11 6

too. My childhood was this golden thing, eradicable, intense

sensations of entirely physical love remembered like short,

sweet, delirious hallucinations, lucid in fog. Now I love no

one, except that tender man now in the next room dreaming

without memory, a blessed thing, or not dreaming at all: that

curled-up blond muscled thing recalling every miracle of love

from long ago. I was happy then: don’t dare deny it.

I don’t love now, at all, except when I remember to love the

blond boy, the stranger not even related to me, not part of

anything from before, who sleeps in the next room: a tall blond

man: when I remember to love him certain minutes of certain

days. Don’t look for my heart. The beasts have eaten it. What

is his name?

117

Our women writers write like women writers,

that is to say, intelligently and pleasantly,

but they are in a terrible hurry to tell what

is in their hearts. Can you explain why a

woman writer is never a serious artist?

Dostoyevsky

*

I came back from Europe. I lived alone in a pink apartment on

the Lower East Side across from the police precinct. I wanted

to be a writer. I want to write. Every day I write. I am alone

and astonishingly happy.

The police cars ram into the crushed sidewalk across the

street. The precinct is there. Men in blue with guns and

nightsticks swarm. Garbled sounds emanate from radios on

their hips. They swarm outside the impressive stone building,

the precinct headquarters. Red lights flash. A dozen cars swerve

in or swerve out, crash in or crash out, are coming or going,

burning rubber on the burning streets, the smell of the burnt

rubber outlasting the sound of the siren as its shrillness fades.

The police cars never slow down. They stop immediately.

They start up at once, no cautionary note, the engine warming.

They pull straight out at top speeds or swerve in and almost

bang against the building but somehow the brake gets the

weight of the cop and the sidewalk is crushed on its outer

edge.

The sirens blare day and night. The cars bump and grind

and flash by, day and night. The blue soldiers mass like ants,

then deploy, day and night. The red of the flashing lights illuminates my room, like a scarlet searchlight, day and night.

The police are at war with the Hell’s Angels, two blocks

away. The motorcycles would collect. The swastikas would be

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