“Yes,” he said.
“If you must shoot her or anyone who attempts to stop you, do so, but try not to kill them.”
Zelach did not say yes. He did not nod. Karpo was already beyond him, making his way toward the girl with the flaming-red hair. Zelach looked toward the girl, who did not seem to have noticed the two policemen. He made his way as quickly as he could back to the main entrance. People did not part for him as they had when he was at Karpo’s side. He was jostled, given nasty looks. He heard a few muttered insults and some not so muttered. Alone he looked less formidable and more like a storekeeper or office worker who had made the wrong turn into a bad neighborhood at lunchtime.
It took him almost a full minute to get back to the front entrance. He patted his jacket with the inside of his right arm and felt his gun resting in the holster. He was almost certain that he would be unable to shoot the girl or anyone else unless they were armed and directly threatening him. He would brandish his gun, which might bring the crowd down on him but might succeed in stopping the girl. He could fire into the ceiling, which might bring the crowd down on him and might stop the girl. Or he could try to subdue her and hold her till Karpo came to his aid.
Zelach was not weak. He did not have nearly the strength of Porfiry Petrovich Rostnikov or Iosef Rostnikov or Emil Karpo, but he was not without his reserves.
That was what he would do.
Zelach was now convinced that something had happened to Karpo, that he would have to tell someone about the strange things he was doing, but who? Porfiry Petrovich was the logical choice, but he was on a train heading into Siberia. Zelach had no desire to come face to face with Director Igor Yaklovev, who might not believe him or might not care. He had the distinct feeling-no, the certainty-that Yaklovev considered Zelach a fool to be suffered because Chief Inspector Rostnikov wanted him.
Emil Karpo was the senior inspector in the Office of Special Investigation in Porfiry Petrovich’s absence. Zelach decided to do what he always did in difficult situations. He would ask his mother.
Positioned next to the door, trying not to draw attention to himself and failing miserably, Zelach adjusted his glasses, leaned back against the wall, and plunged his hands into his pockets.
Across the room in the vicinity of where he had seen the girl, Zelach could make out the spear-straight figure of Emil Karpo. He wished he could hear what was being said. He had the distinct feeling that it was not going well.
Had he been close to Karpo and privy to the conversation, he would have seen and heard what follows:
Neither the girl nor Yakov Mitsin at her side noticed Karpo approaching. They were haggling over the cost of studded-denim and leather jackets, caps, and belts with a thin man wearing a black overcoat.
“Nina Aronskaya,” Karpo said.
The girl froze in mid-sentence. She had met Karpo but once. She would never forget his voice and knew what she would see when she turned.
Mitsin turned first and faced him. Then she turned.
Karpo said nothing. He ignored the young man and looked at the girl. She was overly made-up, her artificially powdered face even whiter than Karpo s own. Her lips were a bright artificial red that matched her short hair. She wore a ring through her nose, which she had not borne when Karpo had seen her naked in Misha Lovski’s apartment.
The look of fear was there and gone almost before it came into existence, but Karpo recognized it. Now would come the bluff, the lies. They would come if Karpo did not stop them. People around them were watching them now, sensing a confrontation.
“Misha Lovski,” answered Karpo.
“How did you find us?” Yakov Mitsin asked.
Karpo ignored him.
“You found him?” the girl asked.
“If we had, I would not be here.”
“What do you want?” asked Mitsin, looking at the watching circle of faces.
Karpo continued to ignore him.
Mitsin was wearing a leather jacket covered with patches displaying weapons. The girl wore an almost- matching jacket, but hers bore painted images of naked males’ and females, some pressing together facing each other or with the male figure behind.
“Where is Misha Lovski?” Karpo asked the girl.
“I do not know,” she said. “How should I know? I am not his mother.”
“That is Anarchista,” a male voice came from behind Karpo.
“And that is Acid,” came a female voice. “It is Acid.”
“You drugged him, had Heinrich and Bottle Kaps put him in a car, and you took him somewhere,” Karpo said. “You will tell me here and now where he is. Then you will go with me to find him or his body.”
“You are crazy,” said Mitsin, getting between Karpo and the girl, putting his face up inches before the taller detective, playing to the crowd.
“You will step out of the way,” Karpo said, so quietly that Mitsin could barely hear him. “Or I will shoot you in the left leg just above the knee. The pain will be unbearable and you will be fortunate to walk normally again.”
Mitsin’s smirk faded. In the eyes of the tall ghost he could see truth. He stepped out of the way and said, “We are not going with you.
“No,” agreed the crowd, which pressed forward slightly.
More and more people in the concrete block were now aware that something was happening. Fights were not uncommon here. Murder was not unheard of just outside the doors.
Karpo showed not the slightest fear or concern, and in fact he felt none, He was calm, ready, and very determined. For an instant he considered that he might welcome an attack from the crowd.
The girl seemed uncertain. She looked at Mitsin, who avoided her eyes.
“What happens if I tell you?”
“That depends on where he is, if he is alive and well, and why you did it,” said Karpo.
“Do not talk to him,” called a burly skinhead in the front of the.small circle.
“He is alive,” she said. “I think he is alive. It was just a joke. He is alive. Someone wants to teach him a lesson, that is all.”
“Someone paid you,” said Karpo. “Who?”
The burly skinhead pushed ahead of the crowd. Karpo barely glanced at him. The detectives hand went inside his jacket and came out with a gun pointed directly at the skinhead, who suddenly stopped.
“Who paid you?” asked Karpo.
The girl hesitated, her eyes moving around, considering a run for the exit, hoping the crowd would protect her. Her thoughts went no further than that.
“It would be a very bad idea,” Karpo said, seeming to read her thoughts.
The girl who called herself Anarchista gulped nervously and Karpo could see tears forming in her eyes. He could also see two men moving quickly through the crowd, two men who fit into the scene even less than Karpo and Zelach.
The men were wearing identical dark suits with white shirts and ties. They had the look of athletes. Both were no more than forty.
“Where is he?” asked Karpo as the two men moved behind the girl and Mitsin.
Suddenly both men had weapons in their hands. One of the two, the larger, had a small machine gun, which he had pulled from under his coat. Karpo turned his gun on the two men. The crowd began to back away in panic. People screamed and fell. Tables toppled.
Each of the men in suits grabbed an arm of the girl and began to back away with her. Mitsin moved with them. They were all facing Karpo, who was certain he could shoot the man with the automatic weapon through his forehead before he could fire. It was unlikely that he would get off a shot at the second man before he himself was killed.
The quartet backed away toward the entrance, toward Zelach, who had his weapon in two hands aimed at the backs of the two men.
