There were actually many unexpected developments that arose during the course of writing these three books. As a writer, I’m rather organized, so I began each book with a very detailed outline, somewhere around fifty to sixty pages of specific plot points. So when I began writing I really didn’t think that much would change from my outline or that I would be surprised by any major new ideas. Needless to say I was proven wrong on many occasions.
One of the first developments was the true history of Inishtrahull Island and Weeping Water, Nebraska. I chose those locations for specific reasons: I wanted Ronan to come from the northernmost point in Ireland, and I wanted Michael to come from the heartland of America. However, I had no idea that both locations were steeped in legends that had to do with water and bloody battles. These two seemingly random choices were perfect fits for the Archangel Academy series because water and blood are vital elements to the story. I’m not sure if it was luck or the storytelling gods pointing me in the right direction!
I also had no idea that the origin of the white roses was going to play such an important role in the overall story. When I first introduced this interesting, but minor plot point, I thought it was simply a bit of fun, just a nice addition to the Double A folklore. I truly had no idea that they would turn into the huge plot point they eventually became. It was a wonderful surprise to me and hopefully to you readers as well.
When I decided to have Phaedra leave in book two, I cried. Partially because it was so unexpected, but also because it made such perfect sense. Of course, I loved the character so much (especially her name! and I think you’ve figured out by now that I love really interesting and unique names) that I would have found a way to bring her back into book three even if it didn’t make complete sense.
Luckily for me (and you), her bonds to Fritz and Michael were still very strong, so it was totally fitting for her to return and play an important role in
And finally, I think one of the biggest surprises was the character of Ruby. Originally I had her in one scene in
Why do you like writing for a YA audience?
I actually never knew how much I loved writing for the young adult audience until I started. Then for the longest time I just felt an emotional connection to the work and the audience and never questioned it until someone asked me during a book signing and I was forced to articulate my feelings. For me, it’s because the YA audience is fearless and without restrictions. They’re willing to join a writer for the journey and go wherever the next page may lead without cynicism or preconceived notions, and that is really liberating for a writer. As long as I maintain the architecture and the mythology of the story and don’t start changing defined elements halfway through the novel, the audience will accept pretty much anything that’s thrown at them. For instance, I can’t establish Nakano as a regular vampire and then have him walk in the sunlight in Weeping Water, which is something I actually did in the first draft! I was writing so quickly that during a scene in
The other great thing is that the YA audience is not at all shy about telling you how much they love or hate a character or a particular element of your story. I’ve gotten such incredible (and, thankfully, mostly wonderful) feedback from young readers. The YA audience is really quite a smart, well-read group, and I thoroughly enjoy writing for them.
What are your favorite books?
Too many to mention or remember, for that matter! However, my absolute favorite book of all time is
I just love it.
Other favorites include John Knowles’s
K TEEN BOOKS are published by Kensington Publishing Corp.
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