there. He seems quite anxious to find the boy, but seems dismissive of the parents.”
“He does. I wonder why.”
“He knows more than he’s said.”
“Indeed he does. So does our innkeeper. And I think Mr Campbell was going to tell us about the man I saw in the woods before Mr Rose caused that commotion with the broken cup. There are secrets within secrets here.”
“And yet they asked us to come.”
“I think tomorrow will be interesting.”
“I’m afraid,” Hammersmith said, “that the boy’s parents may be dead, and that everyone here knows it.”
“I’m not sure you’re right, Sergeant, but if you are, I hope we at least find the boy alive.”
“And quickly. It’s cold out there.”
“Well,” Day said. “We shall be of no use to anyone without at least a couple of hours of sleep.”
“You go. I won’t be able to sleep knowing the boy may be out there in the cold and the dark, feeling abandoned and alone.”
“Yes, I’m sure he’ll sense your lack of sleep and be comforted by it.”
“I didn’t-”
“Never mind. Go get whatever sleep you can, and we’ll be back at the search bright and early. I promise.”
Hammersmith moved toward the stairs, but turned back when Day called his name.
“Mr Hammersmith?”
“Sir?”
“It might be a good idea to lock your bedroom door tonight.”
“I always do.”
19
T
20
There was no key in the door. The innkeeper had left them vulnerable, with no easy means to lock themselves in. Walter Day checked under his bed and found that the chamber pot with Hammersmith’s vomit and the rest of the stew had been removed. A fresh basin had been left in its place. He set the small straw-filled box containing the baby bird on the vanity next to the washbasin. The ball of fluff was asleep, breathing heavily in and out. He imagined its heart beating under the soft feathers. He hoped that the little boy, Oliver, was sleeping somewhere and had made it through another night.
He was dressing for bed when he heard a small noise in the hall outside, a rustle of movement so faint as to go unnoticed if he hadn’t been on edge, half listening for it. He turned down the lamp, went to his door, and cracked it open. The flow of shadows among shadows at the end of the hall caught his eye and he closed the door again, pressed his cheek against it, and listened.
He could hear movement outside the next room, Hammersmith’s room. There was the faint sound of metal scraping against metal, then soft footsteps approached Day’s door. The inspector pulled back and looked around the room for his revolver. The doorknob jiggled and the lock turned over. Day stepped closer and put his ear back against the door and listened as muffled footsteps retreated down the stairs. He tried the doorknob. It turned a quarter of an inch each way, but wouldn’t budge farther. He had been locked in his room.
Day crossed to his bed and rummaged inside his open suitcase. He produced a flat black leather pouch and flipped it open to reveal an array of heavy-looking brass keys. He chose one and returned to the locked door, where he crouched and went to work. It took him less than a minute to draw back the lock and open the door.
He stepped into the hall and pulled the door shut behind him, then crept quietly to the stairs and down.
21
Day paused in the shadows of the inn’s common room. The twin fires were still blazing, but the lamps had been extinguished and no one was in sight. Bruised early sunlight filtered through the high windows, turning the room purple. From his vantage point on the stairs, Day would have seen anyone leaving the inn by the big front door, which meant that whoever had locked them in their rooms had gone out through the door behind the bar. Day crossed the room silently and poked his head through the door.
He saw a narrow dining room with an oak table and six chairs. A muddy brown tapestry with an