If the supernatural power is mine (and yet clearly it is not mine), how did I come to have it? I have devised two explanations, both wildly improbable. Dorcas and I talked once of the symbolic significance of real-world things, which by the teachings of the philosophers stand for things higher than themselves, and in a lower order are themselves symbolized. To take an absurdly simple example, suppose an artist in a garret limning a peach. If we put the poor artist in the place of the Increate, we may say that his picture symbolizes the peach, and thus the fruits of the soil, while the glowing curve of the peach itself symbolizes the ripe beauty of womanhood. Were such a woman to enter the artist's garret (an improbability we must entertain for the sake of the explanation), she would doubtless remain unaware that the fullness of her hip and the hardness of her heart found their echoes in a basket on the table by the window, though perhaps the artist might be able to think of nothing else.
But if the Increate is in actual fact in place of the artist, is it not possible that such connections as these, many of which must always be unguessable by human beings, may have profound effects on the structure of the world, just as the artist's obsession may color his picture? If I am he who is to renew the youth of the sun with the White Fountain of which I have been told, may it not be that I have been given, almost unconsciously (if that expression may be used), the attributes of life and light that will belong to the renewed sun?
The other explanation I mentioned is hardly more than a speculation. But if, as Master Malrubius told me, those who will judge me among the stars will take my manhood should I fail their judgment, is it not possible also that they will confirm me in some gift of equal worth should I, as Humanity's representative, conform to their desires? It seems to me that justice demands it. If that is the case, may it not be that their gift transcends time, as they do themselves? The Hierodules I met in Baldanders's castle said they interested themselves in me because I would gain the throne but would their interest have been so great if I were to be no more than the embattled ruler of some part of this continent, one of many embattled rulers in the long history of Urth?
On the whole, I think the first explanation the most probable; but the second is not wholly unlikely. Either would seem to indicate that the mission I am about to set out on will succeed. I will go with good heart.
And yet there is a third explanation. No human being or near-human being can conceive of such minds as those of Abaia, Erebus, and the rest. Their power surpasses understanding, and I know now that they could crush us in a day if it were not that they count only enslavement, and not annihilation, as victory. The great undine I saw was their creature, and less than their slave: their toy. It is possible that the power of the Claw, the Claw taken from a growing thing so near their sea, comes ultimately from them. They knew my destiny as well as Ossipago, Barbatus, and Famulimus, and they saved me when I was a boy so that I might fulfill it. After I departed from the Citadel they found me again, and thereafter my course was twisted by the Claw. Perhaps they hope to triumph by raising a torturer to the Autarchy, or to that position that is higher than the Autarch's.
Now I think that it is time to record what Master Malrubius explained to me. I cannot vouch for its truth, but I believe it to be true. I know no more than I set down here.
Just as a flower blooms, throws down its seed, dies, and rises from its seed to bloom again, so the universe we know diffuses itself to nullity in the infinitude of space, gathers its fragments (which because of the curvature of that space meet at last where they began) and from that seed blooms again. Each such cycle of flowering and decay marks a divine year.
As the flower that comes is like the flower from which it came, so the universe that comes repeats the one whose ruin was its origin; and this is as true of its finer features as of its grosser ones: The worlds that arise are not unlike the worlds that perished, and are peopled by similar races, though just as the flower evolves from summer to summer, all things advance by some minute step.
In a certain divine year (a time truly inconceivable to us, though that cycle of the universes was but one in an endless succession), a race was born that was so like to ours that Master Malrubius did not scruple to call it human. It expanded among the galaxies of its universe even as we are said to have done in the remote past, when Urth was, for a time, the center, or at least the home and symbol, of an empire.
These men encountered many beings on other worlds who had intelligence to some degree, or at least the potential for intelligence, and from them that they might have comrades in the loneliness between the galaxies and allies among their swarming worlds they formed beings like themselves.
It was not done swiftly or easily. Uncountable billions suffered and died under their guiding hands, leaving ineradicable memories of pain and blood. When their universe was old, and galaxy so far separated from galaxy that the nearest could not be seen even as faint stars, and the ships were steered thence by ancient records alone, the thing was done. Completed, the work was greater than those who began it could have guessed. What had been made was not a new race like Humanity's, but a race such as Humanity wished its own to be: united, compassionate, just.
I was not told what became of the Humanity of that cycle. Perhaps it survived until the implosion of the universe, then perished with it. Perhaps it evolved beyond our recognition. But the beings Humanity had shaped into what men and women wished to be escaped, opening a passage to Yesod, the universe higher than our own, where they created worlds suited to what they had become.
From that vantage point they look both forward and back, and in so looking they have discovered us. Perhaps we are no more than a race like that who shaped them. Perhaps it was we who shaped them or our sons or our fathers. Malrubius said he did not know, and I believe he told the truth. However it may be, they shape us now as they themselves were shaped; it is at once their repayment and their revenge.
The Hierodules they have found too, and formed more quickly, to serve them in this universe. On their instructions, the Hierodules construct such ships as the one that bore me from the jungle to the sea, so that aquastors like Malrubius and Triskele may serve them also. With these tongs, we are held in the forge.
The hammer they wield is their ability to draw their servants back, down the corridors of time, and to send them hurtling forward to the future. (This power is in essence the same as that which permitted them to evade the death of their universe to enter the corridors of time is to leave the universe.) On Urth at least, their anvil is the necessity of life: our need in this age to fight against an ever-more-hostile world with the resources of the depleted continents. Because it is as cruel as the means by which they themselves were shaped, there is a conservation of justice; but when the New Sun appears, it will be a signal that at least the earliest operations of the shaping are complete.
XXXV
Father Inire's Letter
The quarters assigned to me were in the most ancient part of the Citadel. The rooms had been empty so long that the old castellan and the steward charged with maintaining them supposed the keys to have been lost, and offered, with many apologies and much reticence, to break the locks for me. I did not permit myself the luxury of watching their faces, but I heard their indrawn breath as I pronounced the simple words that controlled the doors.
It was fascinating, that evening, to see how much the fashions of the period in which those chambers were furnished differed from our own. They did without chairs as we know them, having for seats only complex cushions; and their tables lacked drawers and that symmetry we have come to consider essential. By our standards too, there was too much fabric and not enough wood, leather, stone, and bone; I found the effect at once sybaritic and
