walked into the river; and she told us each time a book was published and she went mad—don’t hurt me for what I have done, I will hurt m yself first, I w ill be incapacitated and I w ill suffer and I

will be punished and then perhaps you need not destroy me, perhaps you w ill pity me, there is such contempt in pity and I am so proud, won’t that be enough? She told us over and over in her

prose too: in her fiction she showed us, ever so delicately so that

we would not take offense; and in her essays she piled on the

charm, being polite to keep us polite. But she did write it straight

out too, though it was not published in her lifetime, and she

was right:

A certain attitude is required—what I call the pouring-out-

tea attitude— the clubwoman, Sunday afternoon attitude. I

don’t know. I think that the angle is almost as important as the

thing. W hat I value is the naked contact of a mind. Often one

cannot say anything valuable about a w riter—except what one

thinks. Now I found my angle incessantly obscured, quite unconsciously no doubt, by the desire of the editor and of the public that a woman should see things from the chary feminine

angle. M y article, written from that oblique point of view, alw ays went dow n. 7

To value “the naked contact of a mind” is to have a virile intelligence, one not shrouded in dresses and pretty gestures. Her work did always go down, with the weight of what being female demanded. She became a master of exquisite indirection. She hid her meanings and her messages in a feminine style. She labored under

that style and hid behind that mask: and she was less than she

could have been. She died not only from what she did dare, but

also from what she did not dare.

These three things are indissolubly linked: literacy, intellect, and

creative intelligence. They distinguish, as the cliche goes, man from

the animals. He who is denied these three is denied a fully human

life and has been robbed of a right to human dignity. Now change

the gender. Literacy, intellect, and creative intelligence distinguish

woman from the animals: no. Woman is not distinguishable from the

animals because she has been condemned by virtue of her sex class to

a life of animal functions: being fucked, reproducing. For her, the

animal functions are her meaning, her so-called humanity, as human

as she gets, the highest human capacities in her because she is

female. To the orthodox of male culture, she is animal, the antithesis

of soul; to the liberals of male culture, she is nature. In discussing

the so-called biological origins of male dominance, the boys can

afford to compare themselves to baboons and insects: they are writing books or teaching in universities when they do it. A Harvard professor does not refuse tenure because a baboon has never been

granted it. The biology of power is a game boys play. It is the male

way of saying: she is more like the female baboon than she is like me;

she cannot be an eminence grise at Harvard because she bleeds, we

fuck her, she bears our young, we beat her up, we rape her; she is an

animal, her function is to breed. I want to see the baboon, the ant,

the wasp, the goose, the cichlid, that has written War and Peace.

Even more I want to see the animal or insect or fish or fowl that has

written Middlemarch.

Literacy is a tool, like fire. It is a more advanced tool than fire,

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