It was fitted out like a fortress, with iron bars behind the leaded windows and dead bolts on all the doors. It was good Emma had a knack for tools and devices; otherwise she’d never have mastered the alarm system.
“You must have a lot of crime here,” Emma had said, when he gave her the tour.
“Better safe than sorry,” Tyler said. He led her around the house to show her all his hiding places—the gun safe behind the bookcase in the office, and the regular safe hidden at the back of the closet in his bedroom.
He had her unlock and lock it several times. The combination was her birth date.
“What do you keep in here?” she asked as he locked it back up again.
“I have some things put away for you, Emma,” he said, “that I want you to have after I’m gone.” It was like he was just sitting in the eye of the hurricane, waiting for the wind to start howling again.
He took her to the shooting range and taught her how to fire his gun, with both hands on the grip, feet spread apart to provide a good base against the kick. It was something that near strangers could do together.
Emma had to admit: Tyler had done his best to give her a sanctuary; a place of her own. Maybe it was because he was so solitary himself. He’d moved several years’ worth of clutter out of the basement and covered the walls with soundproofing, creating a space where she could amp up the sound—like a bare-bones sound studio.
Her shop was divided into two rooms—the “clean room,” where she glued things up and applied the finishes. Where Sshe kept Sonny Lee’s vintage guitar collection. Where she could plug in and play and sing as loudly as she wanted.
Through a closed door was the “dirty room,” housing the lathe, band saw, joiner, sander, and drill press, where she did the major cutting and shaping, making the sawdust fly. It was lined with racks of seasoned wood —wood that had come from Sonny Lee’s Memphis shop, along with the blanks and plates they’d made together.
A luthier has to know what he needs ten years in advance, Sonny Lee always said. Because it takes that long for the wood to settle and decide what it wants to be.
Maybe me and Tyler are the same way, Emma thought, with a spark of hope. Maybe we just haven’t settled yet.
She’d hoped Tyler would be willing to share stories of her childhood. He didn’t seem eager to go back there, though. In that way, he was nearly as closemouthed as Sonny Lee.
He did give her a five-by-seven photograph of Gwen, one of those black-and-white studio portraits that look like nobody in real life. Emma set the photograph on her bedside table.
How my parents ever got together, I’ll never know, Emma thought. Some stories just don’t have happy endings.
Emma still found it hard to think of Tyler as Daddy or Papa or any of those family kind of names. He was not a family kind of man. And yet, she kept stubbing her toe on ways they were alike. They even dressed a lot alike— in jeans, flannel shirts, and random T-shirts that came their way like T-shirts always do, promoting this show or that club or an up-and-coming band. They had that in common, along with the music. She’d not seen the slightest sign that her father was magical in any way. If he had it, he didn’t flaunt it. And wouldn’t answer questions about it either.
Tyler pulled around behind the house and parked in the garage. They scuffed through gold, brown, and scarlet leaves to the back door. Leaves spiraled down from the trees overhead like flakes of gold.
“I kind of like Ms. Abraham,” Emma said as Tyler navigated the door-opening routine. “I’m not too fond of the Monts.”
“The Monts?”
“Beaumont and Marmont,” Emma said.
Tyler laughed, his shoulders shaking, and dabbed tears from his eyes. His laugh reminded her of Sonny Lee’s . . . a mix of whiskey and honey that went right to your heart. “Are you all right with the plan, Emma?” he asked.
“I don’t have much choice, if I have to stay in school.” She eyed him sideways.
“Don’t give me that look. You know you do.” Tyler threw his keys into the dish on the table. “We both know it’s not that you’re lazy. You work all the time—either you’re at school, or doing homework, or you’re down in the shop. You don’t even sleep that much.”
“It’s not that I can’t focus,” Emma said. “It’s like I hyperfocus, but it’s on things they don’t approve of.” She stuffed her hands in her jeans pockets and lifted her chin. “I’ll tell you right now—I need to work with wood. I just have to. I’m not giving that up.”
“Nobody’s asking you to give it up,” Tyler said, raising both hands.
“People think I don’t have a plan, but I do. I’m going to build guitars and sell them, and save my money, and one day I’ll get enough together to open my own shop.”
“How are you going to go about that, Emma? Selling them, I mean.”
“Well . . . it was easier when I was in business with Sonny Lee,” Emma said. “Because he had so many connections. I thought I could work for him and ease into it. Now . . .” She shrugged. “I have some guitars already out there, mostly in Memphis. Now it’s going to be hard for people to find me, though, even if they decided they wanted one. There’s a limited market for the kind of work I do. I need buyers with deep pockets who know quality when they hear it.”
She’d set up a blog page to promote her business while she was still in Memphis: Studio Greenwood— Custom Guitars and Expert Repair. She’d left it up since the move. Surely that wouldn’t hurt. It didn’t list an address or anything, just an e-mail. She’d had a few contacts through the site since she’d moved north.
“Can’t you just—you know—be a kid for a while?” Tyler said.
“That’s just it: I’m not a kid, and haven’t been for a while,” Emma snapped. “It’s not my fault you weren’t around to see me grow up.”
Tyler flinched, and she knew she’d hit home.
“Look,” she said, “I’m sorry. I didn’t mean to—”
“Don’t apologize to me, Emma,” Tyler said. “I’m the one who should be apologizing to you.” He clenched and unclenched his hands. “It would just be good for you, I think, if you made some friends. If you got out and had some fun.”
Look who’s talking, Emma thought. I’m a loner, just like you. That’s one use for parents—once you know who they are, you can blame things on them.
“I don’t have time for that,” Emma said.
“Listen—I can introduce you to some people,” Tyler said. “Clyde may be looking for something new. Or he could play one of your guitars at some gigs, show it off a little.”
Clyde played lead guitar in Tyler’s rhythm-and-blues band, Old Dogs, New Tricks. Tyler played bass. They worked steadily, every weekend, mostly local gigs, playing covers and some original music.
“Selling one guitar to Clyde isn’t going to help much,” Emma said. “I’ll be in high school at least another year and a half. So, the way I see it, I have two years to raise enough money to start my own business.”
“I can stake you,” Tyler said. “I have some money put aside.”
Emma resisted the urge to point out the shabby furniture, the battered refrigerator, the paint peeling off the walls. “You’re going to need it for yourself,” she said. “I’m guessing you don’t want to work forever, and musicians don’t get pensions.”
“Look,” Tyler said. “We don’t have to settle this now. Dogs has a gig tonight, downtown. Why don’t you come out with me, listen to some music, have a little fun?”
Emma groaned. “Sounds like fun, Tyler. Hanging with my daddy’s band on a Friday night. Meeting the Old Dogs, trying to pitch them a guitar while they try and think of a way to say no.”
Tyler stared at her for a moment, as if to say,
Emma scanned the flyer.
Under 18 night!
Fault Tolerant—live and in person one night only!
