It had been his first year as a homicide detective. He and his partner had been working a bank robbery case involving a couple of career criminals. Don managed to arrest one of them in his home. He’d found several weapons, including the Taurus, and discovered that the Taurus was unregistered. Untraceable. Don had stashed it away, and no one had noticed. As a cop who had tracked suspects through their guns and watched prosecutors nail them with ballistics, Don figured that it might be useful to have a weapon that was completely unconnected to himself.
He had been right.
At quarter after nine on a weeknight, the Interstate 10 Freeway worked the way it had been designed to work: it got you from the middle of Los Angeles to the beach in just a few minutes. A tunnel marked the end of the I–10. When you emerged on the far side, the world opened up onto a gigantic postcard of Los Angeles: the beach, the ocean, and the Pacific Coast Highway.
Jack was moving up the coast highway — also easily navigated this time of night — with his speakerphone on as Driscoll recited the nature of the lead they were going to investigate.
“…telling you, it’s the weirdest lead I’ve ever followed. But it’s very L.A.”
“So tell me,” Jack called out to the cell phone resting on the console of his SUV.
“You ever heard of Mark Gelson?”
Jack considered that. “I know Mark Gelson the actor. The
“That’s him. You don’t see him much anymore, but he used to be on the A-list back in the eighties. Anyway, the story is that he got pulled over on the way home to Malibu for drunk driving. He was raving, talking about how he was going to set things straight, blow some people to pieces, just like in his movies.”
“So what?” Jack said skeptically. “Some has-been actor gets sauced and—”
“He mentioned plastic explosives.”
Jack nodded at the cell phone. “Ah.”
“Yeah. It could be nothing.”
“No, it’s something,” Jack said wryly. “It’s an over-the-hill actor who misses being in the headlines, and we’re helping him. He have a movie coming out?”
“Thought of that,” Driscoll replied through the phone. “He’s got zilch. A new version of the complete set of
Jack shrugged, mostly to himself. “I’m almost there anyway. See you in the driveway.” He hung up.
Mark Gelson. Jack had been a fan of the
Jack reached the exclusive beach colony of Malibu and drove down along Malibu Colony Road until he reached the address for Mark Gelson’s beach house. Driscoll was waiting for him outside on the street, smoking a cigarette. Jack watched the cigarette tip glow momentarily brighter in the darkness beyond the light atop Gelson’s gate and stared at Driscoll quizzically.
“Took it back up,” the detective said unapologetically. “Otherwise I’d be perfect and no one could stand to be around me.” He dropped the cigarette and crushed it with his heel.
Gelson’s house was screened by a tall, ivy-grown wall with an iron gate. There was an intercom set next to the gate. Driscoll buzzed it and heard a female voice say in a Hispanic accent, “Yes, who is it?”
“Los Angeles Police Department, ma’am,” Harry Driscoll said. “Mr. Gelson is expecting us.”
The intercom buzzed irritably. The gate rattled and chugged, swinging back and away from them. Jack and Driscoll walked up the wide circular drive to a white, very modern house that looked like several large white cubes stacked irregularly together. Something about the way the giant cubes were stacked triggered a sense of recognition in Jack. It was nothing definitive, but he had the sense that the cubist architecture had meaning.
They could hear the ocean murmuring in the darkness beyond the house.
“Those residuals must be nice,” Driscoll said enviously.
The door opened as they approached, and a sturdy Latina nodded at them. She motioned for them to enter and guided them toward the living room. The walls of the hallway were white, like the exterior of the house, and entirely bare except for a single, ornate crucifix fixed at eye level. The view was stark. The living room matched. It was huge, and the entire west wall was glass. Light from the room spilled out onto the sand and the waves beyond. There was a painting over the couch that appeared as white as the wall on which it hung. But as Jack studied it for a moment, he began to see faint discolorations that pulled his vision out of focus, or rather into a new focus in which he saw the faint image of a man’s face painted white within white.
“That’s a Stretch.”
Jack turned, mildly surprised that he’d let someone enter a room without his knowledge. “Excuse me?”
“The painting. It’s a Stretch. Ronnie Stretch, the artist. You know his work?”
“I didn’t even know it was a painting at first,” Jack admitted. “But it’s interesting how things come into focus if you give them time.”
He turned fully to face Mark Gelson. Somehow, Jack always expected actors to be taller than they really were. Gelson was about five feet, seven inches. He looked younger than his fifty-plus years, and still carried the square jaw and bright blue eyes Jack remembered from the movies, even though there was more salt than pepper in his hair. He was wearing blue jeans and an American Eagle T-shirt, the kind of clothes you might see on twenty- somethings at Chia Venice.
Gelson approached and shook Jack’s hand firmly. “Detective Driscoll?”
Jack pointed over at Harry. “My name is Bauer. That’s Driscoll.”
“Detective Bauer, then,” Gelson said before turning to Harry. “Can I get you guys something to drink?”
“No, but thanks for seeing us so late in the evening,” the detective took over. “We have some questions about—”
“Last night.” Gelson sat down. He shook his head gravely. “Look, I’m not sure why detectives are involved, but I don’t make a habit of driving drunk. It was stupid. I know I’m going to take a hit in the papers tomorrow.”
“It’s not the drunk driving part we’re here about, Mr. Gelson,” Harry interrupted. “It’s about what you said. You talked about—” Harry flipped a page in his notepad. “You said, ‘I hope my guys blow your fat asses up with the rest of them.’ ”
Gelson blushed. “Doesn’t sound like me, does it. Jesus, I hope not, anyway. I’m sorry, I was drunk…”
“And then you said, ‘I’m so fucking glad I bought them the plastic explosives.’ ”
Mark Gelson froze like a DVD on pause. “What do you mean?
Harry Driscoll folded his notebook and said simply, “The question, Mr. Gelson, is what did you mean? When did you get the plastic explosives? Who are your friends?”
“I don’t…” The actor’s face had gone from red to white in a split second. “I’m not… Do you mean explosives?”
Abu Mousa had been a better actor. Driscoll’s disdain showed clearly on his face as he said, “We can just as easily do this downtown. In fact, I’d rather do it down there. We’ve got video cameras, tape recorders, it’s more convenient; isn’t it, Jack?”
Bauer nodded.
“Yeah, so let’s go down there—” He reached for Gelson’s arm. The actor squirmed away and sank back into the couch.
“No, look, okay. Okay.” Some of Gelson’s good looks seemed to have faded away, the reverse action of the picture on the wall. “Look, can I tell you the truth?”
“That is the general idea,” Jack said.
Gelson put his head in his hands. He didn’t cry, but he was close to it. Jack was just about to step forward and shake him when the actor rubbed his face and looked up. “I’ve got some friends. They’re guys I hang out with