One talked to me about death. He was a real famous painter.

He said that both him and me were artists. He said artists were

the only people who faced death without lying. He said that

was the reason to make love— because you had looked death in

the face and then you defied it. He said the others didn’t

understand that but he did and I did and so would I come with

him. And I laughed. I didn’t go with him but I laughed, he

made me happy, I laughed, I felt it was such beautiful bullshit

and I laughed. I thought it was a real nice thing for him to say.

It was a new year. I was drinking champagne. I w asn’t alone. I

wasn’t outside. I was safe. It was so much— beauty and life and

gracious ease; it was so surprising, so completely wonderful

and new; it was glittering and sparkling, it was small and

warm, it was new and scary and exciting and real fine. I started

having this dream over and over. It was N ew Y ork, streets I

knew, usually down in the Village, around Washington

Square, sometimes on Fifth Avenue above the Square. It was

very dark. The dark was almost a person, a character in the

dream. The dark had a kind o f depth, almost a smell, and it

was scary and dense and it was over everything, you almost

couldn’t see anything through it. The dream was somewhere

in the Village, sometimes near those big impersonal buildings

on Fifth Avenue, but even i f it’s deeper in the Village the

buildings are stone, big, impersonal, not the town houses or

brownstones o f the Village, but the impersonal Fifth Avenue

buildings, a cold rich city made o f cold stone. Som ehow I go

into one and it opens into this huge feast, this giant party in this

giant ballroom, physically it’s almost underground as if you

are going down inside the ground but there is this grand

ballroom and the women have gow ns and jew els and the men

are shiny and pretty in black suits and ruffled silk shirts but no

one makes me leave, at first I’m afraid but no one makes me

leave, there’s lots o f noise and there’s music and there’s food,

all sorts o f weird kinds o f food, cocktail food and real food and

drinks and it’s warm and friendly and in the dream I say yes,

I’ve been here before, it’s waiting, it’s always here, it’s just part

o f N ew Y ork , you don’t have to ever be afraid, hidden aw ay

there’s always something like this, you ju st have to find it, and

it fades, the dream fades, and I wake up feeling flushed and

tired and happy and I think it’s out there if only I can

remember where it is and it’s not until I’m out on the streets

that I understand I just dreamed it, I wasn’t really there, not

just last night but ever, but still I think N ew Y ork is full o f

such places, only I don’t know where they are. But after N ew

Year it just was colder and harder; there’s not a lot o f magic in

Вы читаете Mercy
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