like. The female body is supposed to consist of three empty
holes, all of which were expressly designed to be filled with
erect male positivity.
The female life-force itself is characterized as a negative
one: we are defined as inherently masochistic; that is, we are
driven toward pain and abuse, toward self-destruction, toward
annihilation— and this drive toward our own negation is precisely what identifies us as women. In other words, we are bom so that we may be destroyed. Sexual masochism actualizes female negativity, just as sexual sadism actualizes male positivity. A woman’s erotic femininity is measured by the
degree to which she needs to be hurt, needs to be possessed,
needs to be abused, needs to submit, needs to be beaten, needs
to be humiliated, needs to be degraded. Any woman who resists acting out these so-called needs, or any woman who rebels against the values inherent in these needs, or any
woman who refuses to sanction or participate in her own destruction is characterized as a deviant, one who denies her femininity, a shrew, a bitch, etc. Typically, such deviants are
brought back into the female flock by rape, gang rape, or
some form of bondage. The theory is that once such women
have tasted the intoxicating sweetness of submission they will,
like lemmings, rush to their own destruction.
Romantic love, in pornography as in life, is the mythic celebration of female negation. For a woman, love is defined as her willingness to submit to her own annihilation. As the saying goes, women are made for love— that is, submission.
Love, or submission, must be both the substance and purpose
of a woman’s life. For the female, the capacity to love is exactly synonymous with the capacity to sustain abuse and the appetite for it. For the woman, the proof of love is that she is
willing to be destroyed by the one whom she loves, for his
sake. For the woman, love is always self-sacrifice, the sacrifice
of identity, will, and bodily integrity, in order to fulfill and
redeem the masculinity of her lover.
In pornography, we see female love raw, its naked erotic
skeleton; we can almost touch the bones of our dead. Love
the erotic masochistic drive; love
which compels a woman to submit to a diminishing life in
chains; love
The primary transaction which expresses this female submission and this male possession, in pornography as in life, is the act of fucking. Fucking is the basic physical expression of
male positivity and female negativity. The relationship of sadist to masochist does not originate in the act of fucking; rather, it is expressed and renewed there.
For the male, fucking is a compulsive act, in pornography
and in real life. But in real life, and not in pornography, it is
an act fraught with danger, filled with dread. That sanctified
organ of male positivity, the phallus, penetrates into the female void. During penetration, the male’s whole being
penis is his identity; all sensation is localized in the penis and
in effect the rest of his body is insensate, dead. During penetration, a male’s very being is at once both risked and affirmed.
Will the female void swallow him up, consume him, engulf
and destroy his penis, his whole self? Will the female void
pollute his virile positivity with its noxious negativity? Will the
female void contaminate his tenuous maleness with the overwhelming toxicity of its femaleness? Or