunningham was tall, blond, handsome and tanned from what Monroe later learned had been a brief but extremely pleasant skiing holiday in Andorra, from which he had returned two weeks earlier. Dressed in designer jeans and a black V-neck cashmere sweater, he looked every inch the pampered son of a billionaire. He stood up as Monroe strode in, but the DCI ignored him and followed Rogers through the room to a corridor beyond.
Three doors led off the corridor; one of them was ajar. Monroe followed Rogers into a small window-less room lit by a single dull red bulb in the ceiling. Shelves were filled with CD cases. Against the far wall were two flat-screen monitors and in front of them was a small console. Above the monitors the wall was covered with pornographic images, a sordid collage of young women tied up, mutilated, disfigured.
Monroe looked at the scene, his face betraying no emotion. Rogers leaned over the console. 'Our boy's certainly having fun here,' he said wryly.
'What exactly is this stuff?'
'State-of-the-art cyber-porn,' Rogers replied. 'He's got web cams set up all over the place — girls' college rooms, the gym showers, ladies' toilets, East Oxford student houses. He keeps careful records, too.' He waved a hand toward the stacks of discs on the shelves. 'Looks like we've struck gold.'
'Maybe,' Monroe replied. 'Let's take him in. We'll leave this stuff here. Get a couple of tech guys to go through it, OK?'
Monroe returned to the living room, his mind racing.
'Perhaps you could explain what all this is about?' The young man had a mid-Atlantic twang to his voice.
'I was rather hoping you could do that, Mr Cunningham.'
Cunningham looked at the floor for a second and then fixed Monroe with a superior glare. 'Detective? Admiral. .?' He waved a hand in the air.
'Just a DCI, sir. That is, Detective Chief Inspector. . Monroe.'
'Well, DCI Monroe, I take it you have a warrant? The other guy. .'
'Inspector Rogers.'
'Yes, he waved a bit of paper under my nose before stomping all over my place.'
'Oh yes, Mr Cunningham, we do have a warrant. And I'm placing you under arrest. Taylor,' Monroe snapped, turning to the uniform standing over Cunningham. 'Take him in.'
The young man laughed unconvincingly while Monroe read him his rights. 'Terrible mistake you are making. Huge. I assume you know who my father is?'
'Fully aware of the facts, Mr Cunningham. Don't worry yourself about that. I'll be along in ten minutes, Taylor,' Monroe told the constable. 'See that Mr Cunningham is properly looked after.' And he turned back towards the corridor.
Chapter 30
Croydon: 29 March, 2 p.m.
Charlie Tucker's funeral was a bleak, rainswept affair, steeped in suburban misery. The service was held in a concrete chapel built in the early 1980s a few miles outside Croydon, south of London. Fewer than a dozen people turned up. They dashed from their cars across the tarmac of the glistening car park with coats over their heads and umbrellas aloft. In the chapel there was a pervading smell of damp clothes mingled with ageing lilies.
For a short time after Charlie's body had been discovered the police had been working on the principle that he had committed suicide. But then CSI evidence from the scene proved conclusively that he could not have fired the weapon. The investigators began a murder inquiry.
Laura and Philip were the last to arrive and sat together at the back, listening in silence to the taped organ music, each submerged in their own thoughts.
Philip had hardly known Charlie. To him he'd been just another face at Oxford, a friend of Laura's. They had met at parties and had had the occasional argument about politics. Philip had been pretty, left-wing, which was more or less de rigueur for students in the 1980s, but Charlie, he recalled, had been rabidly Marxist.
Laura had grown used to the fact that Charlie was dead. Almost a week earlier, when the news had been thrust upon her so viciously, she had been shocked to the core of her being. This wasn't because she had been particularly close to Charlie. But he had been a part of her youth. Perhaps because she had hardly seen him in almost twenty years she still associated him with happy times, with college, freedom, a time just after the end of childhood, a time when, in memory at least, the world seemed to be a more innocent place. Now that he was dead, it felt like a part of herself had been consumed too.
Only later had come the terrible sense of dread that she now felt. The deaths, the slaughter and the violence had started to close in on her. Now Laura could not get it out of her mind that Charlie's death had to be linked in some way with her investigation.
Since returning to Oxford, she and Philip had made precious little progress. They had confirmed that the 1851 murders had been committed on exactly the nights when the relevant heavenly bodies had entered the sign of Cancer and that a five-body planetary conjunction had been expected on 20 July that year. The only difference between those murders and the current ones was that the killers had not started their series of crimes at the vernal equinox because the conjunction of planets had occurred at a quite different time of the year. All this was important, she knew, and it put her theory beyond reasonable doubt. But it still felt as though their search for clues to the identity of today's murderer was running out of steam — and the next killing was scheduled for the following evening, 30 March.
The funeral service was a dismal affair. The sound of a synthesised choir spilling gently from speakers in the ceiling carried the two hymns, and the best anyone in the congregation could muster was a barely audible mumble. As the second hymn petered out, the coffin bearing Charlie's body was lifted carefully by the pall-bearers and carried to a hearse outside. The mourners got up from their pews slowly and drifted towards the doors.
Outside, the hearse pulled away and the group followed, walking past a memorial garden, along a winding lane to an area with fewer graves where the soil had been freshly turned.
Walking back past the chapel, Laura and Philip had almost reached their car when they heard someone running up behind them. Turning, they saw a young woman in a long white dress, slowing to a stop. She looked about twenty-five, short, slim, with dark brown hair falling freely to her waist. She had huge blue eyes, a pixie's face, thin eyebrows and a shapely nose. Laura could see that she had been crying: she wore no make-up but her eyes were bloodshot and the skin beneath her eyes looked bruised.
'You're Laura and Philip, yeah?' she asked.
Laura nodded.
