“You won’t take us, then?”

“No. You go back home.”

For a while the boy stood, holding the bridle, his face lowered. Then he turned; he said quietly: “Come on, then. We got to hurry.”

“Wait,” Weddel said; “what are you going to do?”

“I’m going a piece with you. Come on.” He dragged the sorrel forward, toward the roadside.

“Here,” Weddel said, “you go on back home. The war is over now. Vatch knows that.”

The boy did not answer. He led the sorrel into the underbrush. The Thoroughbred hung back. “Whoa, you Caesar!” the Negro said. “Wait, Marse Soshay. I ain’t gwine ride down no…”

The boy looked over his shoulder without stopping. “You keep back there,” he said. “You keep where you are.”

The path was a faint scar, doubling and twisting among the brush. “I see it now,” Weddel said. “You go back.”

“I’ll go a piece with you,” the boy said; so quietly that Weddel discovered that he had been holding his breath, in a taut, strained alertness. He breathed again, while the sorrel  jolted stiffly downward beneath him. “Nonsense,” he thought. “He will have me playing Indian also in five minutes more. I had wanted to recover the power to be afraid, but I seem to have outdone myself.” The path widened; the Thoroughbred came alongside, the boy walking between them; again he looked at the Negro.

“You keep back, I tell you,” he said.

“Why back?” Weddel said. He looked at the boy’s wan, strained face; he thought swiftly, “I don’t know whether I am playing Indian or not.” He said aloud: “Why must he keep back?”

The boy looked at Weddel; he stopped, pulling the sorrel up. “We’d work,” he said. “We wouldn’t shame you.”

Weddel’s face was now as sober as the boy’s. They looked at one another. “Do you think we have guessed wrong? We had to guess. We had to guess one out of three.”

Again it was as if the boy had not heard him. “You won’t think hit is me? You swear hit?”

“Yes. I swear it.” He spoke quietly, watching the boy; they spoke now as two men or two children. “What do you think we ought to do?”

“Turn back. They will be gone now. We could…” He drew back on the bridle; again the Thoroughbred came abreast and forged ahead.

“You mean, it could be along here?” Weddel said. Suddenly he spurred the sorrel, jerking the clinging boy forward. “Let go,” he said. The boy held onto the bridle, swept forward until the two horses were again abreast. On the Thoroughbred the Negro perched, high-kneed, his mouth still talking, flobbed down with ready speech, easy and worn with talk like an old shoe with walking.

“I done tole him en tole him,” the Negro said.

“Let go!” Weddel said, spurring the sorrel, forcing its shoulder into the boy. “Let go!”

“You won’t turn back?” the boy said. “You won’t?”

“Let go!” Weddel said. His teeth showed a little beneath his mustache; he lifted the sorrel bodily with the spurs. The boy let go of the bridle and ducked beneath the Thoroughbred’s neck; Weddel, glancing back as the sorrel leaped, saw the boy surge upward and on to the Thoroughbred’s back, shoving the Negro back along its spine until he vanished.

“They think you will be riding the good horse,” the boy said in a thin, panting voice; “I told them you would be riding… Down the mou-tin!” he cried as the Thoroughbred swept past; “the horse can make hit! Git outen the path! Git outen the…” Weddel spurred the sorrel; almost abreast the two horses reached the bend where the path doubled back upon itself and into a matted shoulder of laurel and rhododendron. The boy looked back over his shoulder.

“Keep back!” he cried. “Git outen the path!” Weddel rowelled the sorrel. On his face was a thin grimace of exasperation and anger almost like smiling.

It was still on his dead face when he struck the earth, his foot still fast in the stirrup. The sorrel leaped at the sound and dragged Weddel to the path side and halted and whirled and snorted once, and began to graze. The Thoroughbred however rushed on past the curve and whirled and rushed back, the blanket twisted under its belly and its eyes rolling, springing over the boy’s body where it lay in the path, the face wrenched sideways against a stone, the arms back-sprawled, open-palmed, like a woman with lifted skirts springing across a puddle. Then it whirled and stood above Weddel’s body, whinnying, with tossing head, watching the laurel copse and the fading gout of black powder smoke as it faded away.

The Negro was on his hands and knees when the two men emerged from the copse. One of them was running. The Negro watched him run forward, crying monotonously, “The durned fool! The durned fool! The durned fool!” and then stop suddenly and drop the gun; squatting, the Negro saw him become stone still above the fallen gun, looking down at the boy’s body with an expression of shock and amazement like he was waking from a dream. Then the Negro saw the other man. In the act of stopping, the second man swung the rifle up and began to reload it. The Negro did not move. On his hands and knees he watched the two white men, his irises rushing and wild in the bloodshot whites. Then he too moved and, still on hands and knees, he turned and scuttled to where Weddel lay beneath the sorrel and crouched over Weddel and looked again and watched the second man backing slowly away up the path, loading the rifle. He watched the man stop; he did not close his eyes nor look away. He watched the rifle elongate and then rise and diminish slowly and become a round spot against the white shape of Vatch’s face like a period on a page. Crouching, the Negro’s eyes rushed wild and steady and red, like those of a cornered animal.

VI. BEYOND

Beyond

THE HARD ROUND ear of the stethoscope was cold and unpleasant upon his naked chest; the room, big and square, furnished with clumsy walnut, the bed where he had first slept alone, which had been his marriage bed, in which his son had been conceived and been born and lain dressed for the coffin, the room familiar for sixty-five years, by ordinary peaceful and lonely and so peculiarly his own as to have the same odor which he had, seemed to be cluttered with people, though there were but three of them and all of them he knew: Lucius Peabody who should have been down town attending to his medical practice, and the two Negroes, the one who should be in the kitchen and the other with the lawn mower on the lawn, making some pretence toward earning the money which on Saturday night they would expect.

But worst of all was the hard cold little ear of the stethoscope, worse even than the outrage of his bared chest with its fine delicate matting of gray hair. In fact, about the whole business there was just one alleviating circumstance.

“At least,” he thought with fretted and sardonic humor, “I am spared that uproar of female connections which might have been my lot, which is the ordinary concomitant of occasions of marriage or divorcement. And if he will just move his damned little toy telephone and let my niggers go back to work ”

And then, before he had finished the thought, Peabody did remove the stethoscope. And then, just as he was settling himself back into the pillow with a sigh of fretted relief, one of the Negroes, the woman, set up such a pandemonium ot wailing as to fetch him bolt upright in the bed, his hands to his ears. The Negress stood at the foot of the bed, her long limber black hands motionless on the footboard, her eyes whitely back-rolled into her skull and her mouth wide open, while from it rolled slow billows of soprano sound as mellow as high-register organ tones and wall-shattering as a steamer siren.

“Chlory!” he shouted. “Stop that!” She didn’t stop. Apparently she could neither see nor hear. “You, Jake!”

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