which makes sterile any animal foolish enough to take the bait.
Absorbed in these thoughts, wind in my eyes, I round a corner of the cliff and there’s a doe and her fawn not ten yards away, browsing on the cliffrose. Eating flowers. While she could not have heard or scented me, the doe sees me almost at once. But since I stopped abruptly and froze, she isn’t sure that I am dangerous. Puzzled and suspicious, she and the fawn at her side, madonna and child, stare at me for several long seconds. I breathe out, making the slightest of movements, and the doe springs up and away as if bounced from a trampoline, followed by the fawn. Their sharp hooves clatter on the rock.
“Come back here!” I shout. “I want to talk to you.”
But they’re not talking and in another moment have vanished into the wind. I could follow if I wanted to, track them down across the dunes and through the open parks of juniper and cliffrose. But why should I disturb them further? Even if I found them and somehow succeeded in demonstrating my friendship and good will, why should I lead them to believe that anything manlike can be trusted? That is no office for a friend.
I come to the North Window, a great opening fifty feet high in a wall of rock, through which I see the clouded sky and the hazy mountains and feel the funneled rush of the wind. I climb up to it, walk through—like an ant crawling through the eyesocket of a skull—and down the other side a half-mile to a little spring at the head of a seldom-visited canyon. I am out of the wind for a change, can light up my pipe and look around without getting dust in my eyes; I can hear myself think.
Here I find the track of a coyote superimposed on the path of many deer. So there is at least one remaining in the area, perhaps the same coyote I heard two weeks ago wailing at the evening moon. His trail comes down off the sandstone from the west, passes over the sand under a juniper and up to the seep of dark green water in its circle of reeds. Under the juniper he has left two gray-green droppings knitted together with rabbit hair. With fingertip I write my own signature in the sand to let him know, to tip him off; I take a drink of water and leave.
Down below is Salt Creek Canyon, corraded through an anticline to the bed of the Colorado. If I were lucky I might find the trail of bighorn sheep, rumored still to lurk in these rimrock hideaways. In all these years of prowling on foot through the canyons and desert mountains of the Southwest I have yet to see, free and alive in the wild, either a lion or a bighorn. In part I can blame only my ignorance and incompetence, for I know they are out there, somewhere; I have seen their scat and their tracks.
As I am returning to the campground and the truck I see a young cottontail jump from the brush, scamper across the trail and freeze under a second bush. The rabbit huddles there, panting, ears back, one bright eye on me.
I am taken by the notion to experiment—on the rabbit. Suppose, I say to myself, you were out here hungry, starving, no weapon but your bare hands. What would you do? What
There are a few stones scattered along the trail. I pick up one that fits well in the hand, that seems to have the optimum feel and heft. I stare at the cottontail hunched in his illusory shelter under the bush. Blackbrush, I observe, the common variety, sprinkled with tightly rolled little green buds, ready to burst into bloom on short notice. Should I give the rabbit a sporting chance, that is, jump it again, try to hit it on the run? Or brain the little bastard where he is?
Notice the terminology. A sportsman is one who gives his quarry a chance to escape with its life. This is known as fair play, or sportsmanship. Animals have no sense of sportsmanship. Some, like the mountain lion, are vicious—if attacked they defend themselves. Others, like the rabbit, run away, which is cowardly.
Well, I’m a scientist not a sportsman and we’ve got an important experiment under way here, for which the rabbit has been volunteered. I rear back and throw the stone with all I’ve got straight at his furry head.
To my amazement the stone flies true (as if guided by a Higher Power) and knocks the cottontail head over tincups, clear out from under the budding blackbush. He crumples, there’s the usual gushing of blood, etc., a brief spasm, and then no more. The wicked rabbit is dead.
For a moment I am shocked by my deed; I stare at the quiet rabbit, his glazed eyes, his blood drying in the dust. Something vital is lacking. But shock is succeeded by a mild elation. Leaving my victim to the vultures and maggots, who will appreciate him more than I could—the flesh is probably infected with tularemia— I continue my walk with a new, augmented cheerfulness which is hard to understand but unmistakable. What the rabbit has lost in energy and spirit seems added, by processes too subtle to fathom, to my own soul. I try but cannot feel any sense of guilt. I examine my soul: white as snow. Check my hands: not a trace of blood. No longer do I feel so isolated from the sparse and furtive life around me, a stranger from another world. I have entered into this one. We are kindred all of us, killer and victim, predator and prey, me and the sly coyote, the soaring buzzard, the elegant gopher snake, the trembling cottontail, the foul worms that feed on our entrails, all of them, all of us. Long live diversity, long live the earth!
Rejoicing in my innocence and power I stride down the trail beneath the elephantine forms of melting sandstone, past the stark shadows of Double Arch. The experiment was a complete success; it will never be necessary to perform it again.
Back in the warm pickup I enjoy a well-earned sandwich and drink my coffee before driving on another six miles, through clouds of wind-driven dust and sand, to the old Turnbow Cabin and the beginning of the trail to Delicate Arch.
Once there was a man named Turnbow who lived in the grimy wastelands of an eastern city which we will not mention here—the name, though familiar to all the world, is not important. This Turnbow had consumption. His doctors gave him six months. Mr. Turnbow in his despair fled to the arid wilds, to this very spot, built the cabin, lived on and on for many years and died, many years ago.
The cabin stands on the banks of the unpotable waters of Salt Creek, a shallow stream on a bed of quicksand. Drinking water is available half a mile upstream at a tributary spring. Turnbow Cabin itself is a well-preserved ruin (nothing decays around here) made of juniper, pinyon and cottonwood logs, no two alike in shape or size. The crudity of the construction followed from the scarcity of wood, not lack of skill. The cracks between the unhewn logs were chinked with adobe; a few fragments still remain. The walls have a morbid greenish hue that matches the coloration of the nearby hills; this is dust from the Morrison formation, a loose friable shale containing copper oxides, agate, chert, and traces of vanadium and uranium. There is a doorway but no door, a single window and no glass. The floor consists of warped, odd-size planks. In one corner is a manger for horses, an addition made long after the death of Mr. Turnbow. Cobwebs complete with black widow spiders adorn the darker corners under the ceiling. In the center of the room is a massive post of juniper shoring up the ancient, sagging roof, which is a thatchwork affair of poles, mud and rock, very leaky. As shelter, the cabin cannot be recommended, except for its shade on a hot day.
Back of the cabin are the lonesome Morrison hills, utterly lifeless piles of clay and shale and broken rock, a dismal scene. In front are the walls of Dry Mesa and Salt Creek Canyon. It is a hot, sunken, desolate place, closed in and still, lacking even a view. As Genghis Khan said of India, “The water is bad and the heat makes men sick.” A
