broken loose—four, if you counted Ms. Lawrence. But there were no words left in me. There was only screaming.

Then the sleepwalkers, all three of them, stopped moving. Their blank gazes fell on me, seeming to have an almost physical weight. The sirens faded to nothingness as the drums got even louder, hammering in my ears until my whole head was pounding. There was an air of unreality to the whole scene, like I was dreaming.

Please let me be dreaming, I thought.

Then the man with the bloody chin opened his mouth, sighed, and moaned, “Sah-lee.”

As with Chave before him, he seemed almost physically hurt by the act of saying my name, like those two syllables had been ripped out of his throat. He took a step forward, dead eyes remaining fixed on my face.

“Sah-lee,” he repeated.

The other sleepwalkers took up the chant, each of them saying my name in the same broken way. They weren’t speaking in unison. That would almost have been better. It wouldn’t have forced me to acknowledge how many of them there were. Even the ones who were still strapped down joined in the horrible chorus, some speaking so slowly they were barely comprehensible, while others sounded like normal people.

I stopped screaming and stared at the sleepwalkers. My father was shouting somewhere in the room, his words drowned out by their slow, droning syllables and the pounding of the drums. Somehow, the drums were louder than the sirens and quieter than those broken, disconnected voices at the same time. It didn’t make any sense.

Nothing made any sense.

The sleepwalker at the head of the group took another step toward me. “Sah-lee,” he said, the syllables sounding less like moans and more like speech with every instant that passed. He sounded… sad.

I blinked at him, trying to make sense of it all. The sirens blared, beginning to make themselves heard again above the pounding of the drums. The red light bathed everything in a ruby glow, like something out of a fairy tale. I took a breath, unsure whether I was going to answer him or start screaming again.

The bullet hole that suddenly appeared in the middle of his forehead answered the question for me. I screamed again, and I kept screaming while my father rushed across the room, gunning down the other loose sleepwalkers in the process.

I was still screaming when the last of the sleepwalkers hit the floor. Then the door behind me finally banged open, and soldiers shoved me out of the way as they rushed into the room with tranquilizer guns in their hands. My father gathered me into his arms, barking orders and directing men with sharp waves of the hand that held his gun. I kept screaming. It seemed like the most sensible thing to do. It seemed like the only thing to do.

The needle bit into the side of my neck, and I kept screaming until the darkness, and the sound of drums, reached up to take me down.

Everything after that was silence.

-

Find the key that knows the lock, Find the root that knows the rock, Find the things you’re seeking in the place you fear to look. Promise me that you’ll take care, You’ll show caution, you’ll beware. There are many dangers in the pages of this book. The broken doors are waiting. You are stronger than you’ve known. My darling girl, be careful now, and don’t go out alone. —FROM DON’T GO OUT ALONE, BY SIMONE KIMBERLEY, PUBLISHED 2006 BY LIGHTHOUSE PRESS. CURRENTLY OUT OF PRINT.

You know what I find really interesting about the people who want to ask about the “consequences” of what they consider to be me and my company playing God? They’re never the ones refusing medical care. They’re never the ones saying “No thank you, Doctor, I’d rather be on insulin and taking inefficient medications in pill form and dealing with the possible side effects of increasingly ineffective antibiotics than have something living inside me.” They’re never the ones who refuse the implant on moral or religious grounds.

No, the people who say the SymboGen Intestinal Bodyguard™ is somehow morally wrong are always the ones whose implants are securely in place and wouldn’t be impacted by any new regulations. They’re the ones with dependable medical care, for whom the hygiene hypothesis was always an interesting theory held at bay by their physicians and their medications.

They’re the ones with nothing to lose. The people with everything to lose, the ones whose lives have been transformed by D. symbogenesis? They’re the ones who stand up and say “No” when legislation is proposed that would make us and what we do illegal. They’re the ones who keep us going.

They’re the ones this is all for.

—FROM “KING OF THE WORMS,” AN INTERVIEW WITH DR. STEVEN BANKS, CO-FOUNDER OF SYMBOGEN. ORIGINALLY PUBLISHED IN ROLLING STONE, FEBRUARY 2027.

Chapter 16

AUGUST 2027

Something is different.

I am alone in the dark, in the hot warm dark, and nothing here is supposed to change; change is the antithesis of the dark. Change is forever, it cannot be undone. Even if things are returned to their original state, they will still have been changed. They will still remember the act of changing. Change is the great destroyer.

But whatever has changed, it is not something I can see, and so I forget that anything has changed at all. There is no point to holding on, and memory is hard, so hard, almost as hard as change; memory is for another time, another place, a place outside the hot warm dark. I let go and let myself drift through the darkness, and everything is safe, and everything is warm, and everything is always and forever accompanied by the sound of drums.

The sound….

The sound of drums.

But hadn’t the drums stopped? I was sure they had… and as soon as I thought that, it became true. The drums stopped, the red turned to black, and the warmth turned to coldness. I woke up alone in the dark, opening

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