“Hang on to them for now,” she told Eileen. “Mike may have difficulty traveling this near the holidays. The trains and buses are jammed with soldiers coming home on leave. Did you find a gift for Miss Hibbard?”
“Yes. Did you manage to pinch the wrapping paper?”
“I did. Not that it helped the situation. We appear to have an endless supply. And Miss Snelgrove told us we’re to use less string. Have you ever tried to tie a knot with an inch of string?”
“Give me the paper,” Eileen ordered. She vanished into the bathroom for several minutes and came back with a small, neatly wrapped parcel. “I’m giving you your Christmas present early,” she said, handing it to Polly.
“But I haven’t anything for—”
Eileen waved her objection away. “You need it now, and if Mike comes back tonight, you won’t have any use for it. Open it.”
Polly did. It was two rolls of cellophane tape.
“It was all I could find,” Eileen said. “I do hope it’s enough to get you through Christmas.” She looked anxiously at Polly, who was still staring down at the tape.
“You like it, don’t you?”
“It’s the nicest Christmas present anyone’s ever given me,” Polly said, and, to her horror, burst into tears.
“Except for getting to go home, and we’ll get that soon. Don’t cry. You’re making the paper wet, and I need to use it again for Theodore’s gift.”
“We’ll wrap it this minute,” Polly said, and waited impatiently as Eileen ironed the paper out and fetched Theodore’s toy Spitfire from the bureau drawer.
The tape was wonderful. It held the ends of the paper beautifully. And now what was she going to get Eileen? And when? Christmas was only a few days off, Townsend Brothers was a zoo, and she’d promised Miss Laburnum, who was nearly hysterical about the prospect of their performing in other stations—“Leicester Square is in the heart of the West End, and who knows who might be in the audience?”—to help her with costumes and props. And she still hadn’t learned Belle’s lines. And tomorrow Dover would be shelled, and Mike still hadn’t phoned. Or written. Or sent another crossword puzzle. Because he’s dead, she thought.
You don’t know that, she told herself. You thought something had happened to him when you didn’t hear from him when he was in Bletchley, and he was perfectly all right. And there could be all sorts of reasons why you haven’t heard from him. The retrieval team’s drop site is in Northumberland or Yorkshire, and Mike’s having trouble getting there. Or Daphne’s gone off to visit relatives for the holidays, and Mike has to wait for her to come back. Or the shelling on the coast has taken out the telephone lines, and it takes longer for a letter to be delivered because of the Christmas rush.
We’ll hear from him tomorrow, she thought. But they didn’t.
Do a good turn for Christmas.
—MAGAZINE ADVICE,
December 1940
London—December 1940
MIKE STILL WASN’T BACK BY CHRISTMAS EVE.
“Do you think he’ll come tonight?” Eileen asked Polly as they rode down the escalator to Piccadilly Station to perform A Christmas Carol.
The man behind them said, laughing, “Ain’t you a bit old to believe in Father Christmas, dearie?”
“You fool, she wasn’t talkin’ about Father Christmas,” his companion said. “She was talkin’ about ’Itler.” He nodded at Eileen. “I’ll give you six-to-one odds ’e’ll come tonight. It’d be just like ’im to try to ruin our Christmas, the little bastard.”
They had obviously both had more than a little Christmas cheer.
“That’s no way to talk in the presence of ladies, you bleedin’ sod,” the first man said belligerently, and Polly hoped they wouldn’t come to blows there on the escalator.
But the other man tipped his cap and said, “Beggin’ your pardon, misses. I shouldn’t ’ave called ’Itler a little bastard. ’E’s the biggest bastard what ever lived. And I’ll wager five bob ’e’s up to something. A nasty Christmas surprise. You watch. Them sirens’ll go any minute now.”
They wouldn’t, but it was obvious he wasn’t the only one who thought that. There were more people in the station than there had been in the last two weeks, all with their bedrolls and picnic baskets. The woman just below them on the escalator had a Harrods carrier bag full of Christmas presents, and two toddlers had each brought a long brown stocking with them.
The two men weren’t the only ones who’d been drinking. There were periodic outbursts of too-loud laughter and unsteady choruses of “God Rest Ye Merry, Gentlemen” on the platforms. And during their performance, when Sir Godfrey as Scrooge launched into his “Bah, humbug!” speech, someone shouted from the audience, “What you need is a spot of rum, you auld sod!”
The troupe gave two performances, the first in the main hall and the second on a stage built out over the tracks on the westbound Piccadilly Line platform after the trains had stopped. Even with the stage, the platform was still too small to accommodate the crowd. “Do you see that crutch by the fireplace, tenderly preserved?” Sir Godfrey muttered to Polly. “That’s Tiny Tim’s. He was pushed onto the track by his adoring public and run over by a train.”
“But at least he wasn’t doing panto when he died,” Polly whispered back.
“Or, God forbid, Peter Pan,” Sir Godfrey said, and made his entrance.
Scrooge bahhed, humbugged, saw the ghost of Marley (Mr. Simms), traveled to the past and back to the future, learned the error of his ways, made amends, and prevented Tiny Tim from dying, in front of a large and enthusiastic crowd, which Polly and Eileen both scanned for Mike.
