call to the room, heading upstairs with a pass key. Ten minutes, maybe.
It was nine minutes.
Shrago came back out through the door.
There was no phone in his hand.
Turner said, ‘Heads or tails, Reacher.’
Reacher stepped out of the shadows and said, ‘Sergeant Shrago, I need you over here. I have some urgent news.’
SIXTY-SIX
SHRAGO DIDN’T MOVE. He stood still, right there on the Street sidewalk. Reacher was directly opposite, on the other sidewalk. It was quiet. Two o’clock in the morning. A company town. Reacher said, ‘Sergeant Shrago, the news is that as of this very moment you fit a demographic otherwise known as shit out of luck. Because now you can’t win. We’re too close. Unless you take us both out, right here and right now. On this street. Which you won’t. Because you can’t. Because you’re not good enough. So you’re not going home with a prize tonight. What you need is damage control. Which you can get. All you need to do is write everything down.’
Shrago didn’t answer.
Reacher said, ‘Or you could speak it out loud into a tape recorder, if writing isn’t your thing. But one way or the other they’ll make you tell the story. This is going to be a big scandal. Not just the army asking questions. We’ll have Senate committees. You need to be the first one in. They always let the first one go. Like you’re a hero. You need to be that guy, Shrago.’
Shrago said nothing.
‘You can say you don’t know the top boys. Less stress that way. They’ll believe you. Concentrate on Morgan instead. About how he delivered Moorcroft for the beating. They’ll eat that up with a spoon.’
No response.
‘There are only two choices, sergeant. You can run away, or you can cross the street. And running away buys you nothing. If we don’t get you tonight, we’ll get you tomorrow. So crossing the street is the better option. Which you have to do anyway, whether you want to shake our hands, or take us out.’
Shrago crossed the street. He stepped off his kerb, and walked, across lanes that could feel small in a car, but which looked pretty wide on foot. Reacher watched him all the way, his eyes and his shoulders and his hands, and he saw a kind of off-Broadway performance, a man seeing the light, a man finally understanding where his duty lay, and it was a pretty good act, but showing through all the time was a plan to get past Reacher long enough to put Turner out of action, which would level the contest at one on one. Reacher could see it in his eyes, which were manic, and in his shoulders, which were tensed and driven forward by adrenalin, and in his hands, which were open but clenching and unclenching, just a quarter inch either way, like the guy couldn’t wait to set things in motion.
He stepped up on Reacher’s kerb.
Reacher said nothing. He didn’t push it. He didn’t need to. Either way Shrago was going to talk to Espin. After getting out of a car, or after getting out of a coma. The choice was his. He had been born free.
But not smart. He passed on the car, and opted for the coma. Which Reacher understood. Immediate action was always the best bet. Shrago lined himself up, with Reacher to his right, and Turner beyond Reacher’s far shoulder. Reacher figured the guy was planning a left-elbow backhand to his throat, which he would use to claw his way onward, as if propelled by an oar, so he could get to Turner instantly, with a free right hand and time for a single decisive blow, which would have to be hard, and would have to be to the centre of her face. Busted nose, maybe cheekbones, maybe orbital sockets, unconsciousness, concussion. Maybe even a cracked skull, or a broken neck.
Which wasn’t going to happen.
‘Ground rules,’ Reacher said. ‘No ear-biting.’
Up close the guy looked extraordinary. His head was gleaming in the street lights, and his eyes were socketed way back, and the bones in his face looked hard and sharp, like a person could break his hand just by hitting them. The waistband of his pants was cinched in tight with a belt, and below it his thighs ballooned outward, and above it his chest swelled wide. He was maybe fifteen years younger than Reacher, a young bull, hard as a rock, with aggression coming off him like a smell. His ears had the centre whorls intact like any other guy, but the flatter parts around them had been cut away, probably with scissors, very tight in, so that what was left looked like pasta, like uncooked tortellini florets, shiny, the colour of a white man’s flesh. Not exactly hexagons. A hexagon was a regular shape, with six equal sides, and Shrago’s stubs had been trimmed for extreme closeness, not geometric regularity. They were irregular polygons, more accurately. Reacher figured if the kid had been his, he would have had a discussion. No point in being a pedant, unless you got it exactly right.
He said, ‘Last chance, sergeant. Time to make the big decision. We know all about Scully, and Montague, and Morgan. The only way to save yourself is to start talking. A soldier’s best weapon is his brain. Time to start using yours. But either way I’m going to break your arm. Full disclosure. Because you hurt the girl in the Berryville Grill. Which was uncalled for. Do you have a problem with women? Was it women who cut your ears off?’
Shrago planted his feet and twisted from the waist, violently, to his right, and downward a little, so fast that his left arm was flung way beyond him, so far that his bent back showed in the light. Next up would have been the same twist back again, even faster, even more violent, with the left arm carefully marshalled this time, with the elbow aiming for the far side of Reacher’s throat, with extension, so the blow would both do its job and serve as a kind of foothold, to lever himself onward to Turner.
Would have been.
Reacher knew it was coming, so he was moving a hair-trigger split second after Shrago was, matching Shrago’s twist with a twist of his own, like two dancers almost coordinated, with Reacher’s giant right fist hooking low to exactly where Shrago’s exposed kidney was about to arrive, because of his big turn, with Reacher all the time trying to parse the emotion, trying to judge how much of it was about the ears, and how much of it was about Scully and Montague, because the degree of passion in a cause’s defence was an indicator of its depth, and in the end he figured a lot of it was the ears, but some of it was defence, of something sweet and cosy and lucrative.
