fogged, having nothing to do with what she or I understood as
real: not that any of the premises were discussed, because the
rich make their own rules, democracy being one of them, the
democracy being in the pretense that no rules have been made:
they suspend them at will: they don’t know: it’s not their fault.
She had a country to think about and plan for: the freedom of
its people and her place there, now that she had been
“ educated, ” westernized, Europeanized: she knew it but not
what to do about it, and however happy we were, in her head
she was always on her way home, to a place where she would
still be an outsider, in exile from a youth that had been stolen
from her. I loved her. I never touched her.
*
The color that comes to New England in the fall does not
leave it when the trees die. Winter is not barren or monotone.
The great evergreens go on in muted light. The bare branches
themselves are tinted with purples and yellows and tawny
shades like deer flashing by at incredible speeds. The ground is
every color of brown and blue and black with yellow and red
running through it like great streaks, and the purple lies in the
ground like some spectral presence waiting to rise up. The air
is silver and blue as it edges toward black. It has the purest
white and the grim gray of a sober storm and in the center of
it will hang the most orange sun, flaming like dreaded fire. In
the fall there are only dizzying spreads of scarlet and yellow or
crimson and ochre: but in the winter, the colors are endlessly
subtle and complex: so many shades of brown that they cannot
be counted or named, so much purple in the air between the
33
trees and under the earth shining through and sliding down
the mountainsides that when the yellow seeps in or crowds in
next to the purple the mind renounces what it sees, saying:
impossible, winter is something brown and dead. The branches
of the trees are elegant, so strong and graceful, even under the
weight of icy snows: the ice rides them like the best lover, an
unsentimental kindness of enveloping, hugging, holding on, no
matter what the pressure is to shake loose. The white branches
stand in solemn quietude, witnesses without speech to the death
called winter, reproaches to the effrontery of other seasons
with their vulgar displays. The white on the mountains reaches
out to the human eye, persuading it that winter is entirely
sublime and will stay forever, also persuading the human heart
that nothing is beyond it— no cold too cold, no snow too big,
no winter too long, no death entirely bereft of some too simple
beauty, no tree too bare, no color too insignificant or too
subtle, no silence too still, no gesture too eloquent, no human
act merely human. In these winter mountains, the human heart
