and couldn’t control. I tried to keep fear from affecting the rest of my life, but it didn’t always work. I preferred sleeping in pajamas in case of emergencies, and having sex with the lights off in case someone walked in. This last habit had nothing to do with shame about the weight I’d gained in college or with the time my mother called me zaftig, a word I had to look up in private.

“You called me fat?” I screamed to her.

She protested dramatically. “No, honey! It means curvaceous. Why, it’s a lovely thing to be.”

Don’t get me wrong, Luke constantly told me how beautiful I was, how desirable, and I believed him. I wasn’t afraid of my curves. I wasn’t prim. I was adventurous. I liked sex. I just preferred it on my terms, my way, in flattering positions, in the dark, and showering directly after.

After graduation, Luke, Charlotte and I shared the second-floor, two-bedroom apartment on Philip near Coliseum, which is where I still live, one of those old clapboard Victorians painted yellow with white trim. The apartment had original windows and faced the street corner. Luke set up his desk and began to write what he called his “Southern Opus.” Our bedroom was drafty in the winter, but I didn’t mind because Luke kept me warm most nights and paid his share of the rent when he could hold down a part-time job. I hired him for a brief stint in the store, but I blanched when he tried to make suggestions to improve the business, or moved stock around on the floor so it would sell faster. “Be careful,” my mother warned. “Men don’t like criticism or self-sufficiency in women. They need to feel needed.” Dad disagreed. “Men just want to be wanted,” he said.

And the way Charlotte teased Luke or threw an arm around him, I always assumed was sisterly and benign. Luke was a nerdy writer, insular like me. Charlotte just wasn’t his type. He once called her flaky, whereas I was solid, layered. Charlotte was “Rocky Road” to my “Vanilla,” not an insult he explained, since I was his favorite flavor.

But tastes change. Working in fashion, I ought to have known that.

It was my day off, so I wasn’t supposed to walk in on them in the office at the back of the store, Charlotte atop a pile of sturdy suitcases we were refurbishing, her white skinny thighs straddling Luke, his stupid black jeans bunched at his dumb ankles, his ass clenched, mid-thrust.

“My goodness, I am so sorry,” I mumbled, backing up and closing the door behind me. You know your Southern upbringing has grown twisted when your first instinct is to be polite when intruding upon your boyfriend fucking your best friend.

My back resting against the door jamb of a change room, I kept my hand over my mouth for the time it took for them to dress and assemble in front of me in a state of disarray and shame.

Luke, the writer, offered a bunch of words.

I’m so sorry …

We didn’t mean to …

It just kinda happened …

It wasn’t planned …

We tried to end it, but …

These words assembled themselves into the only answers that were pertinent. One: This had been going on for a while. Two: They were in love.

They moved out that night.

I bought Charlotte out of the business for enough money to move to New York, where Luke wanted to relocate before his second novel was published. Six months later, Big Red came out to more great fanfare. A “morbidly honest tale about the corrosive effects of the South on an overweight, sensitive young woman trying to break from the past.” When I read his description of his protagonist, Sandrine, a “tense, controlling redhead” with a “sylph” of a sister and a “ballsy” best friend, I was in a state of shock for days, weeks, months … years. When it hit the bestseller lists, young girls ducked into the store (in the book it was called “Fancy Pansty”) shyly inquiring as to whether it was true: was I really the model for the famously tragic Sandrine from Big Red?

Elizabeth used to get so mad at those girls. “Do you see a fat redhead in this store?” she’d yell. And here’s the worst part: I never thought I was fat until the book was published. I’d always rather liked my curves. I wore only well-made vintage dresses, the kind constructed before the “era of the super model,” after which clothing suddenly became unflattering sausage casings for all but the very thin. And I never doubted Luke’s attraction to me, until I read his descriptions of Sandrine’s thighs and the “white expanse of her upper arms,” which sent me spiraling into a near-decade of self-doubt and insecurity.

People told me to take a trip, get out of town, go somewhere. But I couldn’t, maddeningly mirroring Luke’s phobic Sandrine, who atrophied in one spot her whole life. I even stopped taking short drives to the beach, afraid now to be seen in a bathing suit. On my sister Bree’s advice, I took up yoga; on my mother’s, online dating. Both very bad ideas, it turned out. The only thing going for me was work, so I clung to it, making my store the center of my life and my chief excuse for staying put.

Then Bree would accidentally let it be known that Charlotte was pregnant again, or that Luke’s “cool indy” screenplay sold for “millions,” or that their Williamsburg loft was featured in Elle magazine, where Charlotte also worked as a freelance stylist. Information like that would send me reeling backwards in time, undoing progress made by a few tepid dates with some guy I’d half-heartedly had sex with. That my sister remained friends with Charlotte was the least surprising betrayal of all.

“Just ’cause y’all had a falling-out doesn’t mean I have to give her up, Dauphine. I was friends with her too, you know. That’s unjust.”

“Falling-out? She was my best friend. He was my boyfriend. They killed my whole world.”

“Eight years ago! Most of your major organs have completely replenished themselves in that time! When are you gonna move on? You need a man!”

What if you don’t need a man but you still want one? I wanted a man, just not all the mess—that murky pond of feelings the worst of them sometimes leave you sitting in.

Men, however, were about the only subject to which I always deferred to my mother. She was from Tennessee pageant stock and believed she knew a lot about men and their motives. She also believed she knew a lot about me. She disapproved of the way I dressed. Her face said it all one day when she and Dad came down from Baton Rouge to take me to my thirtieth birthday brunch, where I wore a gorgeous 1940s tea dress with a pillbox hat and little black veil.

“I understand there is probably a very moving story behind that hat, but you’re puttin’ out a message that says ‘Stay away from me, for I am peculiar, stuck in the past,’” she said. Peculiar was the worst thing you could say about a Southern woman of a certain age.

I shook my head at this brief bout of nostalgia and watched Elizabeth lay down a yellow nest of crimped paper strips. Mardi Gras had ended, and now we were gearing up for Easter. Yesterday I scouted around for ideas for a theme and today I could see that Elizabeth had seized upon quite an interesting one. When she finished tying up the back of a pale blue corset, I knocked on the window, giving her my best what the hell? face.

“What are you doing here so early, Dauphine? You’re on afternoons!” she yelled through the glass.

“I promised to style you. For your date tonight.”

Her eyes flew open. “Right!”

“What’s your plan here?” I asked, my finger circling the pile of mannequin legs and arms.

“Corsets!” Elizabeth held up a fistful of lace and ribbons.

“Right. When I think of Easter, I think: lingerie.”

People strolling past the store stopped to stare at the nearly naked mannequin and the two women yelling at each other over bras through glass. She plucked vintage white Playboy rabbit ears out of a bag, pairing them next to a pale pink teddy. “Look how cute!”

If you want to keep good people close, you have to let them loose every once in a while, my dad used to say. So I just had to trust that Elizabeth would put together another traffic-stopping display. Let her do this; let someone else take the lead.

I gave her a weak thumbs-up and headed inside.

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