EXCEEDINGLY WELL MADE,” SAID the man who was running a warm cloth over Edward’s face, “a work of art, I would say — a surpassingly, unbelievably dirty work of art, but art nonetheless. And dirt can be dealt with. Just as your broken head has been dealt with.”
Edward looked into the eyes of the man.
“Ah, there you are,” the man said. “I can see that you are listening now. Your head was broken. I fixed it. I brought you back from the world of the dead.”
My heart, thought Edward, my
“No, no. No need to thank me,” the man said. “It’s my job, quite literally. Allow me to introduce myself. I am Lucius Clarke, doll mender. Your head . . . may I tell you? Will it upset you? Well, I always say the truth must be met head-on, no pun intended. Your head, young sir, was in twenty-one pieces.”
Twenty-one pieces? Edward repeated mindlessly.
Lucius Clarke nodded. “Twenty-one,” he said. “All modesty aside, I must admit that a lesser doll mender, a doll mender without my skills, might not have been able to rescue you. But let’s not speak of what might have been. Let us speak instead of what is. You are whole. You have been pulled back from the brink of oblivion by your humble servant, Lucius Clarke.” And here, Lucius Clarke put his hand on his chest and bowed deeply over Edward.
This was quite a speech to wake up to, and Edward lay on his back trying to absorb it. He was on a wooden table. He was in a room with sunshine pouring in from high windows. His head, apparently, had been in twenty- one pieces and now was put back together into one. He was not wearing a red suit. In fact, he had no clothes on at all. He was naked again. And he did not have wings.
And then he remembered: Bryce, the diner, Neal swinging him through the air.
Bryce.
“You are wondering, perhaps, about your young friend,” said Lucius, “the one with the continually running nose. Yes. He brought you here, weeping, begging for my assistance. ‘Put him together again,’ he said. ‘Put him back together.’
“I told him, I said, ‘Young sir, I am a businessman. I can put your rabbit back together again. For a price. The question is, can you pay this price?’ He could not. Of course, he could not. He said that he could not.
“I told him then that he had two options. Only two. The first option being that he seek assistance elsewhere. Option two was that I would fix you to the very best of my considerable abilities and then you would become mine — his no longer, but mine.”
Here Lucius fell silent. He nodded, agreeing with himself. “Two options only,” he said. “And your friend chose option two. He gave you up so that you could be healed. Extraordinary, really.”
Bryce, thought Edward.
Lucius Clarke clapped his hands together. “But no worries, my friend. No worries. I fully intend to keep up my end of the bargain. I will restore you to what I perceive to be your former glory. You shall have rabbit-fur ears and a rabbit-fur tail. Your whiskers will be repaired and replaced, your eyes repainted to a bright and stunning blue. You will be clothed in the finest of suits.
“And then, someday, I will reap the return on my investment in you. All in good time. All in good time. In the doll business, we have a saying: there is real time and there is doll time. You, my fine friend, have entered doll time.”
24
AND SO EDWARD TULANE WAS mended, put together again, cleaned and polished, dressed in an elegant suit and placed on a high shelf for display. From this shelf, Edward could see the whole shop: Lucius Clarke’s workbench and the windows to the outside world and the door that the customers used to enter and leave. From this shelf, Edward saw Bryce open the door one day and stand in the threshold, the silver harmonica in his left hand flashing brilliantly in the sunlight flooding in through the windows.
“Young sir,” said Lucius, “I am afraid that we made a deal.”
“Can’t I see him?” asked Bryce. He wiped his hand across his nose and the gesture filled Edward with a terrible feeling of love and loss. “I just want to look at him.”
Lucius Clarke sighed. “You may look,” he said. “You may look and then you must go and not come back. I cannot have you in my shop every day mooning over what you have lost.”
“Yes sir,” said Bryce.
Lucius sighed again. He got up from his workbench and went to Edward’s shelf and picked him up and held him so that Bryce could see him.
“Hey, Jangles,” said Bryce. “You look good. The last time I seen you, you looked terrible, your head was busted in and —”
“He is put together again,” said Lucius, “as I promised you he would be.”
Bryce nodded. He wiped his hand across his nose.
“Can I hold him?” he asked.
“No,” said Lucius.
Bryce nodded again.
“Tell him goodbye,” said Lucius Clarke. “He is repaired. He has been saved. Now you must tell him goodbye.”
“Goodbye,” said Bryce.
Don’t go, thought Edward. I won’t be able to bear it if you go.
“And now you must leave,” said Lucius Clarke.
“Yes, sir,” said Bryce. But he stood without moving, looking at Edward.
“Go,” said Lucius Clarke, “go.”
Please, thought Edward, don’t.
Bryce turned. He walked through the door of the doll mender’s shop. The door closed. The bell tinkled.
And Edward was alone.
25
TECHNICALLY, OF COURSE, HE WAS not alone. Lucius Clarke’s shop was filled with dolls — lady dolls and baby dolls, dolls with eyes that opened and closed and dolls with painted-on eyes, dolls dressed as queens and dolls wearing sailor suits.
Edward had never cared for dolls. He found them annoying and self-centered, twittery and vain. This opinion was immediately reinforced by his first shelf-mate, a china doll with green glass eyes and red lips and dark brown hair. She was wearing a green satin dress that fell to her knees.
“What are
“I am a rabbit,” said Edward.
The doll let out a small squeak. “You’re in the wrong place,” she said. “This is a shop for dolls. Not rabbits.”
Edward said nothing.
“Shoo,” said the doll.
“I would love to shoo,” said Edward, “but it is obvious that I cannot.”
After a long silence, the doll said, “I hope you don’t think that anyone is going to buy you.”
Again, Edward said nothing.
