heartbeat slowed.
Then she was as still as marble.
“One hundred of them,” Helen said softly.
“And you’re key to this,” said Jane. “You have one purpose for the next week. Convince every last one of them. Be single-minded. I’ll do the rest.”
Helen swallowed. “But what if—?”
“No buts,” said Jane. “I’ve got my own plans that have to happen. Scalpel, please, and then you’d better go. You’ll need an alibi—isn’t that what the detectives call it?”
Helen wiped the scalpel with carbolic disinfectant and passed the handle to Jane. In her fey trance, the woman seemed like a lifeless doll, as if there had never been a mind activating that beautiful, silent face.
The crowd downstairs was on recess as Grimsby and stoop-shouldered Morse fiddled with the machine under the sheet. It might be a meeting, but it was still society. The earthy smell of liver pate trickled by as more of the homely maids passed canapes and drinks. What was this fashion for unpleasant-faced girls? thought Helen. But she supposed it was Grimsby’s grim fanaticism again. Fey had always been drawn to beauty in humans—the faces that The Hundred wore were fey-beautiful. The ugliness of the serving girls was proof. No fey here. Grimsby himself was perhaps the perfect Copperhead leader in that regard. He had a hard, unfriendly look, and his features were too sharp and jutting to be at all pleasant.
No fey here.
Nervous energy coursed through her as she wended her way through the crowd, smiling and nodding. As she had told Alistair, going without the mask made her the prettiest woman there, and it was obvious in the way heads turned to track her passage. Normally she would have basked in the attention—the pleasure of it hadn’t completely worn off, when among these people who hadn’t been quick to welcome her after her marriage. But tonight she did not want attention. Tonight her heart beat a steady thrum at what her sister was doing upstairs.
Helen was determined to help Jane. She remembered full well the moment of fey takeover. Only Jane’s quick action plunging an iron spike into Helen’s arm had killed the fey inside her, saved her life. Helen had roused from her fey trance a day later to find a team of the best doctors in the city hovering over her bed, waiting for any movement.
But were things really as dire as Jane had said just now? Why the sudden haste? The earliest of The Hundred had received their fey faces several years ago. They were all being very careful these days, going out with their iron masks. But all the blue bits of fey did was sit there—well, mostly. Still, surely they weren’t gearing up for some takeover of The Hundred like Jane said, like Alistair and Copperhead thought. Frankly, it would be ridiculous. What no one seemed to remember was that the Fey Queen’s plan had been to have fey
And Helen was determined to help Jane, to convince the women Jane couldn’t. But quickly? She thought through some of the women she knew off the top of her head—the self-absorbed wife of the prime minister, there in grey. (She had not sacrificed her apricot-hued shoes, though.) Stubborn Alice Pennyfeather. Close-minded Lady Dalrymple. All transformed from their workaday selves into ethereally beautiful women, and their social status similarly elevated. Even with the iron masks, The Hundred ran the social scene. No, as much as Helen liked a good intrigue, even she was sensible enough to know that she would need more time than a few days.
The men straightened up, the crowd herded back to their seats. They squashed onto the long benches, stood in the makeshift aisles, ranged long legs along the windowsill. There was silence, and in it Grimsby said quietly, “This is what you have come to see.”
The cloth was whisked away to reveal a strange device. The center was a large copper ball, full of ridges and rivets. It looked like claws clasping each other, or perhaps snakes that writhed over the copper ball. It was held firmly in an open cube of iron, crisscrossed with wrought iron that curlicued in a curious pattern. In the front of the box was a child-sized door.
“In this box,” said Grimsby, “I have trapped a fey.”
Murmurs, tremors. Men who would shout if it weren’t improper.
With a great creaking and grinding, the copper ball slowly opened its interlocking layers. Inside hovered a blue ball of light. When the copper was completely opened, the light burst out of the ball and flung itself at the open door of the iron box.
The guests shrieked and ducked.
But the blue light did not seem to be able to pass beyond the threshold. It thudded to a stop right at the boundary of the open door. Then it launched itself at the side wall, coming to a stop a hairsbreadth from the wrought iron. Back, forth, up and down, till it was spinning around and around the cage with savage ferocity.
“There, you see?” said Alistair. “Completely trapped.”
“And well-deserved,” shouted someone from a bench, someone who had had too much wine.
“It’s beautiful,” whispered Helen, so quietly that no one could hear her. No one must, or could have, and yet next to her was a slight man in black, and he gave one short sharp nod, not looking at her. But that could be about anything.
Her fingers twisted her handkerchief as if to tear it. How far along were Jane and Millicent? So long to carefully take off the current face, so long to press down the old face and bind it in place, so long to return Millicent from that still-as-death sleep. Helen’s fingers wanted to burst out of her hands, fly like birds to check on the women, flutter at Mr. Grimsby, claw his eyes out for being so hateful to poor Millicent.…
“I captured this fey by using one piece of a fey as a seed,” said Grimsby. “The machine finds all the other pieces of that particular fey and draws them in, restoring the whole fey to itself.” He grinned cruelly. “Ironically enough, it runs on fey power.”
“And then that fey you captured can be destroyed forever,” put in Alistair, his face sharp and blue in the glow. “Show them, Grimsby.”
A hint of malice crept across Grimsby’s face at Alistair’s words. Now he bent his tall bony frame to the machine. If he had made it, why didn’t he make it to measure, thought Helen, for Grimsby seemed like some kind of strange praying mantis folded around too-small prey.
A switch—a thrum as the machine turned on. The blue light keened with pain. It mutated wildly, turning itself into all manner of things—a frog, a tree, a sparrow. A face, shining out of the light—low gasps as it formed the face of a small child, tears running down its face. “Help me,” it said, and the words thrummed inside Helen’s skull. She felt a tremendous compulsion to run over and let that child free—and by the looks of it, many of the others felt that, too.
The thrumming grew louder. The face splintered and reformed, struggling to keep its shape. “He’s caught me, he’s caught me. Help—”
A small boom like an implosion, and it was gone.
Grimsby turned off the machine and straightened up with a smile. “No mess, no fuss,” he said. “We have never been able to destroy a fey before, unless it was trapped in a human. But this? Very tidy. One People. One Race.”
Silence in the room as men and women grappled with what they had just seen. Helen felt as if she would be violently ill. She twisted her fingers together, focused on that sliver of pain to distract her.
Finally a female voice said, “Forgive the impertinence, but how do you get the piece of fey into the machine to begin with? Who bells the cat?”
Helen looked, but she could not see who had spoken. Grimsby smiled, as if this question was on cue, as if he had waited for just this opportunity. Helen did not like that smile. She put a hand to her seat, starting to turn, wondering if she could slip away. But one of the homely maids was standing there, Helen’s iron mask in her hands.
“When I turn on the general setting it pulls in the first piece of fey it can find,” Grimsby said. “A dangerous setting, you can see, to have fey come rushing at you.” A calm, meaningful voice. “More dangerous still for those who have fey lurking in their skin. I need every endangered woman to be thoroughly shielded, please.” Heads swiveled as he nodded at Helen.