The Tale of Despereaux

HAVE YOU EVER had hold of the tail of a rat? At best, it is an unpleasant sensation, scaly and cold, similar to holding on to a small, narrow snake. At worst, when you are dependent upon a rat for your survival, and when a part of you is certain that you are being led nowhere except to your death, it is a hideous sensation, indeed, to have nothing but a rat’s tail to cling to.

Nonetheless, Despereaux held on to Botticelli Remorso. And the rat led him deeper and deeper into the dungeon.

Despereaux’s eyes had, by this point, adjusted quite well to the darkness, though it would have been better if they had not, for the things he saw made him shiver and shake.

What did he see?

He saw that the floor of the dungeon was littered with tufts of fur, knots of red thread, and the skeletons of mice. Everywhere there were tiny white bones glowing in the darkness. And he saw, in the dungeon tunnels through which Botticelli led him, the bones of human beings, too, grinning skulls and delicate finger bones, rising up out of the darkness and pointing toward some truth best left unspoken.

Despereaux closed his eyes.

But it didn’t help. He saw as if his eyes were still open wide the bones, the tufts of hair, the knots of thread, the despair.

“Ha-ha, exactly!” Botticelli laughed as he negotiated the twists and turns. “Oh, yes, exactly.”

If what was in front of Despereaux was too horrible to contemplate, what followed behind him was, perhaps, even worse: rats, a happy, hungry, vengeful parade of rats, their noses up in the air, sniffing, sniffing.

“Mouse!” sang out one rat joyfully.

“Yes, oh, yes, mouse,” agreed another. “But something else, too.”

“Soup!” called out another rat.

“Yes, soup,” the others agreed.

“Blood!” sang a rat.

“Blood,” they all agreed together.

And then they sang: “Here, mousie, mousie, mousie! Here, little mousie!”

Botticelli called out to the other rats. “Mine,” he said. “This little treasure is all mine, gentlemen and ladies. Please, I beg you. Do not infringe on my discovery.”

“Mr. Remorso,” said Despereaux. He turned and looked behind him and saw the rats, their red eyes and their smiling mouths. He closed his eyes again. He kept them closed. “Mr. Remorso!” he shouted.

“Yes?” said Botticelli.

“Mr. Remorso,” said Despereaux. And he was crying now. He couldn’t help it. “Please. The princess.”

“Tears!” shouted the rats. “We smell tears, mousie, we do.”

“Please!” shouted Despereaux.

“Little friend,” said Botticelli. “Little Despereaux Tilling. I promised you. And I will keep that promise.”

The rat stopped.

“Look ahead of you,” he said. “What do you see?”

Despereaux opened his eyes.

“Light,” he said.

“Exactly,” said Botticelli. “Light.”

49

AGAIN, READER, we must go backward, before we go forward. We must consider, for a moment, what had occurred with the rat and the serving girl and the princess down in the dungeon before Despereaux made his way to them.

What happened was this: Roscuro led the Pea and Mig deep into the dungeon to a hidden chamber, and there he directed Mig to put the princess in chains.

“Gor,” said Mig, “she’s going to have a hard time learning her lessons if she’s all chained up-like.”

“Do as I say,” said Roscuro.

“Maybe,” said Mig, “before I lock her up, her and me could switch outfits, so we could start in already with her being me and me being a princess.”

“Oh, yes,” said Roscuro. “Certainly. A wonderful idea, Miss Miggery. Princess, take off your crown and give it to the serving girl.”

The Pea sighed and took off her crown and handed it to Mig, and Mig put it on and it slid immediately right down her small head and came to rest, quite painfully, on her poor, abused ears. “It’s a biggish thing,” she said, “and painful-like.”

“Well, well,” said Roscuro.

“How do I look?” Mig asked, smiling at him.

“Ridiculous,” he said. “Laughable.”

Mig stood, blinking back tears. “You mean I don’t look like a princess?” she said to the rat.

“I mean,” said Roscuro, “you will never look like a princess, no matter how big a crown you put on your tiny head. You look exactly like the fool you are and always will be. Now, make yourself useful and chain the princess up. Dress-up time is over.”

Mig sniffed and wiped at her eyes and then bent to look at the pile of chains and locks on the floor.

“And now, Princess,” he said, “I’m afraid that the time for your truth has arrived. I will now tell you what your future holds. As you consigned me to darkness, so I consign you, too, to a life spent in this dungeon.”

Mig looked up. “Ain’t she going upstairs to be a serving maid?”

“No,” said Roscuro.

“Ain’t I going to be a princess, then?”

“No,” said Roscuro.

“But I want to be a princess.”

“No one,” said Roscuro, “cares what you want.”

As you know, reader, Miggery Sow had heard this sentiment expressed many times in her short life. But now, in the dungeon, it hit her full force: The rat was right. No one cared what she wanted. No one had ever cared. And perhaps, worst of all, no one ever would care.

“I want!” cried Mig.

“Shhhh,” said the princess.

“Shut up,” said the rat.

“I want . . .,” sobbed Mig. “I want . . . I want . . .”

“What do you want, Mig?” the princess said softly.

“Eh?” shouted Mig.

“What do you want, Miggery Sow?!” the princess shouted.

“Don’t ask her that,” said Roscuro. “Shut up. Shut up.”

But it was too late. The words had been said; the question, at last, had been asked. The world stopped spinning and all of creation held its breath, waiting to hear what it was that Miggery Sow wanted.

“I want . . .,” said Mig.

“Yes?” shouted the Pea.

“I want my ma!” cried Mig, into the silent, waiting world. “I want my ma!”

“Oh,” said the princess. She held out her hand to Mig.

Mig took hold of it.

“I want my mother, too,” said the princess softly. And she squeezed Mig’s hand.

“Stop it!” shouted Roscuro. “Chain her up. Chain her up.”