In the Forests of the Night

In the Forests of the Night Den of Shadows Book 1 Amelia Atwater-Rhodes

In the Forests of the Night is dedicated to everyone who contributed to the story, especially:

Julie Nann for her excellent teaching skills. Carolyn Barnes for talking to my agent about me. All the members of the Candle Light circle for their slightly insane inspiration. Sarita Spillert for her encouragement. Dan Hogan for enduring a telephone conversation at four in the morning. Laura Bombrun for her house, which coincidentally is exactly the same as Risika's. Also, I need to mention my family: my heroic father, William; my brilliant and inspiring sister, Rachel; my beautiful and slightly telepathic mother, Susan; and my overly insightful cousin, Nathan. I love you all.

The Tiger

Tiger! Tiger! Burning bright

In the forests of the night,

What immortal hand or eye

Could frame thy fearful symmetry?

In what distant deeps or skies

Burnt the fire of thine eyes?

On what wings dare he aspire?

What the hand dare seize the fire?

And what shoulder, and what art,

Could twist the sinews of thy heart?

And when thy heart began to beat,

What dread hand? and what dread feet?

What the hammer? what the chain?

In what furnace was thy brain?

What the anvil? what dread grasp?

Dare its deadly terrors clasp?

When the stars threw down their spears,

And watered heaven with their tears,

Did He smile His work to see?

Did He who made the Lamb, make thee?

Tiger! Tiger! Burning bright

In the forests of the night,

What immortal hand or eye,

Dare frame thy fearful symmetry?

William Blake

PROLOGUE NOW

A CAGE OF  STEEL.

It is a cruel thing to do, to cage such a beautiful, passionate animal as if it was only a dumb beast, but humans do so all too often. They even cage themselves, though their bars are made of society, not of steel.

The Bengal tiger is gold with black stripes through its fur, and it is the largest of the felines. The sign reads 'Panthera tigris tigris'; it is simply a fancy name for tiger. I call this one Tora—she is my favorite animal in this zoo.

Tora walks toward me as I approach her cage. The minds of animals are different from the minds of humans, but I have spent much time with Tora, and we know each other very well. Though the thoughts of animals can rarely be translated into human thought, I understand her, and she understands me.

Such a beautiful animal should not be caged.

CHAPTER 1 NOW

I RELINQUISH MY HUMAN FORM for that of a hawk as I leave the zoo, which has been closed, for hours. The security guard fell asleep rather suddenly, as many do upon meeting my eyes, so there is no one to witness my departure.

I could bring myself to my home instantly with my mind, but I enjoy the sensation of flying.  Of all the animals, the birds are perhaps the most free, as they are able to move through the air and there is so little that can stop their flight.

I land only once, to feed, and then arrive back at my house in Massachusetts close to sunrise.

As I return to human form, I catch a glimpse of my hazy reflection in my bedroom mirror. My hair is long and is the color of old gold. My eyes, like those of all my kind, became black when I died. My skin is icy pale, and in the reflection it looks like mist. Today I wear black jeans and a black T-shirt. I do not always wear black, but that was the color of my mood today.

I do not care for the new, quickly built towns humans are so fond of scraping up out of plaster and paint, so I live in Concord, Massachusetts, a town with history. Concord has an aura—one that says 'This land is ours, and we will fight to keep it that way.' The people who live here keep Concord as it was long ago, though cars have replaced the horse-drawn carriages.

I live alone in one of Concord's original houses. Over the years I have made myself the long-lost daughter of several wealthy, elderly couples. That is how I 'inherited' the home I live in.

Though I have no living relations that I know of, it is not difficult to influence the thoughts—and paperwork —of the human world. When mortals do begin to question me too closely, I can easily move to another location. However, I make no human friends no matter how long I stay in an area, so my existence and disappearance are rarely noticed.

My home is near the center of Concord; the view from the front windows is the Unitarian church, and the view from the back windows is a graveyard. Neither bothers me at all. Of course there are ghosts, but they do no harm besides the occasional startle or chill. They are usually too faint to be seen in daylight.

My home has no coffin in it; I sleep in a bed, thank you. I do have blackout curtains, but only because I usually find myself sleeping during the day. I do not burn in sunlight, but bright noonday sun does hurt my eyes.

The vampire myths are so confused that it is easy to see they were created by mortals. Some myths are true: my reflection is faint, and older ones in my line have no reflection at all. As for the other myths, there is little truth and many lies.

I do dislike the smell of garlic, but if your sense of smell was twenty times stronger than that of the average bloodhound, would you not dislike it as well? Holy water and crosses do not bother me — indeed, I have been to Christian services since I died, though I no longer look for solace in religion. I wear a silver ring set with a garnet stone, and the silver does not burn me. If someone hammered a stake through my heart I suppose I would die, but I do not play with humans, stakes, or mallets.

Since I am speaking about my kind, I might as well say something about myself. I was born to the name of Rachel Weatere in the year 1684, more than three hundred years ago.

The one who changed me named me Risika, and Risika I became, though I never asked what it meant. I