Another girl got up as this Mr. Saladin was returning to her seat on the floor. The new girl spread her hands and said, “It’s funny to think that I never saw him wake up. I never rolled over to see him still sleeping, never saw his eyelids waxed and still in the pale morning light, never burrowed down into the sweet hot breath of the bed and felt him stir and lift his heavy sleepy arms to let me in. We had no mornings-after. We had no nights, no long uninterrupted nights where we could sleep and sleep and sleep. We had no silence. We never breakfasted together. We never swam together, shopped together, walked to the cinema together; I never called him at work to check when he was due to come home; I never pegged his laundry on the line. I never knew his mother or his nephews or his life.
“All these are adult things, and they’re all things I never had with him. People say, now, that I was a child wrongfully thrust into an adult’s role. People call it an adult relationship, illicit and untimely and premature. In fact it was the opposite. It was Mr. Saladin who had the adolescent relationship, all backseat whispers and doorway fumbles and getting home before midnight, waiting for the parents to go to sleep or leave the house, sending messages in code and on the sly. I didn’t play the adult. Mr. Saladin played the child.”
Opening night drew nearer and nearer. Without a central script, the devised performance did not seem to be approaching any kind of finished state, but merely began blooming and swelling in odd places, like an ancient wrinkled party balloon that was being forcibly refilled with breath. Tempers in the group ran high, and fractures began to form around the strongest personalities as the dissatisfied students met in whispering mutinous pairs in doorways around the Institute.
“Andy strutting around in that costume like that makes me
“Do you know how hard it is to act in a scene with Oliver if Esther’s around? Today she was practically humping his leg.”
“If Felix clears his throat like that one more time I swear I am going to clock him.”
“What is this show, like a two-hour tribute to one guy? Why does Sam get so much stage time? It’s not like he’s the cream of the crop or anything.”
The real risk was that these dissatisfied students, the whisperers, angry at the comparative insignificance of their parts and sick of the officious prodding from the others in the group, might want so much to disassociate themselves from the performance that on opening night they might intentionally act poorly, calling deliberate attention, through their ham acting, to the distance between the actor and the role. This became a tacit threat; it hung in the air around them, and the actors became wary and mistrusting, hugging their costumes tighter to their chests as if they were trying to hold the fractured shell of their ego in one place with the force of their hands.
Leaving the Institute after a rehearsal one day, Stanley bundled his bag of take-home props under his arm and threw his head back for a moment to enjoy the pale afternoon sun. He had left quietly, through the backstage area and out the players’ door into the alley, slipping away from his scowling, shadow-eyed classmates who were still arguing as they stacked the chairs away and cleared the rehearsal room for the next morning.
He rounded the corner into the northern quadrangle and to his surprise came face to face with the girl who had appeared so oddly and suddenly in the wings of the auditorium stage, the wide-eyed schoolgirl who had collided with him in the velvet black. He stalled a moment as he recognized her, again recalling the brief and breathy impact in the dark, the girl gasping and stricken and looking down at him in mute apology as he fell.
When his scene was over he had returned to the wings to seek her out, but she had disappeared.
“There was somebody watching,” he had said later to the boy Felix, as in their dressing rooms they wiggled out of their costumes and returned their wigs to the faceless polystyrene heads that lined the top of the dresser. “From the wings. She must have come in by the players’ door. I guess it was open.”
“Did you tell her to get out?” Felix said, not really interested. He was unlacing his bodice aggressively, and Stanley heard the worn and dirty laces rip.
“She disappeared,” Stanley said, watching as Felix saw his mistake and swore under his breath. “I guess it’s just weird when people watch from the wings and we don’t know it. It’s like an unfair advantage. If someone had crept in through the foyer and was watching in the stalls I wouldn’t have cared.”
Isolde was sitting on the slat bench underneath the ginkgo tree. She was wearing her Abbey Grange school uniform, and was swinging her legs slightly as she flicked the pages of a dog-eared novel, curving her body over the book with her hair falling free about her face. As he approached he saw more clearly now how pretty she was, with full cheeks and a pouting mouth and a slender upturned nose that she was stroking absently with one finger as she read. As Stanley neared her she looked up and gave a puzzled start as she recognized him.
“It’s you,” Stanley said. “From the wings.”
“Oh, yeah,” the girl said, and drew her lower lip underneath her front teeth. She looked up at him uncertainly, like a puppy waiting to be admonished.
“You made me miss my cue,” Stanley said, and then they both blushed at his rudeness.
“Sorry,” Isolde said. “I heard the drum and I just followed the sound. I guess I just wandered in.”
There was a little pause.
“It was only a rehearsal,” Stanley said at last. She nodded politely and pressed her lips together in a kind of apologetic smile. Stanley pointed at her music case to change the subject. “What do you play?”
“Alto saxophone,” Isolde said. “My teacher’s studio is up there.”
“She must be rich, to afford a studio here,” Stanley said. “The rent is insane. I know because the Drama Institute were going to buy out way more of these buildings than they actually did, but it was too expensive.” He was growing hot with embarrassment now, the unease spreading like a scarlet ink-stain over his chest and into the stippled hollow of his throat. He knew that it would be visible above the open collar of his shirt, spreading up to his chin like an old-fashioned ruff. He wished he had not sought this girl out, that he had walked past her without speaking, maybe even given her a calm and cryptic nod.
“I don’t know if she’s rich,” Isolde said.
“Are you any good?” Stanley asked.
As soon as he said it he felt ashamed at having asked such an unanswerable question of this round-faced, blinking girl. He hoped she would not ask him the same question back. But Isolde only said, “I’m sitting Grade Eight,” and shrugged to show that the question didn’t much matter to her anyway.
“I hear you guys sometimes,” Stanley said. “Well, probably not you specifically, but the music travels down to where we are.”
“Yeah, I hear you guys sometimes too,” Isolde said, inexplicably blushing now too. “Mostly drums and shouting.”
“And screaming probably,” Stanley said, trying to make a joke out of it, but Isolde just smiled and said, “No, I’ve never heard screaming.”
“Okay,” said Stanley, flapping his arms. “Well, I guess I’ll see you around.” He had meant it to sound aloof, but instead it sounded expectant, as if he were anticipating another chance meeting. He looked away from her to show he didn’t care, out over the cobbles at the pigeons and the banked rim of litter framing the courtyard with a little crust of silver and white.
“Okay,” Isolde said, giving him a curious look. She made no move to take up her novel again, and followed him with her eyes as he stumbled away from her and across the quad, the bag of props slipping from under his arm.
“Stanley,” the Head of Acting said, “I want you to become your father.”
Stanley nodded tentatively. He was standing with his legs slightly apart and his hands behind his back. All the other students were sitting on the floor and looking up at him, hugging their knees tight against their ribs.
“This is a question-and-answer session,” the Head of Acting said, smoothing the page in front of him calmly with the flat of his hand. He was sitting at a desk to one side, his legs crossed at the knee, one bare white foot rotating slowly to relax the ankle joint. “We are going to start asking questions of you, addressing you directly as if you really are your father. I want you to stay in character for the next half hour. If you don’t know the real answer to any questions asked of you, then make them up. Don’t worry if you have to lie, just don’t break character.”
Stanley nodded again. He looked down for a moment, drew a breath, and then looked up again with his father’s wry twitching smile. He spread out his hands and said, “Hit me,” and all at once he was guiltless and
