Both characters feel it here. It gets very charged. Let’s see how you two do.”
The scene opens with Rosalind/Ganymede/me asking Orlando/Drew where he’s been, why he’s taken so long to come see me—I’m “pretending” to be Rosalind. That’s the gimmick. Rosalind has been pretending to be Ganymede, who must now pretend to be Rosalind. And she tries to talk Orlando out of loving Rosalind, even though she really
Drew/Orlando replies that he came within an hour of his promised time. I say to be even an hour late when you’ve made a promise in love’s name puts in question whether you’re truly in love. He begs my forgiveness. We banter a bit more, and then I, as Rosalind as Ganymede feigning Rosalind, ask, “What would you say to me now, an I were your very very Rosalind?”
Drew pauses, and I find that I’m waiting, holding my breath, even, for his answer.
And then he replies, “I would kiss before I spoke.”
Drew’s eyes are blue, nothing like
I’m kind of rattled as I deliver my next lines, advising Orlando that he should speak before he kisses. We go back and forth, and when we get to the part when Orlando says he would marry me—her—I don’t know about Rosalind, but I’m feeling dizzy. Luckily, Rosalind has more grit than I do. She, as Ganymede, says, “Well, in her person, I say I will not have you.”
Then Drew says, “Then in mine own person I die.”
And then something in me just comes undone. I can’t find the right line or the right page. And I seem to have lost something else too. My grip on myself, on this place. On time. I’m not sure how much of it elapses while I stand there frozen. I hear Drew clear his throat, waiting for me to say my next line. I hear Professor Glenny shift in his chair. Drew whispers my line to me, and I repeat it and somehow manage to regain my bearings. I continue to question Orlando. Continue to ask him to prove his love. But I am no longer acting, no longer pretending.
“Now tell me how long you would have her after you have possessed her?” I ask as Rosalind. My voice no longer sounds like mine. It is rich and resonant with emotion—full of the questions I should’ve asked back when I had the chance.
He answers, “For ever and a day.”
All the breath whooshes out of me. This is the answer that I need. Even if it doesn’t happen to be true.
I try to read the next line, but I can’t speak. I can’t breathe. I hear a roar of wind in my ears and blink to stop the words from dancing all over the page. After a few moments, I manage to choke out the next sentence, “Say ‘a day’ without the ‘ever,’” before my voice breaks.
Because Rosalind understands.
I feel the hot tears in my eyes and through their veil see the class, silent, gaping at me. I drop my book to the floor and bolt toward the door. I run out into the hallway, past the classrooms, and into the ladies’ room. Crouching in a corner stall, I gulp deep breaths and listen to the hum of the fluorescent lights, trying desperately to push back against this hollowness that threatens to swallow me alive.
I have a full life. How can I be this empty? Because of
I have been empty for a long time. Long before Willem entered and exited my life so abruptly.
I’m not sure how long I’m in there before I hear the squeak of the door. Then I see Dee’s pink Ugg knockoffs under the stall.
“You in here?” he asks quietly.
“No.”
“Can I come in?”
I unlock the stall. There’s Dee, holding all my stuff.
“I’m so sorry,” I tell him.
“Sorry? You were stupendous. You got a standing ovation.”
“I’m sorry I didn’t tell you my parents were coming. I’m sorry I lied to you. I’m sorry I bungled everything. I don’t know how to be a friend. I don’t know how to be anything.”
“You know how to be Rosalind,” he says.
“That’s because I’m an expert faker.” I swipe a tear with my hand. “I’m so good at faking I don’t even know when I’m doing it.”
“Oh, honey, have you learned nothing from these plays? Ain’t such a line between faking and being.” He opens his arms, and I step into them. “I’m sorry too,” he says. “I might’ve overreacted a hair. I can be dramatic, in case you haven’t noticed.”
I laugh. “Really?”
Dee holds my coat, and I slip into it. “I don’t like being lied to, but I do appreciate what you tried to say to me. People have never known what to make of me—not in my neighborhood, not at high school, not here—so they’re always trying to figure it out and tell me what I am.”
“Yeah, I know something about that.”
We look at each other for a long minute. A whole lot gets said in that silence. Then Dee asks, “You wanna tell me what all that was about in there?”
And I do. So much it’s squeezing my chest. I’ve been wanting to tell him this, everything about me, for weeks now. I nod.
Dee offers me his arm, and I loop mine through it, and we leave the bathroom as a pair of girls come in, giving us a strange look.
“Well, there was this guy . . .” I begin.
He shakes his head and gently clucks his tongue like a sweetly scolding grandmother. “There always is.”
_ _ _
I take Dee back to my dorm. I serve him a backlog of cookies. And I tell him everything. When I finish, we’ve munched our way through black-and-whites and peanut butter. He wipes the crumbs off his lap and asks me if I ever thought about
“Not
“Yes it does. Did you ever think what might’ve happened if they weren’t so damn impatient? If maybe Romeo had stopped for a second and gotten a doctor, or waited for Juliet to wake up? Not jumped to conclusions and gone and poisoned himself thinking she was dead when she was
“I can see you have.” And I can. He’s pretty worked up.
“I’ve seen that movie so many times, and every damn time, it’s like screaming at the girl in the horror movie.