This library held no Iskari romances, no histories of the Atavasin Empire or treatises on gardening or the cultivation of dreamweed. Shelves strained to support ledgers, pacts, scrolls, codices of souls collected and paid. These documents, and the Craft they anchored, were RKC’s meat and blood.
No windows opened onto the library. No candles burned. Ghostlamps offered the only light. Attendants wandered branching paths between high walls lined with forbidden tomes.
After a half hour’s search Caleb found the Sub-Basement of Honorable Confusion and Folly, which held the industrial contracts. From the third oversized shelf in the fourth bookcase he removed a hand-bound sheaf of documents, spine embossed with “Rakesblight” and illuminated in gold leaf. He recognized this book, its prim, stiff binding and the green marble cover paper: he had written most of the reports inside. Rakesblight had been one of his first projects.
He flipped through pages of contracts and graphs and sigils until he reached the glossy pictures at the book’s heart: plans of the Rakesblight Center, with lines of Craft drawn in blue. He sketched a copy of the diagram in a small notebook he carried, and stared at his sketch as if to drink its lines off the page into his mind. He made a small correction, and retrieved a larger book, labeled North Station in heavy letters, from the oversized shelf.
North Station surrounded Rakesblight and its neighboring properties on three sides. The people of Dresediel Lex paid RKC and other Concerns for their lights, water, and food in slivers of soul. In North Station, Craft engines smelted this soulstuff into power free of memory, affection, or moral content. That power in turn set the city’s lamps ablaze and pumped its water down miles of pipe.
Caleb laid the book open on a wooden table that creaked with its weight. North Station’s physical schematics were almost illegible below the blue lines drawn above and around them. Near North Station, the Craft twisted into thick ropes of obligation and interest and torment. Those ropes moved like belts in a machine.
Perfect.
Closing the book, he stood alone in the sub-basement. It was lunchtime, and the architects and students and junior Craftsmen who usually worked here would not return for an hour at least.
The library dripped with Craft. Mystic bindings and filaments clogged the narrow avenues between bookcases. Craft lines tangled and knotted until only scholars could tell a consignment order from a service contract, a statement of work from a record of accounts receivable.
Not so different from the air around North Station.
Caleb pulled his chair into the center of the room, and stepped onto its seat. The legs wobbled, but did not give. He slid a handkerchief from his jacket pocket, unfolded the cloth and held it before him at arm’s length. The fabric hung limp in the dry basement air. He spread the fingers of his free hand beside the handkerchief, but felt nothing. He raised both handkerchief and hand above his head. No change. Carefully, slowly, he searched the air. At last he found the right spot: the handkerchief did not move, but a cool breeze blew against his hand. No. Not a breeze. More like a stream of water, if water were invisible, and not precisely wet.
Caleb traced the invisible flow for a few feet in either direction. He closed his eyes, and at first saw only the black behind his eyelids. A world emerged: the library outlined in lightning and blue flame. His body was a tangle of wires, his hand a skeleton’s hand. A silver line passed through his palm. Light flowed along its length. The scars that spiderwebbed his forearm tingled and awoke. The Craft-line became solid to his touch.
He opened his eyes, framed his mind in an attitude he would not have recognized as prayer, and jumped.
11
The sun died, devoured by the rolling ocean. Dresediel Lex bloomed from its death, like a flower on a grave. Pyramids and skyspires cast light into darkness. The arteries of commerce glowed. In an office atop the obsidian pyramid where he once broke the gods, the King in Red sipped coffee and watched the city his power made possible, the city his radiance illuminated.
The lords of the earth and the bums in rags and tatters hid from that light, under ratty blankets or in the perfumed caves of nightclubs and dance halls. Across town by the shore, five students doffed their clothes and ran naked into cold dark water. Dresediel Lex by night was a brilliant menagerie. The animals trapped inside scraped at the bars of their cages.
Caleb arrived early at the Rakesblight Center, a black square box a thousand feet on each side and four stories tall. Animals were bought here, butchered, and sold—unsuspecting pigs herded a hundred at a time into rooms that smelled nothing at all like death, so well did the center’s Craft scrub away the stench and spiritual taint of slaughter. From those rooms the pigs’ corpses moved to wheels and metal jaws and conveyor belts. By the time their meat reached the sale floor, it had become cold flesh in a small box, nothing left to suggest it once squealed or rooted in muck.
Two years before, the King in Red had bought the place from Illyana Rakesblight, the Deathless Queen who designed the center to replace the fallen Goddess of Plenty. After the purchase, Illyana retired to an island she raised from a distant ocean, and the King in Red assumed her role. Each knife and abattoir became an extension of his power. Caleb’s job had been to review the plant and ensure RKC would profit enough to offset operating costs. The center was a good investment, he decided after weeks of waking up shivering from nightmares of nothing-wrong, of smiling as he was flayed alive by sharp, spinning wire; the King in Red agreed. Caleb earned a promotion from his nightmares, never entered the Rakesblight Center again, and renounced all meat for seven months after the deal cleared.
He skirted the edge of the center’s parking lot. No true night ever fell in Dresediel Lex, but there were shadows enough to hide. Soon he reached the alley between the center and the warehouse next door, which belonged to a demon-summoning Concern. He found a fire escape set into the center’s wall and began to climb.
Cliff runners flitted across the gap between the buildings above, silent as falcons falling, so swift he might have missed them between blinks.
He climbed faster, and tried to calm his heart. Reaching the top of the ladder, he clamored to the roof and stopped, amazed.
The runners waited, arrayed for war.
Some stood and some crouched on the flat black roof, uniform in their lack of similarity. Short hair and long, thick and thin, skin tattooed or clean or pierced, dressed in basic black or strips of multicolored cloth, armored with chain or girded by soft leather. Caleb felt underdressed in his denim pants and cotton shirt.
The runners did not speak to him or to each other. Noise might attract Wardens and other undesirables. They communicated through gesture and glance.
Fifty curious gazes turned to him. He ignored all but one.
Someone had chalked a white line on the roof from north to south. Beyond that line the city rolled over buildings and below skyspires, to the black ocean and the cold sand.
Mal stood on the line, arms crossed, waiting.
As he approached her, the air grew warm. She’d slicked her hair back against her scalp, and bound it with a leather strap.
“I’m glad you made it,” she said.
Rooftop gravel ground beneath his feet as he approached her.
“Why are you chasing me?”
“I’m trying to protect the city.” He took another step. “And you.”
The cliff runners watched.
Ten feet. Five.
“You’re the one who needs protection,” she said.
Three. Two. One. He smelled sweat, sandalwood, and leather. “I’ll take my chances.” He reached for her.
He blinked.
When his eyes opened, Mal was halfway across the roof already and gaining speed. Caleb had no time to
