picking lentils out o f the ashes, dressed in rags, degraded, insulted. He was a good man.

T he father o f Hansel and Grethel also had a good

heart. When his wife proposed to him that they abandon

the children in the forest to starve he protested immediately—“But I really pity the poor children. ” 18 When Hansel and Grethel finally escaped the witch and found

their way home “they rushed in at the door, and fell

on their father’s neck. T h e man had not had a quiet

hour since he left his children in the wood [Hansel,

after all, was a boy]; but the wife was dead. ” 19 Do not

misunderstand —they did not forgive him, for there was

nothing to forgive. All malice originated with the

woman. He was a good man.

Though the fairy-tale father marries the evil woman

in the first place, has no emotional connection with his

child, does not interact in any meaningful way with

her, abandons her and worse does not notice when she

is dead and gone, he is a figure o f male good. He is the

patriarch, and as such he is beyond moral law and human decency.

T he roles available to women and men are clearly

articulated in fairy tales. T h e characters o f each are

vividly described, and so are the modes o f relationship

possible between them. We see that powerful women

are bad, and that good women are inert. We see that

men are always good, no matter what they do, or do

not do.

We also have an explicit rendering o f the nuclear

Woman Hating

family. In that family, a mother’s love is destructive,

murderous. In that family, daughters are objects, expendable. The nuclear family, as we find it delineated in fairy tales, is a paradigm of male being-in-the-world,

female evil, and female victimization. It is a crystaliza-

tion of sexist culture —the nuclear structure of that

culture.

C H A P T E R 2

Onceuponatime: The Moral

of the Story

Fuck that to death, the dead are holy,

Honor the sisters of your friends.

Pieces of ass, a piece of action,

Pieces.

The loneliest of mornings

Something moves about in the mirror.

A slave’s trick, survival.

I remember thinking, our last time:

If you killed me, I would die.

Kathleen Norris

I cannot live without my life.

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