Victor said darkly, 'Cameras like that are always put up by men like Boggin. I am sure whoever put them up told his students they were for their own good, too, using the same jolly tones our Boggin uses.'

At the front door, Victor manipulated the lock mechanism and the wires I described to him. The door clicked open. Quentin brought out from beneath his cloak a severed human hand dipped in wax, and he carefully lit each of the fingers on fire. Holding it before him, he strode down the corridors. He stood with his eerie candle between us and the main desk where the guard was sleeping, and the smoke from the candles reached like tentacles toward the guard's face. We all made noise as we crept past him, but somehow, the guard did not wake.

The elevators were locked down at night. Rather than asking us to trace wires and locks and fiddle with the unfamiliar controls, Vanity gave Colin the high sign. Colin grinned a wicked grin, stepping forward. He grew at least two inches, and his muscles swelled and thickened on his frame, until his coat buttons and seams were straining. Then, like some abominable snowman, he just plunged his bare hands into the steel doors and tore them from their tracks.

Victor had him tear one metal door in half, which made such a noise that it should have set the entire ward screaming, but Quentin's candle protected us, or something did. Colin thrust the broken door into the empty elevator shaft, and we all stepped on it, and Victor levitated us up to the third floor.

This time, before Colin could show off, I reached into the locking mechanism and removed the little iron pins through the untouched surface of the door, and the doors could be slid aside without further ado.

The corridor was a drab olive hue, thick-shadowed in the light of a single night-bulb held in a cage of wires on the ceiling. Vanity started looking at the room numbers painted on the wall, but I just took her elbow and pointed.

And here was our next locked door in an evening of locked doors.

I whispered, 'There are five of us, and five ways to open this door. Who does the honor, Leader?'

Vanity whispered back, 'How do you figure five?'

'Fourth dimension, magnetic powers, magic, brute strength. And you can open a locked door, too. I mean, you don't know for sure the lock is engaged, do you? No one knows what is inside a wall.'

She shook her head. 'I can only find a secret passage if there might be one. Here there is nothing I can work with: Too much attention has already been paid to these walls.'

But Quentin said, 'Leader! We cannot open this door.'

'Why not?' she said. 'Are you worried about the rules here? We're already breaking and entering.'

He shook his head. 'I don't know why, but I see the signs. This door is forbidden.'

Vanity looked at me and I looked at the threads of moral energy in the place. 'He's right,' I said.

'But I don't see anything like that on the other doors. Why is this door different? I wonder if we should abort.'

Vanity said, 'We can go in without touching the door.'

Victor said, 'To get in without touching the door requires we break in through an adjoining wall, the outside window, the ceiling, or the floor.'

Vanity said, 'Amelia, if you would... ?'

'Gladly, Leader.'

I have no idea what it looked like to them. I asked them to close their eyes anyway. I stood with one foot in the corridor and one foot in the room, with my leg going 'over' the wall in the red direction, without touching it. I picked up Vanity first, and ballet-lifted her from right to left, and I made sure there were no wrinkles or rotations when I flattened their paper-doll bodies back into the flat square that formed the room.

When it came Victor's turn, I balked. 'Leader, I think it might be bad for him. He is kind of thinner than you people are in the fourth dimension. I don't want to hurt him.'

Quentin said, 'He can go through the door. It won't see him.'

Blue light dazzled from Victor's head, and the lock clicked of its own accord, and he walked through. The azure light fell into the small, grim room and snuffed out Quentin's candle.

The man, Mortimer, stirred on the white metal-framed bed, opened his eyes, and sat up.

'Who're you?' His eyes were as blue and empty as a summer sky. Innocent. A child's eyes.

A dart of light left Victor's metallic third eye and flicked into the man's face. His eyelids drooped, and he lay back down, snoring before he hit the thin yellow pillow.

Vanity said, 'What was that?'

Victor closed the door behind him. 'Narcolepsy. I stimulated the pons area of the brain

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