you find the sexual nature of many of them to be expected? What reason, subconsciously or consciously, do you think Moon has for giving the dead girl a personality and thoughts of her own, despite having never met the girl before her death?

To what extent is Moon’s assertion that the “bad thing” he refers to in his letters “was nobody’s fault” accurate? Is Moon culpable? Who in the novel is most culpable? Who is least culpable?

A Single Shot has something in common with the plot of a Greek tragedy. Do you consider Moon to have a tragic flaw? If so, what is it?

Contents

FRONT COVER IMAGE

WELCOME

DEDICATION

READING GROUP GUIDE

QUESTIONS AND TOPICS FOR DISCUSSION

SIX ANGLES OF WRATH

SUNDAY

MONDAY

TUESDAY

WEDNESDAY

THURSDAY

FRIDAY

SATURDAY

ABOUT THE AUTHOR

ALSO BY MATTHEW F. JONES

SPECTACULAR PRAISE FOR MATTHEW F. JONES’S A SINGLE SHOT

THE BAYOU TRILOGY

A DROP OF THE HARD STUFF

FUN AND GAMES

COPYRIGHT

About the Author

Matthew F. Jones’s 1999 novel Deepwater was adapted for a 2006 film of the same title. He lives in Charlottesville, Virginia.

ALSO BY MATTHEW F. JONES

The Cooter Farm

The Elements of Hitting

Blind Pursuit

Deepwater

Boot Tracks

Also available from Mulholland Books

The Bayou Trilogy

Under the Bright Lights • Muscle for the Wing • The Ones You Do

By Daniel Woodrell

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“A backcountry Shakespeare…. The inhabitants of Daniel Woodrell’s fiction often have a streak that’s not just mean but savage; yet physical violence does not dominate his books. What does dominate is a seasoned fatalism…. Woodrell has tapped into a novelist’s honesty, and lucky for us, he’s remorseless that way.”

Los Angeles Times

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The New Yorker

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Esquire

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New York

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Also available from Mulholland Books

A Drop of the Hard Stuff

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